{"id":637,"date":"2026-01-24T14:09:24","date_gmt":"2026-01-24T12:09:24","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=637"},"modified":"2026-06-12T16:57:24","modified_gmt":"2026-06-12T14:57:24","slug":"","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/laura-teutisan-pavel\/","title":{"rendered":"","raw":""},"content":{"rendered":"\n

Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n\n\n\n

Prof. Univ. Dr. Habil.<\/strong><\/p>\n\n\n\n

Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n\n\n\n

habilitated: 4104MD \/ 05.iul.2013<\/p>\n\n\n\n

Phd. students: 5<\/p>\n\n\n\n

academic profile:<\/strong><\/p>\n\n\n\n

Google Scholar:<\/p>\n\n\n\n

https:\/\/scholar.google.com\/citations?user=WjcKU9wAAAAJ&hl=ro<\/a><\/p>\n\n\n\n

CV full<\/a><\/strong><\/p>\n\n\n\n

CV_short EN_RO<\/a><\/strong><\/p>\n\n\n\n

CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n

\"\"<\/figure>
\n

Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n\n\n\n

Link Wikipedia (EN)<\/a><\/p>\n\n\n\n

Courses thaught in the Doctoral School:<\/p>\n\n\n\n

Research methodology in performing arts. Interpretative strategies\u2013 SYLLABUS<\/strong><\/a><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

\n\n\n\n

Recommended research topics for admissions 2026<\/h4>\n\n\n
Recommended research <\/span><\/summary>
\n\n

Reinterpretarea \u015fi rescrierea intertextual\u0103 a canonului teatral<\/p>\n\n\n\n

Reprezent\u0103ri identitare, mize antropologice \u015fi  interculturale ale fenomenului performance<\/em><\/p>\n\n\n\n

Fic\u0163ional, virtual, performativ \u2013 experien\u0163\u0103 estetic\u0103 \u015fi imaginar utopic\/distopic \u00een era multimedia<\/p>\n\n\n\n

Performativitate, vizualitate, literaritate \u2013 dialogul perspectivelor estetice \u015fi analiza cultural\u0103 interdisciplinar\u0103<\/p>\n\n\n\n

Teatrul interiorit\u0103\u0163ii<\/em>: de la drama de con\u015ftiin\u0163\u0103 la un performance al vie\u0163ii private<\/p>\n\n\n\n

Identitatea histrionic\u0103: \u00eentre autobiografic \u015fi fic\u0163ional<\/p>\n\n<\/div><\/details><\/div>\n\n

