{"id":245,"date":"2024-04-24T08:53:41","date_gmt":"2024-04-24T06:53:41","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=245"},"modified":"2026-06-15T07:29:42","modified_gmt":"2026-06-15T05:29:42","slug":"","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan-2\/","title":{"rendered":"Anca Hatiegan - EN","raw":"Anca Hatiegan - EN"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\">Associate professor<br>Anca HA\u021aIEGAN, PhD<br><\/h2>\n\n\n\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\" srcset=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png 500w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan-300x300.png 300w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan-150x150.png 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Anca Ha\u021biegan<\/strong> is a theatre historian, essayist, literary and theatre critic, associate professor at the Department of Theatre, Faculty of Theatre and Film, Babe\u0219-Bolyai University, where she teaches the History of Romanian and Universal Theatre, Drama Theory, and Introduction to Theatre Research (at the undergraduate level). She is a member of the literary group &#8220;Echinox&#8221;. She has coordinated thematic issues of the Studia UBB Dramatica journal, is a member of the Janovics Center for Screen and Performance Arts Studies (UBB), the Theatrical Union of Romania (UNITER), and the International Association of Theatre Critics (AICT), Romanian branch.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Themes of doctoral research<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Romanian Theatre History;<\/li>\n\n\n\n<li>The Feminine History of Theatre;<\/li>\n\n\n\n<li>Interferences between Theatre and Literature;<\/li>\n\n\n\n<li>Interferences between Romanian Theatre and Film;<\/li>\n\n\n\n<li>Theatre and History.<\/li>\n<\/ul>\n\n\n<div class=\"lightweight-accordion bordered\"><details><summary class=\"lightweight-accordion-title\"><span>Bibliography for 2026 admissions<\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<ol class=\"wp-block-list\">\n<li>Berlogea, Ileana,\u00a0<em>Teatrul rom\u00e2nesc \u00een secolul\u00a0<\/em>XX, Editura\u00a0Funda\u021biei Culturale Rom\u00e2ne, Bucure\u0219ti, 2000.<\/li>\n\n\n\n<li>Braga, Corin (coord. general), \u0219i Liviu Mali\u021ba (coord.),\u00a0<em>Enciclopedia imaginariilor din Rom\u00e2nia. Imaginar \u0219i patrimoniu artistic<\/em>, V, Polirom, Ia\u0219i, 2020.<\/li>\n\n\n\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>T\u00e2n\u0103rul artist de teatru. Istorii rom\u00e2ne\u0219ti recente. \/ The Young Theatre Artist. Recent Romanian Histories<\/em>, traduceri de Miruna Andriescu, Daniela \u0218ilindean, Timpul, Ia\u0219i, 2015.<\/li>\n\n\n\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Regia rom\u00e2neasc\u0103, de la act de interpretare la practici colaborative \/ Romanian Theatre Directing, from Autorship to Collaborative Practices<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2016.<\/li>\n\n\n\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul.ro \u2013 30. Noi nume \/ Theatre.ro \u2013 30. New Entries<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2019.<\/li>\n\n\n\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Un virus pe scena lumii. Teatru \u0219i pandemie 2.0<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2020.<\/li>\n\n\n\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul rom\u00e2nesc de azi. Noi orizonturi \/ The Romanian Theatre Today. New Horizons<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2017.<\/li>\n\n\n\n<li>Ghi\u021bulescu, Mircea,\u00a0<em>Istoria literaturii rom\u00e2ne. Dramaturgia<\/em>, edi\u021bia a II-a, Editura Tracus Arte, Bucure\u0219ti, 2008<\/li>\n\n\n\n<li>Ha\u021biegan, Anca,\u00a0<em>Teatrul<\/em>, \u00een Liliana Corobca (coord.),\u00a0<em>Panorama postcomunismului \u00een Rom\u00e2nia<\/em>, Polirom, Ia\u0219i, 2022<\/li>\n\n\n\n<li>Krakowska, Joanna, Daria Odija (ed.),\u00a0<em>Platform: East European Performing Arts Companion<\/em>, Adam Mickiewicz Insitute, Centre for Culture in Lublin, Institute of Arts of the Polish Academy of Scineces, City of Lublin, Lublin, Var\u0219ovia, 2016.