Google Scholar:<\/p>\n\n\n\n
https:\/\/scholar.google.com\/citations?hl=ro&user=sUi0StkAAAAJ<\/a><\/p>\n\n\n\n Web of Science:<\/p>\n\n\n\n https:\/\/ww.webofscience.com\/wos\/author\/record\/AAL-2499-2021?SID=EUW1ED0EAAALsslGhgOgS5SfgqD86<\/a><\/p>\n\n\n\n ORCID:<\/p>\n\n\n\n https:\/\/orcid.org\/0009-0009-8768-0224<\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n https:\/\/www.researchgate.net\/profile\/Ioan-Pop-Curseu?ev=hdr_xprf<\/a><\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/IoanPopCur%C5%9Feu<\/a><\/p>\n\n\n\n CV detailed<\/strong><\/a><\/p>\n\n\n\n CV_short_EN_RO<\/strong><\/a><\/p>\n\n\n\n CNATDCU STANDARD FULFILMENT<\/a><\/strong><\/mark><\/p>\n\n\n\n Ioan Pop-Cur\u015feu<\/strong> is a professor at the Faculty of Theatre and Film of UBB. He defended his first doctoral thesis at the University of Geneva in 2007 (“From the Hyperbolic Man to the Impossible Text: Theatricality, Theatre(s), Drafts of Plays in Baudelaire”) and the second at Babe\u015f-Bolyai University in 2011 (“Magic and Witchcraft in Romanian Culture”). In 2015, he defended his habilitation thesis in the field of Cinematography and Media, and in 2016 he became a member of the European Academy, section: Film, Media and Visual Studies. His research interests include film aesthetics, art criticism, and image theory, as well as the art and culture of the 19th century and modernity, and anthropological aspects of magic and witchcraft.<\/p>\n\n\n\n He has published several books: “The Left Doesn’t Know What the Right is Doing. Two Essays on the Floundering of Critical Thinking” (2004), “Baudelaire, Plural” (2008), “Vasile Bologa (1859-1944), Monographic Study” (2010), “Magic and Witchcraft in Romanian Culture. History, Literature, Mentalities” (2013), “Manual of Aesthetics” (2014), “The Iconography of Witchcraft in Romanian Religious Art. Essay on Visual Anthropology” (2020, in collaboration with \u0218tefana Pop-Cur\u0219eu). He has also published numerous articles, especially in the field of film studies, as well as essays on literary criticism or anthropology.<\/p>\n\n\n\n He coordinates the Cinemag collection (Tact Publishing House) and the CineMedia manual collection (Cluj University Press). Since 2013, he has been the president of the jury at the ClujShorts International Short Film Festival.<\/p>\n\n\n\n SYLLABUS – ETHICS AND ACADEMIC INTEGRITY<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n Topics and recommended reading for admission<\/strong><\/p>\n\n\n Estetica \u0219i teoria filmului<\/em>; Cromatica \u00een cinematografie<\/em>; Filmul \u0219i literatura<\/em>; Filmul, emo\u021bia \u0219i cogni\u021bia<\/em>;<\/p>\n\n\n\n Valoarea terapeutic\u0103 a filmului<\/em>; Genurile de film<\/em>; Cinematografia experimental\u0103<\/em><\/p>\n\n<\/div><\/details><\/div>\n\n Barnett Daniel, Movement as Meaning in Experimental Cinema. The Musical Poetry of Motion Pictures Revisited<\/em>, New York & London, Bloomsbury Academic, 2017.