Google Scholar:<\/p>\n\n\n\n
https:\/\/scholar.google.com\/citations?user=KIYBzcEAAAAJ&hl=en<\/strong><\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n https:\/\/www.researchgate.net\/profile\/Andrea-Virginas<\/a><\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/AndreaVirgin\u00e1s<\/strong><\/a><\/p>\n\n\n\n CV extended <\/a><\/strong><\/p>\n\n\n\n CV_short_EN_RO<\/a><\/strong><\/p>\n\n\n\n CNATDCU score (punctaje)<\/strong><\/a><\/p>\n\n\n\n Dr. hab. Andrea Virgin\u00e1s <\/strong>is a film and media scholar with research interests in film genres, cultural and gendered stereotypes, narrative, medial and memory structures \u2013 specifically the audiovisually mediatized processing of collective traumas, including environmental trauma. Associate Professor in the Faculty of Theatre and Film, Babe\u0219-Bolyai University, Cluj-Napoca, Bolyai J\u00e1nos Research Fellow of the Hungarian Academy of Sciences (2021-2024), project leader of Cultural Traumas in Contemporary European Small National Cinemas <\/em>(2022-2024), and Romanian unit responsible in AGE-C: Aging and Gender in European Cinema<\/em> (2023-2027). Latest volume: Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception <\/em>(Lexington Books, 2021).<\/p>\n<\/div><\/div>\n\n\n\n Film, television and streaming history (in American, European and East-European contexts): genres, mainstream vs. peripheral and\/or small industries, career paths, stars. Film, television and streaming theory: iconographies, inter- and multi-modality, narratology, stylistics. Cultural studies: cultural canons, gender theory, cultural memory, collective trauma theory, eco-theory.<\/p>\n\n<\/div><\/details><\/div>\n\n Assmann, Aleida. Az eml\u00e9kezet \u00e1talak\u00edt\u00f3 ereje [The transformative power of memory]. Trans. Gy\u00f6ngy \u00c9va M\u00e1t\u00e9. Studia Litteraria <\/em>2012\/1-2, 9\u201323.<\/a><\/p>\n\n\n\n Barbier, Fr\u00e9d\u00e9ric, Catherine Bertho Lavenir. A m\u00e9dia t\u00f6rt\u00e9nete. Diderot-t\u00f3l az internetig. <\/em>Budapest: Osiris Kiad\u00f3, 2004, 13-22, 188-228, 257-303, 352-384.<\/p>\n\n\n\n Bazin, Andr\u00e9: Mi a film?<\/em> Essz\u00e9k, tanulm\u00e1nyok.<\/em> Budapest: Osiris, 1995, 7-154.<\/p>\n\n\n\n Bolter, David Jay, Robert Grusin: Remediation. Understanding New Media. <\/em>Mass: MIT Press, 2000, 2-87.<\/p>\n\n\n\n Bordwell, David<\/a> \u2013 Kristin Thompson. Film History<\/em>: An Introduction, <\/em>McGraw-Hill, 2003, 677-724 (\u201cCinema in the age of electronic media\u201d).<\/p>\n\n\n\n Bordwell, David. Narration in the Fiction Film<\/em>. Madison: U of Wisconsin P., 1985\/ Bordwell, David. Elbesz\u00e9l\u00e9s a j\u00e1t\u00e9kfilmben. <\/em>Budapest: Filmtudom\u00e1nyi Int\u00e9zet, 1996, 61-86.<\/p>\n\n\n\n Elsaesser, Thomas. \u201cEuropean Cinema. Conditions of Impossibility?\u201d In European Cinema: Face to Face with Hollywood<\/em><\/a>. <\/em>Amsterdam: Amsterdam University Press, 2005, 13-31.<\/p>\n\n\n\n Gaudreault, Andr\u00e9, Philippe Marion. The End of Cinema? A Medium in Crisis in the Digital Age<\/a>. <\/em>New York: Columbia Univ. Press, 2015, 1-12, 127-151, 177-188.