![\"\"](\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Oltita-Cintec.png\")
<\/figure>Olti\u021ba C\u00eentec is a theatre scholar and critic, holding a PhD in Theatre Studies. She is the founder and curator of the International Theater Festival for Young Audiences <\/em>in Ia\u0219i (FITPTI), and serves as the artistic director of the “Luceaf\u0103rul” Theater in Ia\u0219i. She has been a selector and member of specialty juries for several national and international theater festivals (FITPTI, UNITER Gala, Piatra Neam\u021b Theatre Festival, Bucharest Festival Fringe, Expatriada London, etc.), as well as a consultant and coordinator for theatre projects. She was also the president of the Romanian section of the International Association of Theater Critics from 2015 to 2022. C\u00eentec authors articles and analytical studies on theatre in various academic publications (Studia Dramatica, Concept, DramArt, Colocvii teatrale, etc.) and in magazines such as Critical Stages, The Theatre Times, Scena.Ro, Teatrul Azi, Suplimentul de cultur\u0103, Observator cultural, Dilema Veche, etc. She has been nominated four times for the Theater Criticism Award at the UNITER Gala (including in 2023). She has contributed studies on Romanian theater to books published abroad, most recently in Irina Wolf (ed) Das rum\u00e4nische Theater im. 21 Jahrhundert. Freie Szene und Neue Wege, Frank&Timme, Berlin, 2022. <\/p>\n<\/div><\/div>\n\n\n\n Languages in which she can supervise doctoral studies<\/strong>: Romanian<\/p>\n\n\n\n The theatrical theoretical horizon in the recent past, between the need for ordering paradigms and the fast-forward pace of performative change.<\/p>\n\n\n\n Multiple auctoriality in the perimeter of the stage (auctorial authority; set writing, the playwright; collective auctorship – devised practices; democratization of creative hierarchies); the meta-author – the curator.<\/p>\n\n\n\n Degrees of fictionalization in recent theatricality; the collaborative turn; the theatre of experts, the theatre of real people; the theatre that reveals the real, the actor-marker; self-referential dramaturgy; art as a form of mediation, the critical task of the artist.<\/p>\n\n\n\n Current spectatorship – audience inclusivity, participatory theater; immersive performativity, theater as experience; sensorial theater; creative complicity – including the spectator from the very writing; active spectatorship.<\/p>\n\n<\/div><\/details><\/div>\n\n George Banu, Scena modern\u0103. Mitologii \u0219i miniaturi<\/em>, Nemira, 2014<\/p>\n\n\n\n Peter Brook, F\u0103r\u0103 secrete. G\u00e2nduri despre actorie \u0219i teatru,<\/em> Nemira, 2012<\/p>\n\n\n\n Olti\u021ba C\u00eentec (coord.), Teatrul rom\u00e2nesc de azi. Noi orizonturi estetice\/Romanian Theatre Today. New Horizons<\/em>, Timpul, 2017<\/p>\n\n\n\n Lehmann Hans-Thies, Teatrul postdramatic<\/em>, traducere din german\u0103 de Victor Scorade\u021b, Bucure\u0219ti, Unitext, 2007<\/p>\n\n\n\n Erica Magris, B\u00e9atrice Picon-Vallin (editeurs), Les th\u00e9\u00e2tre documentaires, Deuxi\u00e8me \u00e8poque<\/em>, 2019<\/p>\n\n\n\n Radosavljevi\u0107 Du\u0161ka, Theatre-Making, Interplay Between Text and Performanace in the 21st<\/sup> Century, <\/em>Palgrave Macmillan, 2013<\/p>\n\n\n\n Runcan Miruna, Signore Misterioso, o anatomie a spectatorului<\/em>, Unitext, Bucure\u0219ti, 2011<\/p>\n\n<\/div><\/details><\/div>","protected":false,"raw":"\n oltitacintec@gmail.com<\/p>\n\n\n\n Olti\u021ba C\u00eentec is a theatre scholar and critic, holding a PhD in Theatre Studies. She is the founder and curator of the International Theater Festival for Young Audiences <\/em>in Ia\u0219i (FITPTI), and serves as the artistic director of the \"Luceaf\u0103rul\" Theater in Ia\u0219i. She has been a selector and member of specialty juries for several national and international theater festivals (FITPTI, UNITER Gala, Piatra Neam\u021b Theatre Festival, Bucharest Festival Fringe, Expatriada London, etc.), as well as a consultant and coordinator for theatre projects. She was also the president