<\/li>\n\n\n\n<li>Mali\u021ba, Liviu (coord.),\u00a0<em>Via\u0163a teatral\u0103 \u00een \u015fi dup\u0103 comunism<\/em>,\u00a0Editura EFES, Cluj, 2006.<\/li>\n\n\n\n<li>Mazilu, Alina,\u00a0<em>Festivalul Interna\u021bional de Teatru de la Sibiu ca promotor al dramaturgiei contemporane. Aspecte din dramaturgia rom\u00e2n\u0103 actual\u0103<\/em>, Editura Universitaria, Craiova, 2019.<\/li>\n\n\n\n<li>Modreanu, Cristina,\u00a0<em>Fluturele gladiator. Teatru politic, queer &amp; feminist pe scena rom\u00e2neasc\u0103<\/em>. Desene de Dan Perjovschi, Curtea Veche, Bucure\u0219ti, 2016.<\/li>\n\n\n\n<li>Modreanu, Cristina,\u00a0<em>A History of Romanian Theatre from Communism to Capitalism. Children of a Restless Time<\/em>, Routledge, Londra, New York, 2020.<\/li>\n\n\n\n<li>Modreanu, Cristina (coord.),\u00a0<em>Dic\u021bionarul multimedia al teatrului rom\u00e2nesc<\/em>:\u00a0<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.dmtr.ro%2F&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C7bee5ed1a655403bebef08dec95f658f%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639169608785813577%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=iCH72vAqkl64dabOSuFMOR1rfLI3YQhEMiBbQ3AmNH4%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\"><u>www.dmtr.ro<\/u><\/a>\u00a0<\/li>\n\n\n\n<li>Nelega, Alina,\u00a0<em>Structuri \u0219i formule de compozi\u021bie ale textului dramatic<\/em>, Editura Eikon, Cluj, 2010.<\/li>\n\n\n\n<li>Pavel, Laura,\u00a0<em>Teatru \u0219i identitate. Interpret\u0103ri pe scena interioar\u0103. \/ Theatre and Identity. Interpretations on the Inner Stage<\/em>, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj, 2012.<\/li>\n\n\n\n<li>Popescu, Theodor-Cristian,\u00a0<em>Surplus de oameni sau surplus de idei. Pionierii mi\u015fc\u0103rii independente \u00een teatrul rom\u00e2nesc post 1989<\/em>, Editura Eikon, Cluj, 2012.<\/li>\n\n\n\n<li>Popescu, Marian,\u00a0<em>Oglinda spart\u0103. Despre teatrul rom\u00e2nesc dup\u0103 1989<\/em>, Editura UNITEXT, Bucure\u0219ti, 1997.<\/li>\n\n\n\n<li>Popescu, Marian,\u00a0<em>The Stage and the Carnival. Romanian Theatre After Censorship<\/em>, Editura Paralela 45, Pite\u0219ti, 2000.<\/li>\n\n\n\n<li>Popescu, Marian,\u00a0<em>Scenele teatrului rom\u00e2nesc 1945-2004. De la cenzur\u0103 la libertate<\/em>, Editura\u00a0UNITEXT, Bucure\u0219ti, 2004.\u00a0<\/li>\n\n\n\n<li>Popovici, Iulia (ed.),\u00a0<em>Noi practici \u00een artele spectacolului din Europa de Est<\/em>, edi\u021bie bilingv\u0103, Editura Cartier, Chi\u0219in\u0103u, 2014.<\/li>\n\n\n\n<li>Popovici, Iulia (ed.),\u00a0<em>Sf\u00e2r\u0219itul regiei, \u00eenceputul crea\u021biei colective \u00een teatrul european. The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre<\/em>, Editura Tact, Cluj, 2015.<\/li>\n\n\n\n<li>Popovici, Iulia,\u00a0<em>Elefantul din camer\u0103. Ghid despre teatrul independent din Rom\u00e2nia<\/em>, Editura Idea Design &amp; Print, Cluj, 2016.<\/li>\n\n\n\n<li>Runcan, Miruna,\u00a0<em>Modelul teatral rom\u00e2nesc \u2013 eseuri de critic\u0103 \u0219i antropologie teatral\u0103<\/em>, Editura UNITEXT, Bucure\u0219ti, 2000.<\/li>\n\n\n\n<li>Rusiecki, Cristina,\u00a0<em>Un click \u0219i&#8230; 1000 de realit\u0103\u021bi. New media \u00een teatrul rom\u00e2nesc<\/em>, Editura Etnologic\u0103, Bucure\u0219ti, 2020.<\/li>\n\n\n\n<li><\/li>\n\n\n\n<li><\/li>\n<\/ol>\n\n<\/div><\/details><\/div>","protected":false,"raw":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate professor<br>Anca HA\u021aIEGAN, PhD<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":119,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Anca Ha\u021biegan<\/strong> is a theatre historian, essayist, literary and theatre critic, associate professor at the Department of Theatre, Faculty of Theatre and Film, Babe\u0219-Bolyai University, where she teaches the History of Romanian and Universal Theatre, Drama Theory, and Introduction to Theatre Research (at the undergraduate level). She is a member of the literary group \"Echinox\". She has coordinated thematic issues of the Studia UBB Dramatica journal, is a member of the Janovics Center for Screen and Performance Arts Studies (UBB), the Theatrical Union of Romania (UNITER), and the International Association of Theatre Critics (AICT), Romanian branch.