<\/p>\n\n\n\n Kir\u00e1ly Jen\u0151. M\u00e1gikus mozi. M\u0171fajok, m\u00edtoszok, archet\u00edpusok a filmkult\u00far\u00e1ban<\/em>. Budapest: Korona Kiad\u00f3, 1998, 53-79.<\/p>\n\n\n\n Kov\u00e1cs Andr\u00e1s B\u00e1lint, Vajdovich Gy\u00f6rgyi (szerk:). A kort\u00e1rs filmelm\u00e9let \u00fatjai. <\/em>Budapest: Palatinus, 2004, 183-228, 249-293, 320-360.<\/p>\n\n\n\n Kov\u00e1cs Andr\u00e1s B\u00e1lint. A modern film ir\u00e1nyzatai. <\/em>Budapest: Palatinus, 2005, 17-78.<\/p>\n\n\n\n Rajewsky, Irina O. 2005. \u201cIntermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality.<\/em>\u201d<\/a> Interm\u00e9dialit\u00e9s<\/em> 6: 43\u201364.<\/p>\n\n\n\n Rust, Stephen, Salma Monani and Sean Cubbitt (ed.). Ecocinema Theory and Practice 2.<\/em><\/a> <\/em>New York, Oxon: Routledge, 2023, 1-16.<\/p>\n\n\n\n Virgin\u00e1s, Andrea. Az erd\u00e9lyi (magyar) fotogr\u00e1fia \u00e9s mozg\u00f3k\u00e9p: a magyar \u00e9s a rom\u00e1n kis nemzeti mozik perem\u00e9n<\/a> [Fotografia \u0219i filmul transilvan (maghiar): \u00een intersec\u021bia cinema-urilor minore maghiare \u0219i rom\u00e2ne]. ME.DOK<\/em>: Media<\/em>, History, Communication <\/em>2020, 2: 5\u201322.<\/p>\n\n<\/div><\/details><\/div>","protected":false,"raw":"\n andrea.virginas@ubbcluj.ro <\/p>\n\n\n\n habilitation date: 4039\/20.04.2023<\/p>\n\n\n\n doctoral candidates: 5<\/p>\n\n\n\n academic profile:<\/strong><\/p>\n\n\n\n Google Scholar:<\/p>\n\n\n\n https:\/\/scholar.google.com\/citations?user=KIYBzcEAAAAJ&hl=en<\/strong><\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n https:\/\/www.researchgate.net\/profile\/Andrea-Virginas<\/a><\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/AndreaVirgin\u00e1s<\/strong><\/a><\/p>\n\n\n\n CV extended <\/a><\/strong><\/p>\n\n\n\n CV_short_EN_RO<\/a><\/strong><\/p>\n\n\n\n CNATDCU score (punctaje)<\/strong><\/a><\/p>\n\n\n\n Dr. hab. Andrea Virgin\u00e1s <\/strong>is a film and media scholar with research interests in film genres, cultural and gendered stereotypes, narrative, medial and memory structures \u2013 specifically the audiovisually mediatized processing of collective traumas, including environmental trauma. Associate Professor in the Faculty of Theatre and Film, Babe\u0219-Bolyai University, Cluj-Napoca, Bolyai J\u00e1nos Research Fellow of the Hungarian Academy of Sciences (2021-2024), project leader of Cultural Traumas in Contemporary European Small National Cinemas <\/em>(2022-2024), and Romanian unit responsible in AGE-C: Aging and Gender in European Cinema<\/em> (2023-2027). Latest volume: Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception <\/em>(Lexington Books, 2021).<\/p>\n<\/div><\/div>\n\n\n\n Film, television and streaming history (in American, European and East-European contexts): genres, mainstream vs. peripheral and\/or small industries, career paths, stars. Film, television and streaming theory: iconographies, inter- and multi-modality, narratology, stylistics. Cultural studies: cultural canons, gender theory, cultural memory, collective trauma theory, eco-theory.<\/p>\n\n\n\n\n\n Assmann, Aleida. Az eml\u00e9kezet \u00e1talak\u00edt\u00f3 ereje [The transformative power of memory]. Trans. Gy\u00f6ngy \u00c9va M\u00e1t\u00e9. Studia Litteraria <\/em>2012\/1-2, 9\u201323.