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Diana Cozma <\/strong>is an actress, writer, translator, associate professor with a Ph.D. habil. at the Faculty of Theatre and Film of Babe\u0219-Bolyai University, a member of the Writers' Union of Romania, with double degrees in Philology (1988) and Theatre Arts (1995). In 2005, she defended her doctoral thesis entitled \"European Dramaturgy viewed through Peter Brook's four theatrical categories\". In 2017, she defended her habilitation thesis \"Dramaturgy of stage actions\" and obtained the Authorization for habilitation in the field of doctoral studies in Theatre and Performing Arts, affiliating with the Doctoral School of Theatre and Film within Babe\u0219-Bolyai University in the same year.<\/p>\n\n\n\nFrom 1990 to 1994, she was the director of Puck Puppet Theatre in Cluj-Napoca; she performed over 40 roles in theater performances, puppet theater shows, and films; she organized festivals, tours both nationally and internationally. In the period 2011-2012, she was the director of the project \"Odin Days - for a culture of change\", which had as guests Eugenio Barba and Odin Teatret from Holstebro, Denmark, and took place in Cluj-Napoca. Her artistic activity is documented in over 150 articles, reviews, chronicles, interviews both nationally and internationally, and is included in numerous anthologies and dictionaries.<\/p>\n\n\n\n
Languages in which she can supervise doctoral studies<\/strong>: Romanian, English<\/p>\n\n\n\nOptional Course taught at the doctoral school \u2013\u00a0PLAYWRITING AND STORYTELLING SYLLABUS<\/strong><\/mark><\/a><\/p>\n<\/div><\/div>\n\n\n\n
\n\n\n\nRecommended topics for doctoral research:<\/h4>\n\n\n\n\n\n- Theatre Laboratory<\/li>\n\n\n\n
- Dramatic Writing and Storytelling<\/li>\n\n\n\n
- Multidisciplinary Research on the Actor's Stage Presence<\/li>\n\n\n\n
- Comparative Research on Contemporary Theatre Performance<\/li>\n\n\n\n
- Innovative Models of Contemporary Stage Practice<\/li>\n\n\n\n
- Innovative Models of Film Practice<\/li>\n\n\n\n
- Practitioners' Dramaturgy<\/li>\n\n\n\n
- Innovative Directions in Contemporary Dramaturgy<\/li>\n\n\n\n
- Directorial Vision and Collective Creation<\/li>\n\n\n\n
- Acting and Directing Methods and Techniques (20th-21st centuries)<\/li>\n\n\n\n
- Comparative Studies on the Evolution of Theatre Characters<\/li>\n<\/ul>\n\n\n\n\n\n
\n- Barba, Eugenio. 1993. The Paper Canoe<\/em>. A Guide to Theatre Anthropology<\/em>, translated by Richard Fowler, London and New York: Routledge<\/li>\n\n\n\n
- Barba, Eugenio. 1996. Un amuleto fatto di memoria. Il significato degli esercizi nella drammaturgia<\/em> dell\u2019attore<\/em>, in Marco De Marinis (editor), Teatro Eurasiano<\/em> n. 3: Drammaturgia dell'attore<\/em>, Porretta Terme: I Quaderni del Battello Ebbro<\/li>\n\n\n\n
- Barba, Eugenio and Tony D\u2019Urso. 2000. Viaggi con l\u2019Odin\/Voyages with Odin<\/em>, Milano: Ubulibri<\/li>\n\n\n\n
- Barba, Eugenio, and Nicola Savarese. 2006. The Secret Art of the Performer: A Dictionary of Theatre Anthropology<\/em>, second edition, translated by Richard Fowler, London and New York: Routledge<\/li>\n\n\n\n
- Barba, Eugenio. 2010. Prediche dal giardino<\/em>, Mondaino: L\u2019Arboreto Edizioni<\/li>\n\n\n\n
- Barba, Eugenio.2010. P<\/em>\u0103<\/em>m\u00e2nt de cenu<\/em>\u0219\u0103 \u0219<\/em>i diamant. Ucenicia mea \u00een Polonia <\/em>urmat\u0103 de 26 de scrisori de la Jerzy Grotowski c<\/em>\u0103<\/em>tre Eugenio Barba<\/em>, traducere de Diana Cozma, Bucure\u0219ti: Editura Ideea European\u0103<\/li>\n\n\n\n
- Barba, Eugenio. 2012. Casa \u00een fl<\/em>\u0103<\/em>c<\/em>\u0103<\/em>ri: Despre regie <\/em>\u0219<\/em>i dramaturgie<\/em>, traducere de Diana Cozma, Bucure\u0219ti: Nemira<\/li>\n\n\n\n
- Bechtel, Roger. 2013. \u201cThe Playwright and the Collective\u201d, Kathryn Mederos Syssoyeva, Collective Creation in Contemporary Performance<\/em>, S. Proudfit (editor) Springer, pp. 39-50<\/li>\n\n\n\n
- Bogart, Anne. 2014. What\u2019s the Story \u2013 Essay about art, theatre and storytelling<\/em>, London & New York: Routledge<\/li>\n\n\n\n
- Biner, Pierre. 1972. The Living Theatre<\/em>, New York: Horizon Press<\/li>\n\n\n\n
- Brook, Peter. 2020. Playing by Ear: Reflections on Sound and Music<\/em>, New York: Theatre Communications Group<\/li>\n\n\n\n
- Brook, Peter. 2017. Tip of the Tongue: Reflections on Language and Meaning<\/em>, London: Nick Hern<\/li>\n\n\n\n
- Brook, Peter. 2014. The Quality of Mercy: Reflections on Shakespeare<\/em>, New York: Theatre Communications Group<\/li>\n\n\n\n
- Brook, Peter. 1999. Threads of Time<\/em>, Washington D.C.: Counterpoint<\/li>\n\n\n\n
- Carreri, Roberta. 2007. Tracce \u2014 Training e storia di un'attrice dell'Odin Teatret<\/em>, edizione a cura di Francesca Romana Rietti, fotografie di Orme sulla neve<\/em> di Guendalina Ravazzoni, Prefazione in forma di lettera di Eugenio Barba, Milano: Il Principe Costante Edizioni<\/li>\n\n\n\n
- Cozma, Diana. 2005. Dramaturgul-practician<\/em>, Cluj-Napoca: Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103<\/li>\n\n\n\n
- Cozma, Diana. 2007. Teatrul \u00eenl<\/em>\u0103<\/em>n<\/em>\u021b<\/em>uit: Eseu despre teatrul lui Jerzy Grotowski<\/em>, Cluj-Napoca: Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103<\/li>\n\n\n\n
- Cozma, Diana. 2016. Dansul efemer al <\/em>ac<\/em>\u021b<\/em>iunilor actorului<\/em>, Cluj-Napoca: Presa Universitar\u0103 Clujean\u0103<\/li>\n\n\n\n
- Cozma, Diana. 2021. Eugenio Barba and the Golden Apple: W<\/em>itnessing Odin Teatret\u2019s Rehearsals<\/em>, Foreword by Eugenio Barba, Gloucester: The Choir Press<\/li>\n\n\n\n
- Cozma, Diana. 2022. \u201cThe Dimension of Corporality in the Theatre laboratory\u201d, Hermeneia<\/em>, issue 28, pp. 86-92, Accession Number: WOS:000809669600007<\/li>\n\n\n\n
- Cozma, Diana. 2023. \u201cA Theatre of Cruelty Nowadays\u201d,
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