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Themes of doctoral research<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Romanian Theatre History;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Feminine History of Theatre;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Theatre and Literature;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Romanian Theatre and Film;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Theatre and History.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliography for 2026 admissions\",\"bordered\":true} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Berlogea, Ileana,\u00a0<em>Teatrul rom\u00e2nesc \u00een secolul\u00a0<\/em>XX, Editura\u00a0Funda\u021biei Culturale Rom\u00e2ne, Bucure\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Braga, Corin (coord. general), \u0219i Liviu Mali\u021ba (coord.),\u00a0<em>Enciclopedia imaginariilor din Rom\u00e2nia. Imaginar \u0219i patrimoniu artistic<\/em>, V, Polirom, Ia\u0219i, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>T\u00e2n\u0103rul artist de teatru. Istorii rom\u00e2ne\u0219ti recente. \/ The Young Theatre Artist. Recent Romanian Histories<\/em>, traduceri de Miruna Andriescu, Daniela \u0218ilindean, Timpul, Ia\u0219i, 2015.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Regia rom\u00e2neasc\u0103, de la act de interpretare la practici colaborative \/ Romanian Theatre Directing, from Autorship to Collaborative Practices<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul.ro \u2013 30. Noi nume \/ Theatre.ro \u2013 30. New Entries<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2019.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Un virus pe scena lumii. Teatru \u0219i pandemie 2.0<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul rom\u00e2nesc de azi. Noi orizonturi \/ The Romanian Theatre Today. New Horizons<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2017.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ghi\u021bulescu, Mircea,\u00a0<em>Istoria literaturii rom\u00e2ne. Dramaturgia<\/em>, edi\u021bia a II-a, Editura Tracus Arte, Bucure\u0219ti, 2008<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ha\u021biegan, Anca,\u00a0<em>Teatrul<\/em>, \u00een Liliana Corobca (coord.),\u00a0<em>Panorama postcomunismului \u00een Rom\u00e2nia<\/em>, Polirom, Ia\u0219i, 2022<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Krakowska, Joanna, Daria Odija (ed.),\u00a0<em>Platform: East European Performing Arts Companion<\/em>, Adam Mickiewicz Insitute, Centre for Culture in Lublin, Institute of Arts of the Polish Academy of Scineces, City of Lublin, Lublin, Var\u0219ovia, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mali\u021ba, Liviu (coord.),\u00a0<em>Via\u0163a teatral\u0103 \u00een \u015fi dup\u0103 comunism<\/em>,\u00a0Editura EFES, Cluj, 2006.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mazilu, Alina,\u00a0<em>Festivalul Interna\u021bional de Teatru de la Sibiu ca promotor al dramaturgiei contemporane. Aspecte din dramaturgia rom\u00e2n\u0103 actual\u0103<\/em>, Editura Universitaria, Craiova, 2019.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina,\u00a0<em>Fluturele gladiator. Teatru politic, queer &amp; feminist pe scena rom\u00e2neasc\u0103<\/em>. Desene de Dan Perjovschi, Curtea Veche, Bucure\u0219ti, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina,\u00a0<em>A History of Romanian Theatre from Communism to Capitalism. Children of a Restless Time<\/em>, Routledge, Londra, New York, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina (coord.),\u00a0<em>Dic\u021bionarul multimedia al teatrului rom\u00e2nesc<\/em>:\u00a0<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.dmtr.ro%2F&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C7bee5ed1a655403bebef08dec95f658f%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639169608785813577%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=iCH72vAqkl64dabOSuFMOR1rfLI3YQhEMiBbQ3AmNH4%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\"><u>www.dmtr.ro<\/u><\/a>\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Nelega, Alina,\u00a0<em>Structuri \u0219i formule de compozi\u021bie ale textului dramatic<\/em>, Editura Eikon, Cluj, 2010.