{"id":206,"date":"2024-03-31T07:10:11","date_gmt":"2024-03-31T05:10:11","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=206"},"modified":"2026-03-31T10:33:37","modified_gmt":"2026-03-31T08:33:37","slug":"","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/cinematografie-si-media\/constantin-parvulescu\/","title":{"rendered":"","raw":""},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\">Associate Professor<br>Constantin P\u00c2RVULESCU, PhD<br><\/h2>\n\n\n\n<p class=\"has-text-align-center\">constantin.parvulescu@ubbcluj.ro<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-1024x1024.png\" alt=\"\" class=\"wp-image-97 size-full\" srcset=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-1024x1024.png 1024w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-300x300.png 300w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-150x150.png 150w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-768x768.png 768w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1.png 1250w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Constantin P\u00e2rvulescu<\/strong> obtained his Ph.D. from the University of Minnesota in 2006. He has worked at universities in the United States, Switzerland, Spain, Germany, and Romania, as well as in the film and performing arts industries. He heads the <a href=\"https:\/\/teatrufilm.ubbcluj.ro\/en\/cercetare\/centre-de-cercetare\/janovics-center-for-screen-and-performing-arts-studies\/\">Janovics Center for Screen and Performing Arts Studies<\/a> and has won national and <a href=\"https:\/\/cordis.europa.eu\/project\/id\/256265\/reporting\">international<\/a> research grants. He is the author of two monographs and numerous articles on film and television, as well as the editor of several collections and special issues of journals. These include the monograph &#8220;<a href=\"https:\/\/iupress.org\/9780253016850\/orphans-of-the-east\/\">Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject<\/a>&#8221; (Indiana University Press, 2015), the collections &#8220;<a href=\"https:\/\/www.routledge.com\/Global-Finance-on-Screen-From-Wall-Street-to-Side-Street\/Parvulescu\/p\/book\/9781138045286\">Global Finance on Screen: From Wall Street to Side Street<\/a>&#8221; (Routledge, 2017) and &#8220;A Companion to the Historical Film&#8221; (Blackwell-Wiley, 2013), as well as the special issue of Studies in European Cinema: &#8220;<a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/17411548.2018.1470598\">Recent quality film and the future of the republic of Europe<\/a>&#8221; (2018). A complete list of his publications can be accessed <a href=\"https:\/\/www.researchgate.net\/profile\/Constantin-Parvulescu\">here<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Themes of doctoral research:<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Contemporary and Postwar Romanian, European, and North American Cinema<\/li>\n\n\n\n<li>Digital Distribution, Marketing, and Film and Television Reception<\/li>\n\n\n\n<li>Film and Economy, Film and History, Film and Politics<\/li>\n\n\n\n<li>Cultural, Organizational, Transnational, and Multimodal Approaches to Cinema and Television<\/li>\n\n\n\n<li>Romanian, European and North-American post-war Cinema.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Bibliography<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>David Bordwell &amp; Kristin Thompson. Film Art; An Introduction. New York: McGraw-Hill.\u00a0<\/li>\n\n\n\n<li>Timothy Corrigan and Patricia White.\u00a0 The Film Experience; An Introduction, (Bedford\/St Martin\u2019s: New York) 2008.<\/li>\n<\/ul>\n","protected":false,"raw":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate Professor<br>Constantin P\u00c2RVULESCU, PhD<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">constantin.parvulescu@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":97,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/cinematografie-si-media\/parvulescu-1\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-1024x1024.png\" alt=\"\" class=\"wp-image-97 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Con\u021binut...\"} -->\n<p><strong>Constantin P\u00e2rvulescu<\/strong> obtained his Ph.D. from the University of Minnesota in 2006. He has worked at universities in the United States, Switzerland, Spain, Germany, and Romania, as well as in the film and performing arts industries. He heads the <a href=\"https:\/\/teatrufilm.ubbcluj.ro\/en\/cercetare\/centre-de-cercetare\/janovics-center-for-screen-and-performing-arts-studies\/\">Janovics Center for Screen and Performing Arts Studies<\/a> and has won national and <a href=\"https:\/\/cordis.europa.eu\/project\/id\/256265\/reporting\">international<\/a> research grants. He is the author of two monographs and numerous articles on film and television, as well as the editor of several collections and special issues of journals. These include the monograph \"<a href=\"https:\/\/iupress.org\/9780253016850\/orphans-of-the-east\/\">Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject<\/a>\" (Indiana University Press, 2015), the collections \"<a href=\"https:\/\/www.routledge.com\/Global-Finance-on-Screen-From-Wall-Street-to-Side-Street\/Parvulescu\/p\/book\/9781138045286\">Global Finance on Screen: From Wall Street to Side Street<\/a>\" (Routledge, 2017) and \"A Companion to the Historical Film\" (Blackwell-Wiley, 2013), as well as the special issue of Studies in European Cinema: \"<a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/17411548.2018.1470598\">Recent quality film and the future of the republic of Europe<\/a>\" (2018). A complete list of his publications can be accessed <a href=\"https:\/\/www.researchgate.net\/profile\/Constantin-Parvulescu\">here<\/a>.