{"id":245,"date":"2024-04-24T08:53:41","date_gmt":"2024-04-24T06:53:41","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=245"},"modified":"2026-01-26T11:30:25","modified_gmt":"2026-01-26T09:30:25","slug":"","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan-2\/","title":{"rendered":"Anca Hatiegan - EN","raw":"Anca Hatiegan - EN"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\">Associate professor<br>Anca HA\u021aIEGAN, PhD<br><\/h2>\n\n\n\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\" srcset=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png 500w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan-300x300.png 300w, https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan-150x150.png 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Anca Ha\u021biegan<\/strong> is a theatre historian, essayist, literary and theatre critic, associate professor at the Department of Theatre, Faculty of Theatre and Film, Babe\u0219-Bolyai University, where she teaches the History of Romanian and Universal Theatre, Drama Theory, and Introduction to Theatre Research (at the undergraduate level). She is a member of the literary group &#8220;Echinox&#8221;. She has coordinated thematic issues of the Studia UBB Dramatica journal, is a member of the Janovics Center for Screen and Performance Arts Studies (UBB), the Theatrical Union of Romania (UNITER), and the International Association of Theatre Critics (AICT), Romanian branch.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Themes of doctoral research<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Romanian Theatre History;<\/li>\n\n\n\n<li>The Feminine History of Theatre;<\/li>\n\n\n\n<li>Interferences between Theatre and Literature;<\/li>\n\n\n\n<li>Interferences between Romanian Theatre and Film;<\/li>\n\n\n\n<li>Theatre and History.<\/li>\n<\/ul>\n\n\n<div class=\"lightweight-accordion bordered\"><details><summary class=\"lightweight-accordion-title\"><span>Bibliography for 2024 admissions<\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<ol class=\"wp-block-list\">\n<li>***, <em>Liviu Ciulei acas\u0103 \u0219i-n lume<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Anca Mocanu, I-III, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, Revista \u201eTeatrul azi\u201d (supliment), 2016<\/li>\n\n\n\n<li>***, <em>Radu Penciulescu \u0219i teatrul la \u00een\u0103l\u021bimea omului<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Ada-Maria Ichim, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, supliment al Revistei Teatrul Azi, Cheiron, 2018<\/li>\n\n\n\n<li>***, <em>Mae\u0219tri ai teatrului rom\u00e2nesc \u00een a doua jum\u0103tate a secolului XX. Radu Penciulescu<\/em>, Bucure\u0219ti, UNATC, 1999<\/li>\n\n\n\n<li>Alterescu, Simion, Zamfirescu, Ion (coord.), <em>Teatrul rom\u00e2nesc contemporan. 1944-1974<\/em>, Bucure\u0219ti, Editura Meridiane, 1975<\/li>\n\n\n\n<li>Badea, Gelu, <em>Prin\u021bul minor: Radu Penciulescu \u2013 pedagogie \u0219i crea\u021bie<\/em>, Cluj, Eikon, 2013<\/li>\n\n\n\n<li>Cernescu, Dinu, <em>Regizor<\/em>, Bucure\u0219ti, Semne, 2018<\/li>\n\n\n\n<li>Cernescu, Dinu, <em>Semne<\/em>, Bucure\u0219ti, Semne, 2012<\/li>\n\n\n\n<li>Gyemant, Eugen, <em>Universul regizoral: Liviu Ciulei<\/em>, edi\u021bia a II-a, digital\u0103, Editura LiterNet, 2020, <a href=\"https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html\">https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html<\/a>.<\/li>\n\n\n\n<li>Moisescu, Valeriu, <em>Persisten\u021ba memoriei<\/em>, Bucure\u0219ti, Funda\u021bia Cultural\u0103 Camil Petrescu, 2007<\/li>\n\n\n\n<li>Moisescu, Valeriu, <em>\u00censemn\u0103ri contradictorii<\/em>, Bucure\u0219ti, UNITEXT, 1999<\/li>\n\n\n\n<li>Moisescu, Valeriu (coord.), <em>Crin Teodorescu<\/em>, Bucure\u0219ti, UNATC, 2001<\/li>\n\n\n\n<li>Pintilie, Lucian, <em>Bricabrac<\/em>, Bucure\u0219ti, Humanitas, 2003<\/li>\n\n\n\n<li>Runcan, Miruna, <em>Teatralizarea \u0219i reteatralizarea \u00een Rom\u00e2nia (1920-1960)<\/em>, edi\u021bia a II-a (digital\u0103), LiterNet.ro, <a href=\"http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html\">http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html<\/a><\/li>\n\n\n\n<li>Sava, Ion, <em>Teatralitatea