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Pavel, Laura,\u00a0<em>Teatru \u0219i identitate. Interpret\u0103ri pe scena interioar\u0103. \/ Theatre and Identity. Interpretations on the Inner Stage<\/em>, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj, 2012.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Theodor-Cristian,\u00a0<em>Surplus de oameni sau surplus de idei. Pionierii mi\u015fc\u0103rii independente \u00een teatrul rom\u00e2nesc post 1989<\/em>, Editura Eikon, Cluj, 2012.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>Oglinda spart\u0103. Despre teatrul rom\u00e2nesc dup\u0103 1989<\/em>, Editura UNITEXT, Bucure\u0219ti, 1997.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>The Stage and the Carnival. Romanian Theatre After Censorship<\/em>, Editura Paralela 45, Pite\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>Scenele teatrului rom\u00e2nesc 1945-2004. De la cenzur\u0103 la libertate<\/em>, Editura\u00a0UNITEXT, Bucure\u0219ti, 2004.\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia (ed.),\u00a0<em>Noi practici \u00een artele spectacolului din Europa de Est<\/em>, edi\u021bie bilingv\u0103, Editura Cartier, Chi\u0219in\u0103u, 2014.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia (ed.),\u00a0<em>Sf\u00e2r\u0219itul regiei, \u00eenceputul crea\u021biei colective \u00een teatrul european. The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre<\/em>, Editura Tact, Cluj, 2015.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia,\u00a0<em>Elefantul din camer\u0103. Ghid despre teatrul independent din Rom\u00e2nia<\/em>, Editura Idea Design &amp; Print, Cluj, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Runcan, Miruna,\u00a0<em>Modelul teatral rom\u00e2nesc \u2013 eseuri de critic\u0103 \u0219i antropologie teatral\u0103<\/em>, Editura UNITEXT, Bucure\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Rusiecki, Cristina,\u00a0<em>Un click \u0219i... 1000 de realit\u0103\u021bi. New media \u00een teatrul rom\u00e2nesc<\/em>, Editura Etnologic\u0103, Bucure\u0219ti, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li><\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li><\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-onecolumn.php","meta":{"_ro_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Conf. univ. dr. habil.<br>Anca HA\u021aIEGAN<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dat\u0103 abilitare: 3823 \/ 12.05.2022<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoranzi \u00een stagiu: 2<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Linkuri spre profiluri academice:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.ca\/citations?user=Z1kqu7oAAAAJ&amp;hl=en\">https:\/\/scholar.google.ca\/citations?user=Z1kqu7oAAAAJ&amp;hl=en<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Hatiegan-long-CV-2025.pdf\">CV detaliat<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Hatiegan_short-cv-2025.pdf\">CV_scurt_EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/TAS_HATIEGAN_Anca_2026_FTF_Standarde-sintetic.docx\">FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":119,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan\/\",\"mediaType\":\"image\",\"mediaWidth\":30,\"verticalAlignment\":\"top\"} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Anca Ha\u021biegan<\/strong> este conferen\u021biar universitar la Facultatea de Teatru \u0219i Film a Universit\u0103\u021bii \u201eBabe\u0219-Bolyai\u201d din Cluj-Napoca, autoare, cercet\u0103toare \u0219i critic de teatru. A ob\u021binut titlul de doctor \u00een filologie cu o tez\u0103 despre teatralitatea romanului rom\u00e2nesc \u00een perioada comunist\u0103. Pred\u0103 istoria teatrului rom\u00e2nesc \u0219i european, istoria \u0219i teoria dramei \u0219i metodologia cercet\u0103rii teatrale. A fost membr\u0103 a mai multor echipe de cercetare na\u021bionale \u0219i interna\u021bionale, inclusiv \u00een proiectul <em>A Lexicon of the Central-Eastern European Interwar Theatre Avant-Garde<\/em> (Var\u0219ovia\u2013Aberystwyth, 2023), finan\u021bat de Ministerul Educa\u021biei \u0219i \u0218tiin\u021bei din Polonia.