<\/p>\n\n\n\n -Branigan Edward, Tracking Color in Cinema and Art. Philosophy and Aesthetics<\/em>, New York and London, Routledge, 2018.<\/p>\n\n\n\n \u2013<\/strong>Brinckmann Christine N., Color and Empathy. Essays on Two Aspects of Film<\/em>, Amsterdam University Press, 2015.<\/p>\n\n\n\n -Boggs Joseph M., Petrie Dennis W., The Art of Watching Films<\/em>, New York, McGraw-Hill, 2008.<\/p>\n\n\n\n -Bordwell David, Thompson Kristin, Smith Jeff, Film Art. An Introduction<\/em>, Eleventh edition, New York, McGraw-Hill, 2017.<\/p>\n\n\n\n -Budd Malcolm, The Aesthetic Appreciation of Nature<\/em>, Oxford University Press, 2005.<\/p>\n\n\n\n -C\u0103liman C\u0103lin, Istoria filmului rom\u00e2nesc (1897-2010)<\/em>, Contemporanul, 2011.<\/p>\n\n\n\n -Deleuze Gilles, Cinema 1. Imaginea-mi\u015fcare<\/em>, Traducere \u015etefana \u015fi Ioan Pop-Cur\u015feu, Not\u0103 asupra edi\u0163iei Ioan Pop-Cur\u015feu, Revizie \u015fi postfa\u0163\u0103 Bogdan Ghiu, Cluj-Napoca, Tact, 2012.<\/p>\n\n\n\n -Deleuze Gilles, Cinema 2. Imaginea-timp<\/em>, Traducere \u015etefana \u015fi Ioan Pop-Cur\u015feu, Not\u0103 asupra edi\u0163iei Ioan Pop-Cur\u015feu, Cluj-Napoca, Tact, 2013.<\/p>\n\n\n\n -Jarvie Ian, Philosophy of the Film. Epistemology, Ontology, Aesthetics<\/em>, Routledge, 1987.<\/p>\n\n\n\n -Misek Richard, Chromatic Cinema. A History of Screen Color<\/em>, Wiley-Blackwell, 2010.<\/p>\n\n\n\n -Pramaggiore Maria, Wallis Tom, Film. A Critical Introduction<\/em>, Fourth Edition, Laurence King Publishing, 2020.<\/p>\n\n\n\n -Shimamura Arthur P. (ed.), Psychocinematics. Exploring Cognition at the Movies<\/em>, Oxford University Press, 2013.<\/p>\n\n\n\n -Thomson-Jones Catherine, Aesthetics and Film<\/em>, London & New York, Continuum, 2008.<\/p>\n\n\n\n -Wassmann Claudia (ed.), Therapy and Emotions in Film and Television. The Pulse of Our Times<\/em>, Palgrave Macmillan, 2015..<\/p>\n\n<\/div><\/details><\/div>","protected":false,"raw":"\n ioan.pop-curseu@ubbcluj.ro<\/p>\n\n\n\n habilitation: 4209\/10.06.2015<\/p>\n\n\n\n Phd. students in internship: 2<\/p>\n\n\n\n Linkuri spre profiluri academice:<\/strong><\/p>\n\n\n\n Google Scholar:<\/p>\n\n\n\n https:\/\/scholar.google.com\/citations?hl=ro&user=sUi0StkAAAAJ<\/a><\/p>\n\n\n\n Web of Science:<\/p>\n\n\n\n https:\/\/ww.webofscience.com\/wos\/author\/record\/AAL-2499-2021?SID=EUW1ED0EAAALsslGhgOgS5SfgqD86<\/a><\/p>\n\n\n\n ORCID:<\/p>\n\n\n\n https:\/\/orcid.org\/0009-0009-8768-0224<\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n https:\/\/www.researchgate.net\/profile\/Ioan-Pop-Curseu?ev=hdr_xprf<\/a><\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/IoanPopCur%C5%9Feu<\/a><\/p>\n\n\n\n CV detailed<\/strong><\/a><\/p>\n\n\n\n CV_short_EN_RO<\/strong><\/a><\/p>\n\n\n\n CNATDCU STANDARD FULFILMENT<\/a><\/strong><\/mark><\/p>\n\n\n\n Ioan Pop-Cur\u015feu<\/strong> is a professor at the Faculty of Theatre and