{"id":201,"date":"2024-03-31T06:47:41","date_gmt":"2024-03-31T04:47:41","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=201"},"modified":"2026-03-31T10:15:44","modified_gmt":"2026-03-31T08:15:44","slug":"","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/cinematografie-si-media\/dan-curean-2\/","title":{"rendered":"","raw":""},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\">Associate Professor<br>Dan CUREAN, PhD<\/h2>\n\n\n\n<p class=\"has-text-align-center\">dan.curean@ubbcluj.ro<\/p>\n\n\n\n<p class=\"has-text-align-center\">habilitation 3417 \/ 03.03.2021<\/p>\n\n\n\n<p class=\"has-text-align-center\">doctoral students in internship: 3<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Academic profile:<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de\">https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Cv-Dan-Curean.pdf\">CV FULL<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Bio-si-CV-Dan-Curean.pdf\">CV_SHORT<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/CM_Curean_Dan_2026_FTF_Standarde-sintetic.pdf\"><strong>CNATDCU STANDARD FULFILMENT<\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean.png\" alt=\"\" class=\"wp-image-95 size-full\" srcset=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean.png 500w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean-300x300.png 300w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean-150x150.png 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Dan Curean <\/strong>works in media starting 1990, as photographer and editor of the weekly NO, then&nbsp; from 1994 is part of the Public Romanian Television team. Here he is working , as cinematographer, and as well&nbsp; in the&nbsp; editorial segment as producer, and documentary filmmaker&nbsp;.<br>He was trained in Discovery Campus Masterschool 2008 and Aristoteles Workshop 2005.<br>Part of the teaching staff of the Faculty of Theatre and Television at the UBB since the beginning in 2005. Part off the initiative of the Documentary Filmmaking &nbsp;Master staff.<br>In 2012 doctoral thesis with the title <strong>Text and image in the mass-media<\/strong>.<br>Collaborations with some of major broadcasters in Europe and his filmography&nbsp; includes author documentary&nbsp; productions&nbsp; (scenario, directing, photography ) multi-awarded at festivals in the country and Europe.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Research Topics<\/strong><\/h4>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>The image of audio-visual media discourse<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>forms of image\/ forms of representation of reality;<br>the new identity of the image in the information society<br>mechanisms of visual perception and its equivalences in the film processes; &#8211; theory of the moving image and the means of capturing it<br>new audiovisual\/multisensory forms of expression;<br>directions of reconfiguration of the audio-visual perceptual framework.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Audio-visual language<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>communication and audiovisual language;<br>the psychological component of audiovisual language;<br>the temporal\/spatial dimension of the audiovisual apparatus.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>The specifics of non-fiction film<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>The &#8220;Global Screen&#8221; and changing cultural references, the role and presence of documentary film in the contemporary communicational landscape;<br>Fiction and reality. Theoretical outlines and overlaps;<br>Documentary film specificity and methodological aspects in the creative approach to reality;<br>Theoretical and practical aspects of documentary film, specific elements of filmic reconstruction of reality;<br>aesthetics, grammar and cinematographic punctuation specific to documentary;<br>documentary film aesthetics and stylistics. Observational\/participatory\/reflective or performative aesthetic polemics;<br>deontological\/ethical issues in non-fiction film practice;<br>humanism\/neo-humanism of the documenting expression.