Recommended Reading<\/span><\/summary>
\n\n
    \n
  1. AUSLANDER, Philip, From Acting to Performance<\/em>, London & New York: Routledge, 2007.<\/li>\n\n\n\n
  2. AUSLANDER, Philip, <\/span>Liveness. Performance in a mediatized culture<\/em>. Second edition, London & New York: Routledge, 2008.<\/span><\/li>\n\n\n\n
  3. BAL, Mieke, <\/span>Travelling Concepts in the Humanities. A Rough Guide<\/em>, Toronto: University of Toronto Press, 2002.BISHOP, Claire, <\/span>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, London:Verso, 2012.BOAL, Augusto, <\/span>Jocuri pentru actori \u015fi non-actori. Teatrul oprima\u0163ilor \u00een practic\u0103<\/em>, trad. de Eugenia Anca Rotescu, Bucure\u015fti: Funda\u0163ia CONCEPT, 2005.C\u0102LINESCU, Matei, <\/span>Cinci fe\u0163e ale modernit\u0103\u0163ii. Modernism, avangard\u0103, decaden\u0163\u0103, kitsch, postmodernism<\/em>, trad. rom. Tatiana P\u0103trulescu \u015fi Radu \u0162urcanu, Bucure\u015fti: Univers, 1995.<\/span><\/li>\n\n\n\n
  4. F\u00c9RAL, Josete, \u201eForeword\u201d. SubStance. A Review of Theory and Literary Criticism. Guest editor: Josete F\u00e9ral. Issues 98 & 99, Vol. 31, Nos. 2 & 3, 2002.<\/li>\n\n\n\n
  5. GOLDBERG, RoseLee, Performance Art. From Futurism to the Present<\/em>, Thames&Hudson world of art, 2001.<\/li>\n\n\n\n
  6. HAYLES, Katherine N., <\/span>How We Become Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics<\/em>, Illinois: The University of Chicago Press, 1999.<\/span><\/li>\n\n\n\n
  7. HUTCHEON, Linda, Politica postmodernismului<\/em>, traducere de Mircea Deac, Bucure\u015fti: Univers, 1997<\/li>\n\n\n\n
  8. MITCHELL, W.J.T, What Do Pictures Want? The Lives and Loves of Images<\/em>, Chicago & London: The University of Chicago Press, 2005.<\/li>\n\n\n\n
  9. MORENO, Jacob Levy. Scrieri fundamentale. Despre psihodram\u0103, metoda de grup \u015fi spontaneitate<\/em>, traducere din englez\u0103 de Ioana Maria Novac, Bucure\u015fti: Ed. Trei, 2009.<\/li>\n\n\n\n
  10. PAVEL, Laura, <\/span>Teatru \u015fi identitate. Interpret\u0103ri pe scena interioar\u0103 \/ Theatre and Identity. Interpretations on the Inner Stag<\/em>e, Cluj-Napoca: Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, 2012.PAVEL, Laura, \u201eAesthetic Negotiations of Identity \u2012 Between Embodied and Disembodied Performance\u201d. Ekphrasis, volume 13, 2015, issue 1, 80-90.<\/span><\/li>\n\n\n\n
  11. PAVEL, Laura, Personaje ale teoriei, fiin\u0163e ale fic\u0163iunii. Eseuri<\/em>, Ia\u015fi:Institutul European, 2021.<\/li>\n\n\n\n
  12. RUNCAN, Miruna, Signore Misterioso. O anatomie a spectatorului<\/em> Bucure\u0219ti: UNITEXT,2011.<\/li>\n\n\n\n
  13. SCHECHNER, Richard, Performance Studies. An Introduction<\/em>, London and New York: Routledge, 2002.<\/li>\n\n\n\n
  14. SCHECHNER, Richard, Performance. Introducere \u0219i teorie<\/em>, trad. de Ioana Ieronim, Bucure\u0219ti: UNITEXT, 2009.<\/li>\n<\/ol>\n\n<\/div><\/details><\/div>","protected":false,"raw":"\n

    Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n\n\n\n

    Prof. Univ. Dr. Habil.<\/strong><\/p>\n\n\n\n

    Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n\n\n\n

    habilitated: 4104MD \/ 05.iul.2013<\/p>\n\n\n\n

    Phd. students: 5<\/p>\n\n\n\n

    academic profile:<\/strong><\/p>\n\n\n\n

    Google Scholar:<\/p>\n\n\n\n

    https:\/\/scholar.google.com\/citations?user=WjcKU9wAAAAJ&hl=ro<\/a><\/p>\n\n\n\n

    CV full<\/a><\/strong><\/p>\n\n\n\n

    CV_short EN_RO<\/a><\/strong><\/p>\n\n\n\n

    CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n

    \"\"<\/figure>
    \n

    Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n\n\n\n

    Link Wikipedia (EN)<\/a><\/p>\n\n\n\n

    Courses thaught in the Doctoral School:<\/p>\n\n\n\n

    Research methodology in performing arts. Interpretative strategies\u2013 SYLLABUS<\/strong><\/a><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

    \n\n\n\n

    Recommended research topics for admissions 2026<\/h4>\n\n\n\n\n

    Reinterpretarea \u015fi rescrierea intertextual\u0103 a canonului teatral<\/p>\n\n\n\n