Film of UBB. He defended his first doctoral thesis at the University of Geneva in 2007 (\"From the Hyperbolic Man to the Impossible Text: Theatricality, Theatre(s), Drafts of Plays in Baudelaire\") and the second at Babe\u015f-Bolyai University in 2011 (\"Magic and Witchcraft in Romanian Culture\"). In 2015, he defended his habilitation thesis in the field of Cinematography and Media, and in 2016 he became a member of the European Academy, section: Film, Media and Visual Studies. His research interests include film aesthetics, art criticism, and image theory, as well as the art and culture of the 19th century and modernity, and anthropological aspects of magic and witchcraft.<\/p>\n\n\n\n He has published several books: \"The Left Doesn't Know What the Right is Doing. Two Essays on the Floundering of Critical Thinking\" (2004), \"Baudelaire, Plural\" (2008), \"Vasile Bologa (1859-1944), Monographic Study\" (2010), \"Magic and Witchcraft in Romanian Culture. History, Literature, Mentalities\" (2013), \"Manual of Aesthetics\" (2014), \"The Iconography of Witchcraft in Romanian Religious Art. Essay on Visual Anthropology\" (2020, in collaboration with \u0218tefana Pop-Cur\u0219eu). He has also published numerous articles, especially in the field of film studies, as well as essays on literary criticism or anthropology.<\/p>\n\n\n\n He coordinates the Cinemag collection (Tact Publishing House) and the CineMedia manual collection (Cluj University Press). Since 2013, he has been the president of the jury at the ClujShorts International Short Film Festival.<\/p>\n\n\n\n SYLLABUS - ETHICS AND ACADEMIC INTEGRITY<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n Topics and recommended reading for admission<\/strong><\/p>\n\n\n\n\n Estetica \u0219i teoria filmului<\/em>; Cromatica \u00een cinematografie<\/em>; Filmul \u0219i literatura<\/em>; Filmul, emo\u021bia \u0219i cogni\u021bia<\/em>;<\/p>\n\n\n\n Valoarea terapeutic\u0103 a filmului<\/em>; Genurile de film<\/em>; Cinematografia experimental\u0103<\/em><\/p>\n\n\n\n\n\n Barnett Daniel, Movement as Meaning in Experimental Cinema. The Musical Poetry of Motion Pictures Revisited<\/em>, New York & London, Bloomsbury Academic, 2017.<\/p>\n\n\n\n -Branigan Edward, Tracking Color in Cinema and Art. Philosophy and Aesthetics<\/em>, New York and London, Routledge, 2018.<\/p>\n\n\n\n \u2013<\/strong>Brinckmann Christine N., Color and Empathy. Essays on Two Aspects of Film<\/em>, Amsterdam University Press, 2015.<\/p>\n\n\n\n -Boggs Joseph M., Petrie Dennis W., The Art of Watching Films<\/em>, New York, McGraw-Hill, 2008.<\/p>\n\n\n\n -Bordwell David, Thompson Kristin, Smith Jeff, Film Art. An Introduction<\/em>, Eleventh edition, New York, McGraw-Hill, 2017.<\/p>\n\n\n\n -Budd Malcolm, The Aesthetic Appreciation of Nature<\/em>, Oxford University Press, 2005.<\/p>\n\n\n\n -C\u0103liman C\u0103lin, Istoria filmului rom\u00e2nesc (1897-2010)<\/em>, Contemporanul, 2011.