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span>Bibliography<\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>Curean, Dan, TEXT \u0218I IMAGINE \u00ceN MASS-MEDIA Contribu\u021bii la o semiotic\u0103 a discursului filmic, Ed. EIKON, 2018<\/p>\n\n\n\n<p>Nichols, Bill,&nbsp;<em>Introduction to Documentary<\/em>, USA: Indiana University Press, 2001<\/p>\n\n\n\n<p>Wilma de Jong Erik Knudsen Jerry Rothwell Creative Documentary Theory and Practice, 2013 by Routledge, New York<\/p>\n\n\n\n<p>Fiske, John, Hartley J. (2001),&nbsp;<em>Semnele Televiziunii<\/em>. Ed. Institutul European, Ia\u015fi<\/p>\n\n\n\n<p>&nbsp;Flichy, Patrice (1999),&nbsp;<em>O istorie a comunic\u0103rii moderne<\/em>, Ed. Polirom, 1999<\/p>\n\n\n\n<p>Aumont, Jaques,&nbsp; Bergala, Alain (2007),&nbsp;<em>Estetica filmului<\/em>, Ed. Idea Design &amp; Print, Cluj- Napoca<\/p>\n\n<\/div><\/details><\/div>","protected":false,"raw":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate Professor<br>Dan CUREAN, PhD<\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dan.curean@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">habilitation 3417 \/ 03.03.2021<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoral students in internship: 3<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Academic profile:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de\">https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Cv-Dan-Curean.pdf\">CV FULL<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Bio-si-CV-Dan-Curean.pdf\">CV_SHORT<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/CM_Curean_Dan_2026_FTF_Standarde-sintetic.pdf\"><strong>CNATDCU STANDARD FULFILMENT<\/strong><\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":95,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducatori\/cinematografie-si-media\/dan-curean\/\",\"mediaType\":\"image\",\"mediaWidth\":30,\"imageFill\":false} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean.png\" alt=\"\" class=\"wp-image-95 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Dan Curean <\/strong>works in media starting 1990, as photographer and editor of the weekly NO, then&nbsp; from 1994 is part of the Public Romanian Television team. Here he is working , as cinematographer, and as well&nbsp; in the&nbsp; editorial segment as producer, and documentary filmmaker&nbsp;.<br>He was trained in Discovery Campus Masterschool 2008 and Aristoteles Workshop 2005.<br>Part of the teaching staff of the Faculty of Theatre and Television at the UBB since the beginning in 2005. Part off the initiative of the Documentary Filmmaking &nbsp;Master staff.<br>In 2012 doctoral thesis with the title <strong>Text and image in the mass-media<\/strong>.<br>Collaborations with some of major broadcasters in Europe and his filmography&nbsp; includes author documentary&nbsp; productions&nbsp; (scenario, directing, photography ) multi-awarded at festivals in the country and Europe.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\"><strong>Research Topics<\/strong><\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003eThe image of audio-visual media discourse\\u003c\/strong\\u003e\"} -->\n<!-- wp:paragraph -->\n<p>forms of image\/ forms of representation of reality;<br>the new identity of the image in the information society<br>mechanisms of visual perception and its equivalences in the film processes; - theory of the moving image and the means of capturing it<br>new audiovisual\/multisensory forms of expression;<br>directions of reconfiguration of the audio-visual perceptual framework.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003eAudio-visual language\\u003c\/strong\\u003e\"} -->\n<!-- wp:paragraph -->\n<p>communication and audiovisual language;<br>the psychological component of audiovisual language;<br>the temporal\/spatial dimension of the audiovisual apparatus.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003eThe specifics of non-fiction film\\u003c\/strong\\u003e\"} -->\n<!-- wp:paragraph -->\n<p>The \"Global Screen\" and changing cultural references, the role and presence of documentary film in the contemporary communicational landscape;<br>Fiction and reality. Theoretical outlines and overlaps;<br>Documentary film specificity and methodological aspects in the creative approach to reality;<br>Theoretical and practical aspects of documentary film, specific elements of filmic reconstruction of reality;<br>aesthetics, grammar and cinematographic punctuation specific to documentary;<br>documentary film aesthetics and stylistics. Observational\/participatory\/reflective or performative aesthetic polemics;<br>deontological\/ethical issues in non-fiction film practice;<br>humanism\/neo-humanism of the documenting expression.