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Themes of doctoral research:<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>Contemporary and Postwar Romanian, European, and North American Cinema<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Digital Distribution, Marketing, and Film and Television Reception<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Film and Economy, Film and History, Film and Politics<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cultural, Organizational, Transnational, and Multimodal Approaches to Cinema and Television<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Romanian, European and North-American post-war Cinema.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Bibliography<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>David Bordwell &amp; Kristin Thompson. Film Art; An Introduction. New York: McGraw-Hill.\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Timothy Corrigan and Patricia White.\u00a0 The Film Experience; An Introduction, (Bedford\/St Martin\u2019s: New York) 2008.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-onecolumn.php","meta":{"_ro_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Conf. univ. dr. habil.<br>Constantin P\u00c2RVULESCU<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">constantin.parvulescu@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dat\u0103 abilitare: 3965\/14.06.2021<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoranzi \u00een stagiu: 4<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Linkuri spre profiluri academice:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fscholar.google.com%2Fcitations%3Fuser%3Dq_YohsMAAAAJ%26hl%3Den&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C6341d91ea11e4d7becee08de5ca033ee%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639050040763489034%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=DOBhEysxlElWhbj4ugAdIvcwZYW0icu0GsV9OyOVwg8%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/scholar.google.com\/citations?user=q_YohsMAAAAJ&amp;hl=en<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Research Gate:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.researchgate.net%2Fprofile%2FConstantin-Parvulescu%3Fev%3Dhdr_xprf&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C6341d91ea11e4d7becee08de5ca033ee%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639050040763507226%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=X%2FqkAH09mDCg%2Bnmn7WPiOxuSZOzi1QjWTI4CqKE76y8%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.researchgate.net\/profile\/Constantin-Parvulescu?ev=hdr_xprf<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">ORCID: <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Forcid.org%2F0000-0003-1577-7202&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C6341d91ea11e4d7becee08de5ca033ee%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639050040763462219%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=Sf1S98Samcwuzlk4XKhHweRlvho0Sw4G%2FYwE3GoMSO8%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/orcid.org\/0000-0003-1577-7202<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">WOS:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.webofscience.com%2Fwos%2Fauthor%2Frecord%2FAAL-1690-2021&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C6341d91ea11e4d7becee08de5ca033ee%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639050040763524554%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=4rBHJujgjkbIyn3P2F5W3wX6UTTwSXSY7FeLWdqpjh8%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.webofscience.com\/wos\/author\/record\/AAL-1690-2021<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/cv-parvulescu-macheta-Pop-Curseu.pdf\">CV detaliat<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/parvulescu-txt-tab-indrumator-updatat.pdf\">CV_scurt_EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/parvulescu-fisa-sintetica.pdf\">FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":97,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducatori\/cinematografie-si-media\/parvulescu-1\/\",\"mediaType\":\"image\",\"mediaWidth\":30,\"verticalAlignment\":\"top\"} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-1024x1024.png\" alt=\"\" class=\"wp-image-97 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Con\u021binut...\"} -->\n<p><strong>Constantin P\u00e2rvulescu<\/strong> \u0219i-a ob\u021binut doctoratul la University of Minnesota \u00een 2006. A activat la universit\u0103\u021bi din Statele Unite, Elve\u021bia, Spania, Germania \u0219i Rom\u00e2nia \u0219i a lucrat \u00een industria de film \u0219i cea a spectacolului. Conduce <a href=\"https:\/\/teatrufilm.ubbcluj.ro\/en\/cercetare\/centre-de-cercetare\/janovics-center-for-screen-and-performing-arts-studies\/\">Janovics Center for Screen and Performing Arts Studies<\/a> \u0219i a c\u00e2\u0219tigat granturi de cercetare na\u021bionale \u0219i <a href=\"https:\/\/cordis.europa.eu\/project\/id\/256265\/reporting\">interna\u021bionale<\/a>. Este autorul a dou\u0103 monografii \u0219i a numeroase articole pe teme de film \u0219i televiziune, precum \u0219i editorul mai multor colec\u021bii \u0219i numere speciale de reviste. Printre acestea se num\u0103r\u0103 monografia <a href=\"https:\/\/iupress.org\/9780253016850\/orphans-of-the-east\/\"><em>Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject<\/em><\/a> (Indiana University Press, 2015), colec\u021biile <a href=\"https:\/\/www.routledge.com\/Global-Finance-on-Screen-From-Wall-Street-to-Side-Street\/Parvulescu\/p\/book\/9781138045286\">Global Finance on Screen: From Wall Street to Side Street<\/a> (Routledge, 2017) \u0219i <a href=\"https:\/\/www.wiley.com\/en-us\/A+Companion+to+the+Historical+Film-p-9781444337242\">A Companion to the Historical Film <\/a>(Blackwell-Wiley, 