teatrului<\/em>, Bucure\u0219ti, Eminescu, 1981<\/li>\n\n\n\n<li>Vidamski, Florin, <em>Drumul spre spectacol prin metoda David Esrig: pentru un teatru existen\u021bial<\/em>, Bistri\u021ba, Charmides\/ Artes, 2015<\/li>\n<\/ol>\n\n<\/div><\/details><\/div>","protected":false,"raw":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate professor<br>Anca HA\u021aIEGAN, PhD<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":119,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Anca Ha\u021biegan<\/strong> is a theatre historian, essayist, literary and theatre critic, associate professor at the Department of Theatre, Faculty of Theatre and Film, Babe\u0219-Bolyai University, where she teaches the History of Romanian and Universal Theatre, Drama Theory, and Introduction to Theatre Research (at the undergraduate level). She is a member of the literary group \"Echinox\". She has coordinated thematic issues of the Studia UBB Dramatica journal, is a member of the Janovics Center for Screen and Performance Arts Studies (UBB), the Theatrical Union of Romania (UNITER), and the International Association of Theatre Critics (AICT), Romanian branch.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Themes of doctoral research<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>Romanian Theatre History;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Feminine History of Theatre;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Theatre and Literature;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Romanian Theatre and Film;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Theatre and History.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliography for 2024 admissions\",\"bordered\":true} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>***, <em>Liviu Ciulei acas\u0103 \u0219i-n lume<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Anca Mocanu, I-III, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, Revista \u201eTeatrul azi\u201d (supliment), 2016<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>***, <em>Radu Penciulescu \u0219i teatrul la \u00een\u0103l\u021bimea omului<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Ada-Maria Ichim, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, supliment al Revistei Teatrul Azi, Cheiron, 2018<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>***, <em>Mae\u0219tri ai teatrului rom\u00e2nesc \u00een a doua jum\u0103tate a secolului XX. Radu Penciulescu<\/em>, Bucure\u0219ti, UNATC, 1999<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Alterescu, Simion, Zamfirescu, Ion (coord.), <em>Teatrul rom\u00e2nesc contemporan. 1944-1974<\/em>, Bucure\u0219ti, Editura Meridiane, 1975<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Badea, Gelu, <em>Prin\u021bul minor: Radu Penciulescu \u2013 pedagogie \u0219i crea\u021bie<\/em>, Cluj, Eikon, 2013<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cernescu, Dinu, <em>Regizor<\/em>, Bucure\u0219ti, Semne, 2018<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cernescu, Dinu, <em>Semne<\/em>, Bucure\u0219ti, Semne, 2012<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Gyemant, Eugen, <em>Universul regizoral: Liviu Ciulei<\/em>, edi\u021bia a II-a, digital\u0103, Editura LiterNet, 2020, <a href=\"https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html\">https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html<\/a>.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu, <em>Persisten\u021ba memoriei<\/em>, Bucure\u0219ti, Funda\u021bia Cultural\u0103 Camil Petrescu, 2007<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu, <em>\u00censemn\u0103ri contradictorii<\/em>, Bucure\u0219ti, UNITEXT, 1999<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu (coord.), <em>Crin Teodorescu<\/em>, Bucure\u0219ti, UNATC, 2001<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Pintilie, Lucian, <em>Bricabrac<\/em>, Bucure\u0219ti, Humanitas, 2003<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Runcan, Miruna, <em>Teatralizarea \u0219i reteatralizarea \u00een Rom\u00e2nia (1920-1960)<\/em>, edi\u021bia a II-a (digital\u0103), LiterNet.ro, <a href=\"http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html\">http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html<\/a><\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Sava, Ion, <em>Teatralitatea teatrului<\/em>, Bucure\u0219ti, Eminescu, 1981<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Vidamski, Florin, <em>Drumul spre spectacol prin metoda David Esrig: pentru un teatru existen\u021bial<\/em>, Bistri\u021ba, Charmides\/ Artes, 2015<\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-onecolumn.php","meta":{"_ro_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Conf. univ. dr. habil.