<\/p>\n\n\n\n -Deleuze Gilles, Cinema 1. Imaginea-mi\u015fcare<\/em>, Traducere \u015etefana \u015fi Ioan Pop-Cur\u015feu, Not\u0103 asupra edi\u0163iei Ioan Pop-Cur\u015feu, Revizie \u015fi postfa\u0163\u0103 Bogdan Ghiu, Cluj-Napoca, Tact, 2012.<\/p>\n\n\n\n -Deleuze Gilles, Cinema 2. Imaginea-timp<\/em>, Traducere \u015etefana \u015fi Ioan Pop-Cur\u015feu, Not\u0103 asupra edi\u0163iei Ioan Pop-Cur\u015feu, Cluj-Napoca, Tact, 2013.<\/p>\n\n\n\n -Jarvie Ian, Philosophy of the Film. Epistemology, Ontology, Aesthetics<\/em>, Routledge, 1987.<\/p>\n\n\n\n -Misek Richard, Chromatic Cinema. A History of Screen Color<\/em>, Wiley-Blackwell, 2010.<\/p>\n\n\n\n -Pramaggiore Maria, Wallis Tom, Film. A Critical Introduction<\/em>, Fourth Edition, Laurence King Publishing, 2020.<\/p>\n\n\n\n -Shimamura Arthur P. (ed.), Psychocinematics. Exploring Cognition at the Movies<\/em>, Oxford University Press, 2013.<\/p>\n\n\n\n -Thomson-Jones Catherine, Aesthetics and Film<\/em>, London & New York, Continuum, 2008.<\/p>\n\n\n\n -Wassmann Claudia (ed.), Therapy and Emotions in Film and Television. The Pulse of Our Times<\/em>, Palgrave Macmillan, 2015..<\/p>\n\n"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_ro_post_content":"\n ioan.pop-curseu@ubbcluj.ro<\/p>\n\n\n\n dat\u0103 abilitare: 4209\/10.06.2015<\/p>\n\n\n\n doctoranzi \u00een stagiu: 2<\/p>\n\n\n\n Linkuri spre profiluri academice:<\/strong><\/p>\n\n\n\n Google Scholar:<\/p>\n\n\n\n https:\/\/scholar.google.com\/citations?hl=ro&user=sUi0StkAAAAJ<\/a><\/p>\n\n\n\n Web of Science:<\/p>\n\n\n\n https:\/\/ww.webofscience.com\/wos\/author\/record\/AAL-2499-2021?SID=EUW1ED0EAAALsslGhgOgS5SfgqD86<\/a><\/p>\n\n\n\n ORCID:<\/p>\n\n\n\n https:\/\/orcid.org\/0009-0009-8768-0224<\/a><\/p>\n\n\n\n Research Gate:<\/p>\n\n\n\n https:\/\/www.researchgate.net\/profile\/Ioan-Pop-Curseu?ev=hdr_xprf<\/a><\/p>\n\n\n\n Academia.edu:<\/p>\n\n\n\n https:\/\/ubbcluj.academia.edu\/IoanPopCur%C5%9Feu<\/a><\/p>\n\n\n\n CV detaliat<\/strong><\/a><\/p>\n\n\n CV_scurt_EN_RO<\/strong><\/a><\/p>\n FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/mark><\/p>\n\n\n Prima tez\u0103 de doctorat<\/strong><\/a><\/p>\n\n\n\n Ioan Pop-Cur\u015feu este Prof. Dr. la Facultatea de Teatru \u015fi Film a UBB. <\/p>\n\n\n\n \u015ei-a sus\u0163inut prima tez\u0103 de doctorat la Universitatea din Geneva \u00een 2007 (De l\u2019homme hyperbolique au texte impossible : th\u00e9\u00e2tralit\u00e9, th\u00e9\u00e2tre(s), \u00e9bauches de pi\u00e8ces chez Baudelaire<\/em>) \u015fi a doua la Universitatea Babe\u015f-Bolyai \u00een 2011 (Magie \u015fi vr\u0103jitorie \u00een cultura rom\u00e2n\u0103<\/em>). \u00cen 2015, \u015fi-a sus\u0163inut teza de abilitare \u00een domeniul Cinematografie \u015fi Media, iar \u00een 2016 a devenit membru \u00een Academia Europaea, sec\u0163iunea:\u202fFilm, Media and Visual Studies<\/em>. \u00cen prezent, este directorul \u0218colii Doctorale