2013), precum \u0219i num\u0103rul special al <em>Studies in European Cinema<\/em>: \u201e<a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/17411548.2018.1470598\">Recent quality film and the future of the republic of Europe<\/a>\u201d<em> &nbsp;<\/em>(2018). O list\u0103 complet\u0103 a publica\u021biilor sale poate fi accesat\u0103 <a href=\"https:\/\/www.researchgate.net\/profile\/Constantin-Parvulescu\">aici<\/a>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Disciplin\u0103 predat\u0103 la \u0218coala Doctoral\u0103: Analize industriale si economice ale filmului si televiziunii\/ Industrial and Economic Analyses of Film and Television (englez\u0103)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Course-Syllabus-Template.pdf\">FI\u0218A DISCIPLINEI - Industrial and Economic Analyses of Film and Television (englez\u0103)<\/a><\/strong><\/mark><\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Tematic\u0103 \u0219i bibliografie pentru admitere<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Arii \u0219i teme de cercetare doctoral\u0103\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Cinema rom\u00e2nesc, european \u0219i nord-american contemporan \u0219i postbelic<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Distribu\u021bie digital\u0103, marketing \u0219i recep\u021bie de film \u0219i televiziune<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Film \u0219i economie, film \u0219i istorie, film \u0219i politic\u0103<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Abord\u0103ri culturale, organiza\u021bionale, transna\u021bionale \u0219i multimodale ale cinemaului \u0219i televiziunii<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliografie\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>David Bordwell &amp; Kristin Thompson. Film Art; An Introduction. New York: McGraw-Hill.&nbsp;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Timothy Corrigan and Patricia White.&nbsp; The Film Experience; An Introduction, (Bedford\/St Martin\u2019s: New York) 2008.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->","_ro_post_name":"constantin-parvulescu","_ro_post_excerpt":"","_ro_post_title":"Constantin P\u00e2rvulescu","_en_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate Professor<br>Constantin P\u00c2RVULESCU, PhD<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">constantin.parvulescu@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":97,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/cinematografie-si-media\/parvulescu-1\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/parvulescu-1-1024x1024.png\" alt=\"\" class=\"wp-image-97 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Con\u021binut...\"} -->\n<p><strong>Constantin P\u00e2rvulescu<\/strong> obtained his Ph.D. from the University of Minnesota in 2006. He has worked at universities in the United States, Switzerland, Spain, Germany, and Romania, as well as in the film and performing arts industries. He heads the <a href=\"https:\/\/teatrufilm.ubbcluj.ro\/en\/cercetare\/centre-de-cercetare\/janovics-center-for-screen-and-performing-arts-studies\/\">Janovics Center for Screen and Performing Arts Studies<\/a> and has won national and <a href=\"https:\/\/cordis.europa.eu\/project\/id\/256265\/reporting\">international<\/a> research grants. He is the author of two monographs and numerous articles on film and television, as well as the editor of several collections and special issues of journals. These include the monograph \"<a href=\"https:\/\/iupress.org\/9780253016850\/orphans-of-the-east\/\">Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject<\/a>\" (Indiana University Press, 2015), the collections \"<a href=\"https:\/\/www.routledge.com\/Global-Finance-on-Screen-From-Wall-Street-to-Side-Street\/Parvulescu\/p\/book\/9781138045286\">Global Finance on Screen: From Wall Street to Side Street<\/a>\" (Routledge, 2017) and \"A Companion to the Historical Film\" (Blackwell-Wiley, 2013), as well as the special issue of Studies in European Cinema: \"<a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/17411548.2018.1470598\">Recent quality film and the future of the republic of Europe<\/a>\" (2018). A complete list of his publications can be accessed <a href=\"https:\/\/www.researchgate.net\/profile\/Constantin-Parvulescu\">here<\/a>.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Themes of doctoral research:<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>Contemporary and Postwar Romanian, European, and North American Cinema<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Digital Distribution, Marketing, and Film and Television Reception<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Film and Economy, Film and History, Film and Politics<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cultural, Organizational, Transnational, and Multimodal Approaches to Cinema and Television<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Romanian, European and North-American post-war Cinema.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Bibliography<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>David Bordwell &amp; Kristin Thompson. Film Art; An Introduction. New York: McGraw-Hill.\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Timothy Corrigan and Patricia White.\u00a0 The Film Experience; An Introduction, (Bedford\/St Martin\u2019s: New York) 2008.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en","footnotes":""},"class_list":["post-206","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":13,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/206\/revisions"}],"predecessor-version":[{"id":804,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/206\/revisions\/804"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}