<\/a><\/p>\n\n\n\n Barbier, Fr\u00e9d\u00e9ric, Catherine Bertho Lavenir. A m\u00e9dia t\u00f6rt\u00e9nete. Diderot-t\u00f3l az internetig. <\/em>Budapest: Osiris Kiad\u00f3, 2004, 13-22, 188-228, 257-303, 352-384.<\/p>\n\n\n\n Bazin, Andr\u00e9: Mi a film?<\/em> Essz\u00e9k, tanulm\u00e1nyok.<\/em> Budapest: Osiris, 1995, 7-154.<\/p>\n\n\n\n Bolter, David Jay, Robert Grusin: Remediation. Understanding New Media. <\/em>Mass: MIT Press, 2000, 2-87.<\/p>\n\n\n\n Bordwell, David<\/a> \u2013 Kristin Thompson. Film History<\/em>: An Introduction, <\/em>McGraw-Hill, 2003, 677-724 (\u201cCinema in the age of electronic media\u201d).<\/p>\n\n\n\n Bordwell, David. Narration in the Fiction Film<\/em>. Madison: U of Wisconsin P., 1985\/ Bordwell, David. Elbesz\u00e9l\u00e9s a j\u00e1t\u00e9kfilmben. <\/em>Budapest: Filmtudom\u00e1nyi Int\u00e9zet, 1996, 61-86.<\/p>\n\n\n\n Elsaesser, Thomas. \u201cEuropean Cinema. Conditions of Impossibility?\u201d In European Cinema: Face to Face with Hollywood<\/em><\/a>. <\/em>Amsterdam: Amsterdam University Press, 2005, 13-31.<\/p>\n\n\n\n Gaudreault, Andr\u00e9, Philippe Marion. The End of Cinema? A Medium in Crisis in the Digital Age<\/a>. <\/em>New York: Columbia Univ. Press, 2015, 1-12, 127-151, 177-188.<\/p>\n\n\n\n Kir\u00e1ly Jen\u0151. M\u00e1gikus mozi. M\u0171fajok, m\u00edtoszok, archet\u00edpusok a filmkult\u00far\u00e1ban<\/em>. Budapest: Korona Kiad\u00f3, 1998, 53-79.<\/p>\n\n\n\n Kov\u00e1cs Andr\u00e1s B\u00e1lint, Vajdovich Gy\u00f6rgyi (szerk:). A kort\u00e1rs filmelm\u00e9let \u00fatjai. <\/em>Budapest: Palatinus, 2004, 183-228, 249-293, 320-360.<\/p>\n\n\n\n Kov\u00e1cs Andr\u00e1s B\u00e1lint. A modern film ir\u00e1nyzatai. <\/em>Budapest: Palatinus, 2005, 17-78.<\/p>\n\n\n\n Rajewsky, Irina O. 2005. \u201cIntermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality.<\/em>\u201d<\/a> Interm\u00e9dialit\u00e9s<\/em> 6: 43\u201364.<\/p>\n\n\n\n Rust, Stephen, Salma Monani and Sean Cubbitt (ed.). Ecocinema Theory and Practice 2.<\/em><\/a> <\/em>New York, Oxon: Routledge, 2023, 1-16.<\/p>\n\n\n\n Virgin\u00e1s, Andrea. Az erd\u00e9lyi (magyar) fotogr\u00e1fia \u00e9s mozg\u00f3k\u00e9p: a magyar \u00e9s a rom\u00e1n kis nemzeti mozik perem\u00e9n<\/a> [Fotografia \u0219i filmul transilvan (maghiar): \u00een intersec\u021bia cinema-urilor minore maghiare \u0219i rom\u00e2ne]. ME.DOK<\/em>: Media<\/em>, History, Communication <\/em>2020, 2: 5\u201322.<\/p>\n\n"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-onecolumn.php","meta":{"_ro_post_content":"\n andrea.virginas@ubbcluj.ro <\/p>\n\n\n\n dat\u0103 abilitare: 4039\/20.04.2023<\/p>\n\n\n\n doctoranzi \u00een stagiu: 5<\/p>\n\n\n\n Linkuri spre profiluri academice:<\/strong><\/p>\n\n\n\n Google Scholar:<\/p>\n\n\n\n https:\/\/scholar.google.com\/citations?user=KIYBzcEAAAAJ&hl=en<\/strong><\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/AndreaVirgin\u00e1s<\/strong><\/a><\/p>\n\n\n\n CV detaliat<\/a><\/strong><\/p>\n\n\n\n CV_scurt_EN_RO<\/a><\/strong><\/p>\n\n\n\n FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/strong><\/a><\/p>\n\n\n\n Virgin\u00e1s\u00a0Andrea<\/strong>, dr.