<br>Anca HA\u021aIEGAN<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dat\u0103 abilitare: 3823 \/ 12.05.2022<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoranzi \u00een stagiu: 2<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Linkuri spre profiluri academice:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.ca\/citations?user=Z1kqu7oAAAAJ&amp;hl=en\">https:\/\/scholar.google.ca\/citations?user=Z1kqu7oAAAAJ&amp;hl=en<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Hatiegan-long-CV-2025.pdf\">CV detaliat<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Hatiegan_short-cv-2025.pdf\">CV_scurt_EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/TAS_HATIEGAN_Anca_2026_FTF_Standarde-sintetic.docx\">FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":119,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan\/\",\"mediaType\":\"image\",\"mediaWidth\":30,\"verticalAlignment\":\"top\"} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Anca Ha\u021biegan<\/strong> este conferen\u021biar universitar la Facultatea de Teatru \u0219i Film a Universit\u0103\u021bii \u201eBabe\u0219-Bolyai\u201d din Cluj-Napoca, autoare, cercet\u0103toare \u0219i critic de teatru. A ob\u021binut titlul de doctor \u00een filologie cu o tez\u0103 despre teatralitatea romanului rom\u00e2nesc \u00een perioada comunist\u0103. Pred\u0103 istoria teatrului rom\u00e2nesc \u0219i european, istoria \u0219i teoria dramei \u0219i metodologia cercet\u0103rii teatrale. A fost membr\u0103 a mai multor echipe de cercetare na\u021bionale \u0219i interna\u021bionale, inclusiv \u00een proiectul <em>A Lexicon of the Central-Eastern European Interwar Theatre Avant-Garde<\/em> (Var\u0219ovia\u2013Aberystwyth, 2023), finan\u021bat de Ministerul Educa\u021biei \u0219i \u0218tiin\u021bei din Polonia.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Este autoarea volumelor <em>C\u0103r\u021bile omului dublu. Teatralitate \u0219i roman \u00een regimul comunist<\/em> (2010), <em>Diminea\u021ba actri\u021belor<\/em> (2019) \u0219i <em>Ciulei \u0219i spectrul Tat\u0103lui. O psihobiografie<\/em> (2024), precum \u0219i a numeroase studii despre istoria teatrului rom\u00e2nesc. Cartea <em>Diminea\u021ba actri\u021belor<\/em> a fost distins\u0103 cu Premiul \u201eI. Negoi\u021bescu\u201d al revistei <em>Apostrof<\/em>, Premiul \u201eAl. Piru\u201d al Muzeului Na\u021bional al Literaturii Rom\u00e2ne \u0219i Premiul pentru carte de teatru al revistei <em>Clujul Cultural<\/em>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Volumul <em>Ciulei \u0219i spectrul Tat\u0103lui. O psihobiografie<\/em> (2024) a fost nominalizat la Premiile <em>Observator cultural<\/em> 2024. A fost, de asemenea, nominalizat\u0103 la Premiul UNITER pentru critic\u0103 teatral\u0103 (2021). Este membr\u0103 a UNITER, a Uniunii Scriitorilor din Rom\u00e2nia \u0219i a Asocia\u021biei Interna\u021bionale a Criticilor de Teatru (AICT).<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:paragraph -->\n<p><strong>Tematic\u0103 \u0219i bibliografie pentru doctorat<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Arii \u0219i teme de cercetare doctoral\u0103:\"} -->\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Istoria teatrului rom\u00e2nesc;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Istoria feminin\u0103 a teatrului;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferen\u021be teatru-literatur\u0103;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferen\u021be teatru-film rom\u00e2nesc;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Teatru \u0219i istorie.