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Este autoarea volumelor <em>C\u0103r\u021bile omului dublu. Teatralitate \u0219i roman \u00een regimul comunist<\/em> (2010), <em>Diminea\u021ba actri\u021belor<\/em> (2019) \u0219i <em>Ciulei \u0219i spectrul Tat\u0103lui. O psihobiografie<\/em> (2024), precum \u0219i a numeroase studii despre istoria teatrului rom\u00e2nesc. Cartea <em>Diminea\u021ba actri\u021belor<\/em> a fost distins\u0103 cu Premiul \u201eI. Negoi\u021bescu\u201d al revistei <em>Apostrof<\/em>, Premiul \u201eAl. Piru\u201d al Muzeului Na\u021bional al Literaturii Rom\u00e2ne \u0219i Premiul pentru carte de teatru al revistei <em>Clujul Cultural<\/em>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Volumul <em>Ciulei \u0219i spectrul Tat\u0103lui. O psihobiografie<\/em> (2024) a fost nominalizat la Premiile <em>Observator cultural<\/em> 2024. A fost, de asemenea, nominalizat\u0103 la Premiul UNITER pentru critic\u0103 teatral\u0103 (2021). Este membr\u0103 a UNITER, a Uniunii Scriitorilor din Rom\u00e2nia \u0219i a Asocia\u021biei Interna\u021bionale a Criticilor de Teatru (AICT).<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:paragraph -->\n<p><strong>Tematic\u0103 \u0219i bibliografie pentru doctorat<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Arii \u0219i teme de cercetare doctoral\u0103:\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Istoria teatrului rom\u00e2nesc;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Istoria feminin\u0103 a teatrului;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferen\u021be teatru-literatur\u0103;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferen\u021be teatru-film rom\u00e2nesc;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Teatru \u0219i istorie.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliografie admiteri 2026\",\"bordered\":true} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Berlogea, Ileana,\u00a0<em>Teatrul rom\u00e2nesc \u00een secolul\u00a0<\/em>XX, Editura\u00a0Funda\u021biei Culturale Rom\u00e2ne, Bucure\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Braga, Corin (coord. general), \u0219i Liviu Mali\u021ba (coord.),\u00a0<em>Enciclopedia imaginariilor din Rom\u00e2nia. Imaginar \u0219i patrimoniu artistic<\/em>, V, Polirom, Ia\u0219i, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>T\u00e2n\u0103rul artist de teatru. Istorii rom\u00e2ne\u0219ti recente. \/ The Young Theatre Artist. Recent Romanian Histories<\/em>, traduceri de Miruna Andriescu, Daniela \u0218ilindean, Timpul, Ia\u0219i, 2015.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Regia rom\u00e2neasc\u0103, de la act de interpretare la practici colaborative \/ Romanian Theatre Directing, from Autorship to Collaborative Practices<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul.ro \u2013 30. Noi nume \/ Theatre.ro \u2013 30. New Entries<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2019.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Un virus pe scena lumii. Teatru \u0219i pandemie 2.0<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul rom\u00e2nesc de azi. Noi orizonturi \/ The Romanian Theatre Today. New Horizons<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2017.