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliography\"} -->\n<!-- wp:paragraph -->\n<p>Curean, Dan, TEXT \u0218I IMAGINE \u00ceN MASS-MEDIA Contribu\u021bii la o semiotic\u0103 a discursului filmic, Ed. EIKON, 2018<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nichols, Bill,&nbsp;<em>Introduction to Documentary<\/em>, USA: Indiana University Press, 2001<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wilma de Jong Erik Knudsen Jerry Rothwell Creative Documentary Theory and Practice, 2013 by Routledge, New York<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Fiske, John, Hartley J. (2001),&nbsp;<em>Semnele Televiziunii<\/em>. Ed. Institutul European, Ia\u015fi<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>&nbsp;Flichy, Patrice (1999),&nbsp;<em>O istorie a comunic\u0103rii moderne<\/em>, Ed. Polirom, 1999<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aumont, Jaques,&nbsp; Bergala, Alain (2007),&nbsp;<em>Estetica filmului<\/em>, Ed. Idea Design &amp; Print, Cluj- Napoca<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-onecolumn.php","meta":{"_ro_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Conf. univ. dr. habil.<br>Dan CUREAN<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dan.curean@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dat\u0103 abilitare 3417 \/ 03.03.2021<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoranzi \u00een stagiu: 3<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Linkuri spre profiluri academice:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de\">https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Cv-Dan-Curean.pdf\">CV detaliat<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Bio-si-CV-Dan-Curean.pdf\">CV_scurt_EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/CM_Curean_Dan_2026_FTF_Standarde-sintetic.pdf\"><strong>FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/strong><\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":95,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducatori\/cinematografie-si-media\/dan-curean\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean.png\" alt=\"\" class=\"wp-image-95 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Dan Curean<\/strong>&nbsp; activeaz\u0103 \u00een peisajul media din Rom\u00e2nia din anul 1990. A \u00eenceput \u00een presa scris\u0103 ca fotoreporter \u0219i redactor la s\u0103pt\u0103m\u00e2nalul NU, iar din 1994&nbsp;este angajat (p\u00e2n\u0103 \u00een prezent) la SOCIETATEA ROMANA DE TELEVIZIUNE. Aici lucreaz\u0103 at\u00e2t \u00een domeniul imaginii, ca&nbsp; director de imagine,&nbsp; realiz\u00e2nd imaginea multor programe de televiziune de notorietate, c\u00e2t \u0219i \u00een segmentul editorial &nbsp;ca \u0219i produc\u0103tor, realizator (\u00een prezent jurnalist senior ).<br>Este &nbsp;autor al mai multor programe de televiziune \u0219i filme documentare premiate \u0219i&nbsp; difuzate at\u00e2t \u00een Rom\u00e2nia c\u00e2t \u0219i interna\u021bional.<br>Se specializeaz\u0103 pe produc\u021bia de film documentar particip\u00e2nd la unele&nbsp; cele mai importante programe de training de film documentar din Europa ( Aristoteles Workshop&nbsp; 2006 \u0219i Discovery Campus Masterschool 2008).<br>Face parte din colectivul de cadre didactice de&nbsp; la Facultatea de Teatru \u0219i Film&nbsp; din cadrul UBB Cluj \u00eenc\u0103 de la \u00eenfiin\u021bare \u00een 2005 &nbsp;\u0219i &nbsp;din grupul de cadre didactice care ini\u021biaz\u0103 programul de &nbsp;Master de Film documentar \u2013Documentary Filmmaking , \u00een anul 2015.<br>Doctorat ob\u021binut \u00een anul 2012, la Universitatea Babes Bolyai din Cluj-napoca, la scoala Doctoral\u0103 COMUNICARE- CULTURA, cu tema TEXT \u0218I IMAGINE \u00ceN MASS-MEDIA<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Tematic\u0103 \u0219i bibliografie pentru admitere<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003e\\u003cem\\u003eImaginea discursului \u00a0audio-vizual mediatic\\u003c\/em\\u003e\\u003c\/strong\\u003e\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>forme ale&nbsp; imaginii\/ forme de reprezentare&nbsp;ale realitatii;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>noua identitate a imaginii \u00een societatea informa\u0163ional\u0103;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>mecanisme ale percep\u0163iei&nbsp; vizuale \u0219i echivalen\u021bele acesteia \u00een procesele filmice. - teoria imaginii \u0219i a mijloacelor de captare a imaginii \u00een mi\u0219care;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>noile forme de expresie&nbsp; audiovizuale\/multisenzoriale;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>direc\u021bii de reconfigurare a cadrului perceptiv audio-vizual.