de Teatru \u0219i Film. <\/p>\n\n\n\n Interesele sale de cercetare includ estetica filmului, critica de art\u0103 \u015fi teoria imaginii, arta \u015fi cultura secolului XIX \u015fi a modernit\u0103\u0163ii, cromatica, dar \u015fi aspectele cine-antropologice ale magiei \u015fi vr\u0103jitoriei. <\/p>\n\n\n\n A publicat mai multe c\u0103r\u0163i, unele dintre ele distinse cu premii:\u202f <\/p>\n\n\n\n Nu \u015ftie st\u00e2nga ce face dreapta. Dou\u0103 eseuri despre \u015fov\u0103ielile g\u00e2ndirii critice<\/em>\u202f(2004),\u202fBaudelaire, la plural<\/em>\u202f(2008),\u202fVasile Bologa (1859-1944), studiu monografic<\/em>\u202f(2010),\u202fMagie \u015fi vr\u0103jitorie \u00een cultura rom\u00e2n\u0103. <\/em>Istorie, literatur\u0103, mentalit\u0103\u0163i<\/em>\u202f(2013),\u202fManual de estetic\u0103<\/em>\u202f(2014),\u202fIconografia vr\u0103jitoriei \u00een arta religioas\u0103 rom\u00e2neasc\u0103. Eseu de antropologie vizual\u0103<\/em>\u202f(2020, \u00een colaborare cu \u0218tefana Pop-Cur\u0219eu), Etudes comparatives sur la sorcellerie: <\/em>anthropologie, cin\u00e9ma, litt\u00e9rature, arts visuels<\/em> (2021), Witchcraft in Romania<\/em> (2022, Palgrave Macmillan, \u00een colaborare cu \u0218tefana Pop-Cur\u0219eu), Dada se d\u0103-n spectacol <\/em>(2023, \u00een colaborare cu \u0218tefana Pop-Cur\u0219eu \u0219i Ion Pop). <\/p>\n\n\n\n A publicat, de asemenea, zeci articole, \u00een special \u00een domeniul studiilor de film, dar \u0219i eseuri de critic\u0103 literar\u0103 sau de antropologie. Sus\u021bine rubrica de cultur\u0103 filmic\u0103 Lumi cinematografice<\/em> (Radio Trinitas). A tradus numeroase volume din francez\u0103 \u00een rom\u00e2n\u0103 \u0219i din rom\u00e2n\u0103 \u00een francez\u0103 (publicate \u00een \u021bar\u0103 sau \u00een Fran\u021ba), \u00een special cele dou\u0103 c\u0103r\u021bi despre cinema ale lui Gilles Deleuze (Imaginea-mi\u0219care<\/em>, Imaginea-timp<\/em>). A f\u0103cut parte din mai multe proiecte de cercetare cu finan\u021bare na\u021bional\u0103 \u0219i a editat trei volume colective, respectiv unsprezece numere tematice din publica\u021biile academice Studia UBB. Dramatica<\/em> \u0219i Ekphrasis<\/em>. Coordoneaz\u0103 colec\u021bia Cinemag (Editura Tact) \u0219i a coordonat colec\u021bia de manuale CineMedia (Presa Universitar\u0103 Clujean\u0103). Din 2013, este pre\u0219edinte al juriului la Festivalul Interna\u021bional de Scurtmetraje ClujShorts. <\/p>\n\n\n\n DISCIPLIN\u0102 PREDAT\u0102 LA \u0218COALA DOCTORAL\u0102: ETIC\u0102 \u0218I INTEGRITATE ACADEMIC\u0102<\/p>\n\n\n\n
\n\n\n\n![\"\"](\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Foto-oficiala-Ioan-Pop-Curseu-Edited-1024x915.jpg\")
<\/figure>
\n\n\n\nTopics<\/span><\/summary>
Recommended Reading<\/span><\/summary>
Professor
Ioan POP-CUR\u0218EU<\/h2>\n\n\n\n
\n\n\n\n<\/figure>
\n\n\n\nProf. univ. dr. habil.
Ioan POP-CUR\u0218EU<\/h2>\n\n\n\n<\/figure>