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ghi\u021bulescu, Mircea,\u00a0<em>Istoria literaturii rom\u00e2ne. Dramaturgia<\/em>, edi\u021bia a II-a, Editura Tracus Arte, Bucure\u0219ti, 2008<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ha\u021biegan, Anca,\u00a0<em>Teatrul<\/em>, \u00een Liliana Corobca (coord.),\u00a0<em>Panorama postcomunismului \u00een Rom\u00e2nia<\/em>, Polirom, Ia\u0219i, 2022<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Krakowska, Joanna, Daria Odija (ed.),\u00a0<em>Platform: East European Performing Arts Companion<\/em>, Adam Mickiewicz Insitute, Centre for Culture in Lublin, Institute of Arts of the Polish Academy of Scineces, City of Lublin, Lublin, Var\u0219ovia, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mali\u021ba, Liviu (coord.),\u00a0<em>Via\u0163a teatral\u0103 \u00een \u015fi dup\u0103 comunism<\/em>,\u00a0Editura EFES, Cluj, 2006.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mazilu, Alina,\u00a0<em>Festivalul Interna\u021bional de Teatru de la Sibiu ca promotor al dramaturgiei contemporane. Aspecte din dramaturgia rom\u00e2n\u0103 actual\u0103<\/em>, Editura Universitaria, Craiova, 2019.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina,\u00a0<em>Fluturele gladiator. Teatru politic, queer &amp; feminist pe scena rom\u00e2neasc\u0103<\/em>. Desene de Dan Perjovschi, Curtea Veche, Bucure\u0219ti, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina,\u00a0<em>A History of Romanian Theatre from Communism to Capitalism. Children of a Restless Time<\/em>, Routledge, Londra, New York, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina (coord.),\u00a0<em>Dic\u021bionarul multimedia al teatrului rom\u00e2nesc<\/em>:\u00a0<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.dmtr.ro%2F&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C7bee5ed1a655403bebef08dec95f658f%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639169608785813577%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=iCH72vAqkl64dabOSuFMOR1rfLI3YQhEMiBbQ3AmNH4%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\"><u>www.dmtr.ro<\/u><\/a>\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Nelega, Alina,\u00a0<em>Structuri \u0219i formule de compozi\u021bie ale textului dramatic<\/em>, Editura Eikon, Cluj, 2010.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Pavel, Laura,\u00a0<em>Teatru \u0219i identitate. Interpret\u0103ri pe scena interioar\u0103. \/ Theatre and Identity. Interpretations on the Inner Stage<\/em>, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj, 2012.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Theodor-Cristian,\u00a0<em>Surplus de oameni sau surplus de idei. Pionierii mi\u015fc\u0103rii independente \u00een teatrul rom\u00e2nesc post 1989<\/em>, Editura Eikon, Cluj, 2012.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>Oglinda spart\u0103. Despre teatrul rom\u00e2nesc dup\u0103 1989<\/em>, Editura UNITEXT, Bucure\u0219ti, 1997.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>The Stage and the Carnival. Romanian Theatre After Censorship<\/em>, Editura Paralela 45, Pite\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>Scenele teatrului rom\u00e2nesc 1945-2004. De la cenzur\u0103 la libertate<\/em>, Editura\u00a0UNITEXT, Bucure\u0219ti, 2004.\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia (ed.),\u00a0<em>Noi practici \u00een artele spectacolului din Europa de Est<\/em>, edi\u021bie bilingv\u0103, Editura Cartier, Chi\u0219in\u0103u, 2014.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia (ed.),\u00a0<em>Sf\u00e2r\u0219itul regiei, \u00eenceputul crea\u021biei colective \u00een teatrul european. The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre<\/em>, Editura Tact, Cluj, 2015.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia,\u00a0<em>Elefantul din camer\u0103. Ghid despre teatrul independent din Rom\u00e2nia<\/em>, Editura Idea Design &amp; Print, Cluj, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Runcan, Miruna,\u00a0<em>Modelul teatral rom\u00e2nesc \u2013 eseuri de critic\u0103 \u0219i antropologie teatral\u0103<\/em>, Editura UNITEXT, Bucure\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Rusiecki, Cristina,\u00a0<em>Un click \u0219i... 1000 de realit\u0103\u021bi. New media \u00een teatrul rom\u00e2nesc<\/em>, Editura