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003e\\u003cem\\u003eLimbaj\u00a0 audio-vizual\\u003c\/em\\u003e\\u003c\/strong\\u003e\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>comunicare \u0219i&nbsp; limbaj audiovizual;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>componenta psihologic\u0103 a limbajului audiovizual;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>dimensiunea temporal\u0103\/spa\u021bial\u0103 a dispozitivului audiovizual.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003e\\u003cem\\u003eSpecificul filmului de non-fic\u021biune\\u003c\/em\\u003e\\u003c\/strong\\u003e\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>\u201eEcranul global\u201d \u015fi schimbarea referin\u0163elor culturale, rolul \u0219i prezen\u021ba filmului documentar \u00een ecua\u021bia comunica\u021bional\u0103 contemporan\u0103;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>fic\u021biune \u0219i realitate. Delimitari si suprapuneri teoretice;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>specificul filmului documentar \u0219i aspecte metodologice \u00een abordarea creativ\u0103 a realit\u0103\u0163ii;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>aspecte teoretice \u0219i practice ale filmului documentar, elemente specifice de reconstruc\u0163ie filmic\u0103 a realit\u0103\u0163ii;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>estetica, gramatica \u0219i punctua\u021bia cinematografic\u0103 specifica documentarului;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>estetica \u0219i stilistica filmului documentar. Observa\u021bional \/participativ\/reflexiv ori performativ polemici estetice;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>aspecte deontologice\/etice&nbsp; \u00een practica&nbsp; filmului de non-fic\u021biune;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>umanism\/neo-umanismul expresiei documentare.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliografie\"} -->\n<!-- wp:paragraph -->\n<p>Curean, Dan, TEXT \u0218I IMAGINE \u00ceN MASS-MEDIA Contribu\u021bii la o semiotic\u0103 a discursului filmic, Ed. EIKON, 2018<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nichols, Bill, <em>Introduction to Documentary<\/em>, USA: Indiana University Press, 2001<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wilma de Jong Erik Knudsen Jerry Rothwell Creative Documentary Theory and Practice, 2013 by Routledge, New York<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Fiske, John, Hartley J. (2001), <em>Semnele Televiziunii<\/em>. Ed. Institutul European, Ia\u015fi<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>&nbsp;Flichy, Patrice (1999), <em>O istorie a comunic\u0103rii moderne<\/em>, Ed. Polirom, 1999<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aumont, Jaques,&nbsp; Bergala, Alain (2007), <em>Estetica filmului<\/em>, Ed. Idea Design &amp; Print, Cluj- Napoca<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_ro_post_name":"dan-curean-2","_ro_post_excerpt":"","_ro_post_title":"Dan Curean","_en_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate Professor<br>Dan CUREAN, PhD<\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dan.curean@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">habilitation 3417 \/ 03.03.2021<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoral students in internship: 3<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Academic profile:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de\">https:\/\/scholar.google.com\/citations?user=JB9AjqIAAAAJ&amp;hl=de<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Cv-Dan-Curean.pdf\">CV FULL<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Bio-si-CV-Dan-Curean.pdf\">CV_SHORT<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/CM_Curean_Dan_2026_FTF_Standarde-sintetic.pdf\"><strong>CNATDCU STANDARD FULFILMENT<\/strong><\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":95,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducatori\/cinematografie-si-media\/dan-curean\/\",\"mediaType\":\"image\",\"mediaWidth\":30,\"imageFill\":false} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Dan-Curean.png\" alt=\"\" class=\"wp-image-95 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Dan Curean <\/strong>works in media starting 1990, as photographer and editor of the weekly NO, then&nbsp; from 1994 is part of the Public Romanian Television team. Here he is working , as cinematographer, and as well&nbsp; in the&nbsp; editorial segment as producer, and documentary filmmaker&nbsp;.