    Reprezent\u0103ri identitare, mize antropologice \u015fi  interculturale ale fenomenului performance<\/em><\/p>\n\n\n\n

    Fic\u0163ional, virtual, performativ \u2013 experien\u0163\u0103 estetic\u0103 \u015fi imaginar utopic\/distopic \u00een era multimedia<\/p>\n\n\n\n

    Performativitate, vizualitate, literaritate \u2013 dialogul perspectivelor estetice \u015fi analiza cultural\u0103 interdisciplinar\u0103<\/p>\n\n\n\n

    Teatrul interiorit\u0103\u0163ii<\/em>: de la drama de con\u015ftiin\u0163\u0103 la un performance al vie\u0163ii private<\/p>\n\n\n\n

    Identitatea histrionic\u0103: \u00eentre autobiografic \u015fi fic\u0163ional<\/p>\n\n\n\n\n\n

      \n
    1. AUSLANDER, Philip, From Acting to Performance<\/em>, London & New York: Routledge, 2007.<\/li>\n\n\n\n
    2. AUSLANDER, Philip, <\/span>Liveness. Performance in a mediatized culture<\/em>. Second edition, London & New York: Routledge, 2008.<\/span><\/li>\n\n\n\n
    3. BAL, Mieke, <\/span>Travelling Concepts in the Humanities. A Rough Guide<\/em>, Toronto: University of Toronto Press, 2002.BISHOP, Claire, <\/span>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, London:Verso, 2012.BOAL, Augusto, <\/span>Jocuri pentru actori \u015fi non-actori. Teatrul oprima\u0163ilor \u00een practic\u0103<\/em>, trad. de Eugenia Anca Rotescu, Bucure\u015fti: Funda\u0163ia CONCEPT, 2005.C\u0102LINESCU, Matei, <\/span>Cinci fe\u0163e ale modernit\u0103\u0163ii. Modernism, avangard\u0103, decaden\u0163\u0103, kitsch, postmodernism<\/em>, trad. rom. Tatiana P\u0103trulescu \u015fi Radu \u0162urcanu, Bucure\u015fti: Univers, 1995.<\/span><\/li>\n\n\n\n
    4. F\u00c9RAL, Josete, \u201eForeword\u201d. SubStance. A Review of Theory and Literary Criticism. Guest editor: Josete F\u00e9ral. Issues 98 & 99, Vol. 31, Nos. 2 & 3, 2002.<\/li>\n\n\n\n
    5. GOLDBERG, RoseLee, Performance Art. From Futurism to the Present<\/em>, Thames&Hudson world of art, 2001.<\/li>\n\n\n\n
    6. HAYLES, Katherine N., <\/span>How We Become Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics<\/em>, Illinois: The University of Chicago Press, 1999.<\/span><\/li>\n\n\n\n
    7. HUTCHEON, Linda, Politica postmodernismului<\/em>, traducere de Mircea Deac, Bucure\u015fti: Univers, 1997<\/li>\n\n\n\n
    8. MITCHELL, W.J.T, What Do Pictures Want? The Lives and Loves of Images<\/em>, Chicago & London: The University of Chicago Press, 2005.<\/li>\n\n\n\n
    9. MORENO, Jacob Levy. Scrieri fundamentale. Despre psihodram\u0103, metoda de grup \u015fi spontaneitate<\/em>, traducere din englez\u0103 de Ioana Maria Novac, Bucure\u015fti: Ed. Trei, 2009.<\/li>\n\n\n\n
    10. PAVEL, Laura, <\/span>Teatru \u015fi identitate. Interpret\u0103ri pe scena interioar\u0103 \/ Theatre and Identity. Interpretations on the Inner Stag<\/em>e, Cluj-Napoca: Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, 2012.PAVEL, Laura, \u201eAesthetic Negotiations of Identity \u2012 Between Embodied and Disembodied Performance\u201d. Ekphrasis, volume 13, 2015, issue 1, 80-90.<\/span><\/li>\n\n\n\n
    11. PAVEL, Laura, Personaje ale teoriei, fiin\u0163e ale fic\u0163iunii. Eseuri<\/em>, Ia\u015fi:Institutul European, 2021.<\/li>\n\n\n\n
    12. RUNCAN, Miruna, Signore Misterioso. O anatomie a spectatorului<\/em> Bucure\u0219ti: UNITEXT,2011.<\/li>\n\n\n\n
    13. SCHECHNER, Richard, Performance Studies. An Introduction<\/em>, London and New York: Routledge, 2002.<\/li>\n\n\n\n
    14. SCHECHNER, Richard, Performance. Introducere \u0219i teorie<\/em>, trad. de Ioana Ieronim, Bucure\u0219ti: UNITEXT, 2009.<\/li>\n<\/ol>\n\n"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_ro_post_content":"\n