Etnologic\u0103, Bucure\u0219ti, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li><\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li><\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_ro_post_name":"anca-hatiegan-2","_ro_post_excerpt":"","_ro_post_title":"Anca Hatiegan","_en_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate professor<br>Anca HA\u021aIEGAN, PhD<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":119,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Anca Ha\u021biegan<\/strong> is a theatre historian, essayist, literary and theatre critic, associate professor at the Department of Theatre, Faculty of Theatre and Film, Babe\u0219-Bolyai University, where she teaches the History of Romanian and Universal Theatre, Drama Theory, and Introduction to Theatre Research (at the undergraduate level). She is a member of the literary group \"Echinox\". She has coordinated thematic issues of the Studia UBB Dramatica journal, is a member of the Janovics Center for Screen and Performance Arts Studies (UBB), the Theatrical Union of Romania (UNITER), and the International Association of Theatre Critics (AICT), Romanian branch.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Themes of doctoral research<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Romanian Theatre History;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Feminine History of Theatre;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Theatre and Literature;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Romanian Theatre and Film;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Theatre and History.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliography for 2026 admissions\",\"bordered\":true} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Berlogea, Ileana,\u00a0<em>Teatrul rom\u00e2nesc \u00een secolul\u00a0<\/em>XX, Editura\u00a0Funda\u021biei Culturale Rom\u00e2ne, Bucure\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Braga, Corin (coord. general), \u0219i Liviu Mali\u021ba (coord.),\u00a0<em>Enciclopedia imaginariilor din Rom\u00e2nia. Imaginar \u0219i patrimoniu artistic<\/em>, V, Polirom, Ia\u0219i, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>T\u00e2n\u0103rul artist de teatru. Istorii rom\u00e2ne\u0219ti recente. \/ The Young Theatre Artist. Recent Romanian Histories<\/em>, traduceri de Miruna Andriescu, Daniela \u0218ilindean, Timpul, Ia\u0219i, 2015.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Regia rom\u00e2neasc\u0103, de la act de interpretare la practici colaborative \/ Romanian Theatre Directing, from Autorship to Collaborative Practices<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul.ro \u2013 30. Noi nume \/ Theatre.ro \u2013 30. New Entries<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2019.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Un virus pe scena lumii. Teatru \u0219i pandemie 2.0<\/em>, Festivalul Interna\u021bional de Teatru pentru Publicul T\u00e2n\u0103r, Timpul, Ia\u0219i, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>C\u00eentec, Olti\u021ba (coord.),\u00a0<em>Teatrul rom\u00e2nesc de azi. Noi orizonturi \/ The Romanian Theatre Today. New Horizons<\/em>, traduceri de Carmen T\u0103rniceru \u0219i Mircea Sorin Rusu, Timpul, Ia\u0219i, 2017.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ghi\u021bulescu, Mircea,\u00a0<em>Istoria literaturii rom\u00e2ne. Dramaturgia<\/em>, edi\u021bia a II-a, Editura Tracus Arte, Bucure\u0219ti, 2008<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ha\u021biegan, Anca,\u00a0<em>Teatrul<\/em>, \u00een Liliana Corobca (coord.),\u00a0<em>Panorama postcomunismului \u00een Rom\u00e2nia<\/em>, Polirom, Ia\u0219i, 2022<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Krakowska, Joanna, Daria Odija (ed.),\u00a0<em>Platform: East European Performing Arts Companion<\/em>, Adam Mickiewicz Insitute, Centre for Culture in Lublin, Institute of Arts of the Polish Academy of Scineces, City of Lublin, Lublin, Var\u0219ovia, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mali\u021ba, Liviu (coord.),\u00a0<em>Via\u0163a teatral\u0103 \u00een \u015fi dup\u0103 comunism<\/em>,\u00a0Editura EFES, Cluj, 2006.