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliografie\",\"bordered\":true} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>***, <em>Liviu Ciulei acas\u0103 \u0219i-n lume<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Anca Mocanu, I-III, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, Revista \u201eTeatrul azi\u201d (supliment), 2016<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>***, <em>Radu Penciulescu \u0219i teatrul la \u00een\u0103l\u021bimea omului<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Ada-Maria Ichim, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, supliment al Revistei Teatrul Azi, Cheiron, 2018<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>***, <em>Mae\u0219tri ai teatrului rom\u00e2nesc \u00een a doua jum\u0103tate a secolului XX. Radu Penciulescu<\/em>, Bucure\u0219ti, UNATC, 1999<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Alterescu, Simion, Zamfirescu, Ion (coord.), <em>Teatrul rom\u00e2nesc contemporan. 1944-1974<\/em>, Bucure\u0219ti, Editura Meridiane, 1975<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Badea, Gelu, <em>Prin\u021bul minor: Radu Penciulescu \u2013 pedagogie \u0219i crea\u021bie<\/em>, Cluj, Eikon, 2013<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cernescu, Dinu, <em>Regizor<\/em>, Bucure\u0219ti, Semne, 2018<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cernescu, Dinu, <em>Semne<\/em>, Bucure\u0219ti, Semne, 2012<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Gyemant, Eugen, <em>Universul regizoral: Liviu Ciulei<\/em>, edi\u021bia a II-a, digital\u0103, Editura LiterNet, 2020, <a href=\"https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html\">https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html<\/a>.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu, <em>Persisten\u021ba memoriei<\/em>, Bucure\u0219ti, Funda\u021bia Cultural\u0103 Camil Petrescu, 2007<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu, <em>\u00censemn\u0103ri contradictorii<\/em>, Bucure\u0219ti, UNITEXT, 1999<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu (coord.), <em>Crin Teodorescu<\/em>, Bucure\u0219ti, UNATC, 2001<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Pintilie, Lucian, <em>Bricabrac<\/em>, Bucure\u0219ti, Humanitas, 2003<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Runcan, Miruna, <em>Teatralizarea \u0219i reteatralizarea \u00een Rom\u00e2nia (1920-1960)<\/em>, edi\u021bia a II-a (digital\u0103), LiterNet.ro, <a href=\"http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html\">http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html<\/a><\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Sava, Ion, <em>Teatralitatea teatrului<\/em>, Bucure\u0219ti, Eminescu, 1981<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Vidamski, Florin, <em>Drumul spre spectacol prin metoda David Esrig: pentru un teatru existen\u021bial<\/em>, Bistri\u021ba, Charmides\/ Artes, 2015<\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_ro_post_name":"anca-hatiegan-2","_ro_post_excerpt":"","_ro_post_title":"Anca Hatiegan","_en_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Associate professor<br>Anca HA\u021aIEGAN, PhD<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">anca.hatiegan@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":119,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/anca-hatiegan\/\",\"mediaType\":\"image\",\"mediaWidth\":30} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/Anca-Hatiegan.png\" alt=\"\" class=\"wp-image-119 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph -->\n<p><strong>Anca Ha\u021biegan<\/strong> is a theatre historian, essayist, literary and theatre critic, associate professor at the Department of Theatre, Faculty of Theatre and Film, Babe\u0219-Bolyai University, where she teaches the History of Romanian and Universal Theatre, Drama Theory, and Introduction to Theatre Research (at the undergraduate level). She is a member of the literary group \"Echinox\". She has coordinated thematic issues of the Studia UBB Dramatica journal, is a member of the Janovics Center for Screen and Performance Arts Studies (UBB), the Theatrical Union of Romania (UNITER), and the International Association of Theatre Critics (AICT), Romanian branch.