      Laura Teuti\u015fan (nume de autoare: Laura Pavel)<\/strong><\/p>\n\n\n\n

      Prof. Univ. Dr. Habil.<\/strong><\/p>\n\n\n\n

      Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n\n\n\n

      dat\u0103 abilitare: 4104MD \/ 05.iul.2013<\/p>\n\n\n\n

      doctoranzi \u00een stagiu: 5<\/p>\n\n\n\n

      Linkuri spre profiluri academice:<\/strong><\/p>\n\n\n\n

      Google Scholar:<\/p>\n\n\n\n

      https:\/\/scholar.google.com\/citations?user=WjcKU9wAAAAJ&hl=ro<\/a><\/p>\n\n\n\n

      CV detaliat<\/a><\/strong><\/p>\n\n\n\n

      CV_scurt_EN_RO<\/a><\/strong><\/p>\n\n\n\n

      FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/p>\n\n\n\n

      \"\"<\/figure>
      \n

      Laura Teuti\u015fan (nume de autoare: Laura Pavel) <\/strong>esteprof. univ. dr. hab. la Facultatea de Teatru \u015fi Film a Universit\u0103\u0163ii Babe\u015f-Bolyai. Semneaz\u0103, cu numele Laura Pavel<\/strong>, mai multe volume de teorie \u015fi de istorie literar\u0103 \u015fi teatral\u0103, dintre care dou\u0103 i-au fost publicate p\u00e2n\u0103 acum \u00een str\u0103in\u0103tate: Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, transl. by Alistair Ian Blyth, Dalkey Archive Press (2011), \u015fi Ionesco. L\u2019Antimondo di uno scettico<\/em>, traduzione di Maria Luisa Lombardo, Aracne Editrice (2016). Pentru cel mai recent volum de eseuri, Personaje ale teoriei, fiin\u0163e ale fic\u0163iunii<\/em> (Institutul European, 2021), a ob\u0163inut Premiul \u201eTudor Vianu \u2013 pentru teoria literaturii \u015fi a culturii\u201d, acordat de Muzeul Na\u0163ional al Literaturii Rom\u00e2ne. Semneaz\u0103, de asemenea, cu numele Laura Francisca Pavel, <\/strong>volume de poezie: Trucuri urbane<\/em>, OMG, 2022 (Premiul BAC-FEST \u2013 Cartea de poezie a anului 2022; Premiul Cartea de poezie a anului 2022, acordat de ARCCA. Versiunea \u00een limba francez\u0103, cu titlul Sc\u00e9narios urbains<\/em>, traducere de Gabrielle Danoux, a ap\u0103rut \u00een 2024 la Nombre7 \u00c9ditions); Ac\u0163iuni \u015fi protocoale<\/em>, OMG, 2023 (nominalizat la Premiul Observator Universitas \u015fi la BAC-FEST); Zona de surescitare<\/em>, OMG, 2024.<\/p>\n\n\n\n