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mazilu, Alina,\u00a0<em>Festivalul Interna\u021bional de Teatru de la Sibiu ca promotor al dramaturgiei contemporane. Aspecte din dramaturgia rom\u00e2n\u0103 actual\u0103<\/em>, Editura Universitaria, Craiova, 2019.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina,\u00a0<em>Fluturele gladiator. Teatru politic, queer &amp; feminist pe scena rom\u00e2neasc\u0103<\/em>. Desene de Dan Perjovschi, Curtea Veche, Bucure\u0219ti, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina,\u00a0<em>A History of Romanian Theatre from Communism to Capitalism. Children of a Restless Time<\/em>, Routledge, Londra, New York, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Modreanu, Cristina (coord.),\u00a0<em>Dic\u021bionarul multimedia al teatrului rom\u00e2nesc<\/em>:\u00a0<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.dmtr.ro%2F&amp;data=05%7C02%7Carpad.czirjak%40ubbcluj.ro%7C7bee5ed1a655403bebef08dec95f658f%7C5a4863ed40c84fd58298fbfdb7f13095%7C0%7C0%7C639169608785813577%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=iCH72vAqkl64dabOSuFMOR1rfLI3YQhEMiBbQ3AmNH4%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\"><u>www.dmtr.ro<\/u><\/a>\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Nelega, Alina,\u00a0<em>Structuri \u0219i formule de compozi\u021bie ale textului dramatic<\/em>, Editura Eikon, Cluj, 2010.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Pavel, Laura,\u00a0<em>Teatru \u0219i identitate. Interpret\u0103ri pe scena interioar\u0103. \/ Theatre and Identity. Interpretations on the Inner Stage<\/em>, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj, 2012.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Theodor-Cristian,\u00a0<em>Surplus de oameni sau surplus de idei. Pionierii mi\u015fc\u0103rii independente \u00een teatrul rom\u00e2nesc post 1989<\/em>, Editura Eikon, Cluj, 2012.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>Oglinda spart\u0103. Despre teatrul rom\u00e2nesc dup\u0103 1989<\/em>, Editura UNITEXT, Bucure\u0219ti, 1997.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>The Stage and the Carnival. Romanian Theatre After Censorship<\/em>, Editura Paralela 45, Pite\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popescu, Marian,\u00a0<em>Scenele teatrului rom\u00e2nesc 1945-2004. De la cenzur\u0103 la libertate<\/em>, Editura\u00a0UNITEXT, Bucure\u0219ti, 2004.\u00a0<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia (ed.),\u00a0<em>Noi practici \u00een artele spectacolului din Europa de Est<\/em>, edi\u021bie bilingv\u0103, Editura Cartier, Chi\u0219in\u0103u, 2014.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia (ed.),\u00a0<em>Sf\u00e2r\u0219itul regiei, \u00eenceputul crea\u021biei colective \u00een teatrul european. The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre<\/em>, Editura Tact, Cluj, 2015.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Popovici, Iulia,\u00a0<em>Elefantul din camer\u0103. Ghid despre teatrul independent din Rom\u00e2nia<\/em>, Editura Idea Design &amp; Print, Cluj, 2016.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Runcan, Miruna,\u00a0<em>Modelul teatral rom\u00e2nesc \u2013 eseuri de critic\u0103 \u0219i antropologie teatral\u0103<\/em>, Editura UNITEXT, Bucure\u0219ti, 2000.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Rusiecki, Cristina,\u00a0<em>Un click \u0219i... 1000 de realit\u0103\u021bi. New media \u00een teatrul rom\u00e2nesc<\/em>, Editura Etnologic\u0103, Bucure\u0219ti, 2020.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li><\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li><\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"Anca Hatiegan - EN","edit_language":"en","footnotes":""},"class_list":["post-245","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=245"}],"version-history":[{"count":11,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/245\/revisions"}],"predecessor-version":[{"id":847,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/245\/revisions\/847"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}