<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Themes of doctoral research<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>Romanian Theatre History;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Feminine History of Theatre;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Theatre and Literature;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Interferences between Romanian Theatre and Film;<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Theatre and History.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliography for 2024 admissions\",\"bordered\":true} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>***, <em>Liviu Ciulei acas\u0103 \u0219i-n lume<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Anca Mocanu, I-III, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, Revista \u201eTeatrul azi\u201d (supliment), 2016<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>***, <em>Radu Penciulescu \u0219i teatrul la \u00een\u0103l\u021bimea omului<\/em>, antologie teatrologic\u0103 de Florica Ichim \u0219i Ada-Maria Ichim, Bucure\u0219ti, Funda\u021bia Cultural\u0103 \u201eCamil Petrescu\u201d, supliment al Revistei Teatrul Azi, Cheiron, 2018<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>***, <em>Mae\u0219tri ai teatrului rom\u00e2nesc \u00een a doua jum\u0103tate a secolului XX. Radu Penciulescu<\/em>, Bucure\u0219ti, UNATC, 1999<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Alterescu, Simion, Zamfirescu, Ion (coord.), <em>Teatrul rom\u00e2nesc contemporan. 1944-1974<\/em>, Bucure\u0219ti, Editura Meridiane, 1975<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Badea, Gelu, <em>Prin\u021bul minor: Radu Penciulescu \u2013 pedagogie \u0219i crea\u021bie<\/em>, Cluj, Eikon, 2013<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cernescu, Dinu, <em>Regizor<\/em>, Bucure\u0219ti, Semne, 2018<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cernescu, Dinu, <em>Semne<\/em>, Bucure\u0219ti, Semne, 2012<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Gyemant, Eugen, <em>Universul regizoral: Liviu Ciulei<\/em>, edi\u021bia a II-a, digital\u0103, Editura LiterNet, 2020, <a href=\"https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html\">https:\/\/editura.liternet.ro\/carte\/377\/Eugen-Gyemant\/Universul-regizoral-Liviu-Ciulei.html<\/a>.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu, <em>Persisten\u021ba memoriei<\/em>, Bucure\u0219ti, Funda\u021bia Cultural\u0103 Camil Petrescu, 2007<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu, <em>\u00censemn\u0103ri contradictorii<\/em>, Bucure\u0219ti, UNITEXT, 1999<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Moisescu, Valeriu (coord.), <em>Crin Teodorescu<\/em>, Bucure\u0219ti, UNATC, 2001<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Pintilie, Lucian, <em>Bricabrac<\/em>, Bucure\u0219ti, Humanitas, 2003<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Runcan, Miruna, <em>Teatralizarea \u0219i reteatralizarea \u00een Rom\u00e2nia (1920-1960)<\/em>, edi\u021bia a II-a (digital\u0103), LiterNet.ro, <a href=\"http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html\">http:\/\/editura.liternet.ro\/carte\/314\/Miruna-Runcan\/Teatralizarea-si-reteatralizarea-in-Romania-1920-1960.html<\/a><\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Sava, Ion, <em>Teatralitatea teatrului<\/em>, Bucure\u0219ti, Eminescu, 1981<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Vidamski, Florin, <em>Drumul spre spectacol prin metoda David Esrig: pentru un teatru existen\u021bial<\/em>, Bistri\u021ba, Charmides\/ Artes, 2015<\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"Anca Hatiegan - EN","edit_language":"en","footnotes":""},"class_list":["post-245","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=245"}],"version-history":[{"count":10,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/245\/revisions"}],"predecessor-version":[{"id":668,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/245\/revisions\/668"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}