of the Romanian section of the International Association of Theater Critics from 2015 to 2022. C\u00eentec authors articles and analytical studies on theatre in various academic publications (Studia Dramatica, Concept, DramArt, Colocvii teatrale, etc.) and in magazines such as Critical Stages, The Theatre Times, Scena.Ro, Teatrul Azi, Suplimentul de cultur\u0103, Observator cultural, Dilema Veche, etc. She has been nominated four times for the Theater Criticism Award at the UNITER Gala (including in 2023). She has contributed studies on Romanian theater to books published abroad, most recently in Irina Wolf (ed) Das rum\u00e4nische Theater im. 21 Jahrhundert. Freie Szene und Neue Wege, Frank&Timme, Berlin, 2022. <\/p>\n<\/div><\/div>\n\n\n\n Languages in which she can supervise doctoral studies<\/strong>: Romanian<\/p>\n\n\n\n The theatrical theoretical horizon in the recent past, between the need for ordering paradigms and the fast-forward pace of performative change.<\/p>\n\n\n\n Multiple auctoriality in the perimeter of the stage (auctorial authority; set writing, the playwright; collective auctorship - devised practices; democratization of creative hierarchies); the meta-author - the curator.<\/p>\n\n\n\n Degrees of fictionalization in recent theatricality; the collaborative turn; the theatre of experts, the theatre of real people; the theatre that reveals the real, the actor-marker; self-referential dramaturgy; art as a form of mediation, the critical task of the artist.<\/p>\n\n\n\n Current spectatorship - audience inclusivity, participatory theater; immersive performativity, theater as experience; sensorial theater; creative complicity - including the spectator from the very writing; active spectatorship.<\/p>\n\n\n\n\n\n George Banu, Scena modern\u0103. Mitologii \u0219i miniaturi<\/em>, Nemira, 2014<\/p>\n\n\n\n Peter Brook, F\u0103r\u0103 secrete. G\u00e2nduri despre actorie \u0219i teatru,<\/em> Nemira, 2012<\/p>\n\n\n\n Olti\u021ba C\u00eentec (coord.), Teatrul rom\u00e2nesc de azi. Noi orizonturi estetice\/Romanian Theatre Today. New Horizons<\/em>, Timpul, 2017<\/p>\n\n\n\n Lehmann Hans-Thies, Teatrul postdramatic<\/em>, traducere din german\u0103 de Victor Scorade\u021b, Bucure\u0219ti, Unitext, 2007<\/p>\n\n\n\n Erica Magris, B\u00e9atrice Picon-Vallin (editeurs), Les th\u00e9\u00e2tre documentaires, Deuxi\u00e8me \u00e8poque<\/em>, 2019<\/p>\n\n\n\n Radosavljevi\u0107 Du\u0161ka, Theatre-Making, Interplay Between Text and Performanace in the 21st<\/sup> Century, <\/em>Palgrave Macmillan, 2013<\/p>\n\n\n\n Runcan Miruna, Signore Misterioso, o anatomie a spectatorului<\/em>, Unitext, Bucure\u0219ti, 2011<\/p>\n\n"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-onecolumn.php","meta":{"_ro_post_content":"\n oltitacintec@gmail.com<\/p>\n\n\n\n dat\u0103 abilitare: 3817 \/ 12.05.2022<\/p>\n\n\n\n doctoranzi \u00een stagiu: 6<\/p>\n\n\n\n Linkuri spre profiluri academice:<\/strong><\/p>\n\n\n\n Google Scholar:<\/p>\n\n\n\n https:\/\/scholar.google.com\/citations?hl=en&user=DdT6JHsAAAAJ&scilu=&scisig=APR7AgUAAAAAaXW3KNdwsYRm_DPMA1XQt5N_Ij0&gmla=APjjwubnQeluZ-tsQk3D7-Ccg2ucIttnhjn1SmtVL3wWmnWNNsausmoROgSmtKFlMB2DNjRP2I2ySttEr0Q5ivV1My6JmpnwNwZ79Ys&sciund=17950555806405286634<\/a><\/p>\n\n\n\n ORCID:<\/strong><\/p>\n\n\n\n https:\/\/orcid.org\/0009-0002-4567-8985<\/a><\/p>\n\n\n\n BASE SEARCH:<\/strong><\/p>\n\n\n\n https:\/\/www.base-search.net\/Search\/Results?q=aut:\"Olti\u021ba%20C\u00eentec\"<\/a><\/p>\n\n\n\n WEB OF SCIENCE:<\/strong><\/p>\n\n\n\n https:\/\/www.webofscience.com\/wos\/author\/orcid-wizard<\/a><\/p>\n\n\n\n CV detaliat<\/a><\/strong><\/p>\n\n\n\n CV_scurt_EN_RO<\/a><\/strong><\/p>\n\n\n\n
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Topics<\/span><\/summary>
Bibliography<\/span><\/summary>
Associate professor
Olti\u021ba C\u00ceNTEC, PhD
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\n\n\n\nThemes of doctoral research:<\/h4>\n\n\n\n
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Prof. univ. dr. habil.
Olti\u021ba C\u00ceNTIC (C\u00c2NTEC)<\/h2>\n\n\n\n