\u00a0hab., este conferen\u021biar \u0219i membru al \u0218colii Doctorale \u00een Cinematografie \u0219i Media la Facultatea de Teatru \u0219i Film, Universitatea Babe\u0219-Bolyai, Cluj-Napoca, Rom\u00e2nia. Interese de cercetare:\u00a0studii de film, studii media,\u00a0studii culturale, \u00een special genuri, stereotipuri, structuri narative, mediale \u0219i de memorie. Fost membru al Comitetului Director al\u00a0Network\u00a0of European Cinema\u00a0and\u00a0Media Studies NECS (2019-2024), a fost Bolyai J\u00e1nos\u00a0Research\u00a0Fellow\u00a0al Academiei Maghiare de \u0218tiin\u021be (2021-2024),\u00a0Affiliated\u00a0Fellow\u00a0la Institute for\u00a0Advanced\u00a0Study, Central European University, Budapesta, Ungaria (2023-2024) \u0219i lider de proiect\u00a0\u00een\u00a0Cultural\u00a0Traumas\u00a0in\u00a0Contemporary\u00a0European\u00a0Small\u00a0National\u00a0Cinemas<\/em>\u00a0(UEFISCDI, 2022-2024). \u00cen prezent este profesor participant \u00een re\u021beaua European University Film Award (2016-) \u0219i responsabilul unit\u0103\u021bii rom\u00e2ne\u0219ti \u00een cadrul proiectului de cercetare\u00a0AGE-C:\u00a0Ageing\u00a0and\u00a0Gender\u00a0in European Cinema<\/em>\u00a0(Volkswagen\u00a0Stiftung, 2023-2027). Cel mai recent volum editat\u00a0Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories<\/em>.<\/a>\u00a0(Cambridge Scholars Publishing, 2016);\u00a0publicat\u00a0Film Genres in Hungarian and Romanian Cinema: History, Theory, Reception<\/em>.<\/a>\u00a0<\/em>(Lexington Books, 2021);\u00a0cel mai recent\u00a0articol\u00a0Infecting A Body or Infecting on Screen: (Pre)Mediating the Trauma of Pandemic Contagion in Filmic Narratives<\/a>.\u00a0Hungarian Journal of English and American Studies HJEAS\u00a0<\/em>31.1 (2025): 168-195.\u00a0\u00a0<\/p>\n<\/div><\/div>\n\n\n\n andrea.virginas@ubbcluj.ro <\/p>\n\n\n\n habilitation date: 4039\/20.04.2023<\/p>\n\n\n\n doctoral candidates: 5<\/p>\n\n\n\n academic profile:<\/strong><\/p>\n\n\n\n Google Scholar:<\/p>\n\n\n\n https:\/\/scholar.google.com\/citations?user=KIYBzcEAAAAJ&hl=en<\/strong><\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n https:\/\/www.researchgate.net\/profile\/Andrea-Virginas<\/a><\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/AndreaVirgin\u00e1s<\/strong><\/a><\/p>\n\n\n\n CV extended <\/a><\/strong><\/p>\n\n\n\n CV_short_EN_RO<\/a><\/strong><\/p>\n\n\n\n CNATDCU score (punctaje)<\/strong><\/a><\/p>\n\n\n\n
\n\n\n\n![\"\"](\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/virginas.png\")
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\n\n\nPOSSIBLE RESEARCH TOPICS<\/strong><\/span><\/summary>
RECOMMENDED READING<\/span><\/summary>
Associate Professor
Andrea VIRGIN\u00c1S, PhD<\/h2>\n\n\n\n
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Andrea VIRGIN\u00c1S<\/h2>\n\n\n\n
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\n\n\n\nTematic\u0103 \u0219i bibliografie pentru admitere<\/h4>\n\n\n\n\n
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Associate Professor
Andrea VIRGIN\u00c1S, PhD<\/h2>\n\n\n\n
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