<br>He was trained in Discovery Campus Masterschool 2008 and Aristoteles Workshop 2005.<br>Part of the teaching staff of the Faculty of Theatre and Television at the UBB since the beginning in 2005. Part off the initiative of the Documentary Filmmaking &nbsp;Master staff.<br>In 2012 doctoral thesis with the title <strong>Text and image in the mass-media<\/strong>.<br>Collaborations with some of major broadcasters in Europe and his filmography&nbsp; includes author documentary&nbsp; productions&nbsp; (scenario, directing, photography ) multi-awarded at festivals in the country and Europe.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\"><strong>Research Topics<\/strong><\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003eThe image of audio-visual media discourse\\u003c\/strong\\u003e\"} -->\n<!-- wp:paragraph -->\n<p>forms of image\/ forms of representation of reality;<br>the new identity of the image in the information society<br>mechanisms of visual perception and its equivalences in the film processes; - theory of the moving image and the means of capturing it<br>new audiovisual\/multisensory forms of expression;<br>directions of reconfiguration of the audio-visual perceptual framework.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003eAudio-visual language\\u003c\/strong\\u003e\"} -->\n<!-- wp:paragraph -->\n<p>communication and audiovisual language;<br>the psychological component of audiovisual language;<br>the temporal\/spatial dimension of the audiovisual apparatus.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"\\u003cstrong\\u003eThe specifics of non-fiction film\\u003c\/strong\\u003e\"} -->\n<!-- wp:paragraph -->\n<p>The \"Global Screen\" and changing cultural references, the role and presence of documentary film in the contemporary communicational landscape;<br>Fiction and reality. Theoretical outlines and overlaps;<br>Documentary film specificity and methodological aspects in the creative approach to reality;<br>Theoretical and practical aspects of documentary film, specific elements of filmic reconstruction of reality;<br>aesthetics, grammar and cinematographic punctuation specific to documentary;<br>documentary film aesthetics and stylistics. Observational\/participatory\/reflective or performative aesthetic polemics;<br>deontological\/ethical issues in non-fiction film practice;<br>humanism\/neo-humanism of the documenting expression.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliography\"} -->\n<!-- wp:paragraph -->\n<p>Curean, Dan, TEXT \u0218I IMAGINE \u00ceN MASS-MEDIA Contribu\u021bii la o semiotic\u0103 a discursului filmic, Ed. EIKON, 2018<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nichols, Bill,&nbsp;<em>Introduction to Documentary<\/em>, USA: Indiana University Press, 2001<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wilma de Jong Erik Knudsen Jerry Rothwell Creative Documentary Theory and Practice, 2013 by Routledge, New York<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Fiske, John, Hartley J. (2001),&nbsp;<em>Semnele Televiziunii<\/em>. Ed. Institutul European, Ia\u015fi<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>&nbsp;Flichy, Patrice (1999),&nbsp;<em>O istorie a comunic\u0103rii moderne<\/em>, Ed. Polirom, 1999<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aumont, Jaques,&nbsp; Bergala, Alain (2007),&nbsp;<em>Estetica filmului<\/em>, Ed. Idea Design &amp; Print, Cluj- Napoca<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en","footnotes":""},"class_list":["post-201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":11,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/201\/revisions"}],"predecessor-version":[{"id":609,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/201\/revisions\/609"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}