      Link Wikipedia (RO)<\/a><\/p>\n\n\n\n

      Link Wikipedia (EN)<\/a><\/p>\n\n\n\n

      Cursuri predate la \u0218coala Doctoral\u0103:<\/p>\n\n\n\n

      Metodologia cercet\u0103rii \u00een artele performative. Strategii de interpretare<\/strong> - FI\u0218A DISCIPLINEI<\/strong><\/a><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

      \n\n\n\n

      Tematic\u0103 \u0219i bibliografie pentru admitere<\/strong><\/p>\n\n\n\n\n

      Reinterpretarea \u015fi rescrierea intertextual\u0103 a canonului teatral<\/p>\n\n\n\n

      Reprezent\u0103ri identitare, mize antropologice \u015fi  interculturale ale fenomenului performance<\/em><\/p>\n\n\n\n

      Fic\u0163ional, virtual, performativ \u2013 experien\u0163\u0103 estetic\u0103 \u015fi imaginar utopic\/distopic \u00een era multimedia<\/p>\n\n\n\n

      Performativitate, vizualitate, literaritate \u2013 dialogul perspectivelor estetice \u015fi analiza cultural\u0103 interdisciplinar\u0103<\/p>\n\n\n\n

      Teatrul interiorit\u0103\u0163ii<\/em>: de la drama de con\u015ftiin\u0163\u0103 la un performance al vie\u0163ii private<\/p>\n\n\n\n

      Identitatea histrionic\u0103: \u00eentre autobiografic \u015fi fic\u0163ional<\/p>\n\n\n\n\n\n

        \n
      1. AUSLANDER, Philip, From Acting to Performance<\/em>, London & New York: Routledge, 2007.<\/li>\n\n\n\n
      2. AUSLANDER, Philip, <\/span>Liveness. Performance in a mediatized culture<\/em>. Second edition, London & New York: Routledge, 2008.<\/span><\/li>\n\n\n\n
      3. BAL, Mieke, <\/span>Travelling Concepts in the Humanities. A Rough Guide<\/em>, Toronto: University of Toronto Press, 2002.BISHOP, Claire, <\/span>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, London:Verso, 2012.BOAL, Augusto, <\/span>Jocuri pentru actori \u015fi non-actori. Teatrul oprima\u0163ilor \u00een practic\u0103<\/em>, trad. de Eugenia Anca Rotescu, Bucure\u015fti: Funda\u0163ia CONCEPT, 2005.C\u0102LINESCU, Matei, <\/span>Cinci fe\u0163e ale modernit\u0103\u0163ii. Modernism, avangard\u0103, decaden\u0163\u0103, kitsch, postmodernism<\/em>, trad. rom. Tatiana P\u0103trulescu \u015fi Radu \u0162urcanu, Bucure\u015fti: Univers, 1995.<\/span><\/li>\n\n\n\n
      4. F\u00c9RAL, Josete, \u201eForeword\u201d. SubStance. A Review of Theory and Literary Criticism. Guest editor: Josete F\u00e9ral. Issues 98 & 99, Vol. 31, Nos. 2 & 3, 2002.<\/li>\n\n\n\n
      5. GOLDBERG, RoseLee, Performance Art. From Futurism to the Present<\/em>, Thames&Hudson world of art, 2001.<\/li>\n\n\n\n
      6. HAYLES, Katherine N., <\/span>How We Become Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics<\/em>, Illinois: The University of Chicago Press, 1999.<\/span><\/li>\n\n\n\n
      7. HUTCHEON, Linda, Politica postmodernismului<\/em>, traducere de Mircea Deac, Bucure\u015fti: Univers, 1997<\/li>\n\n\n\n
      8. MITCHELL, W.J.T, What Do Pictures Want? The Lives and Loves of Images<\/em>, Chicago & London: The University of Chicago Press, 2005.<\/li>\n\n\n\n
      9. MORENO, Jacob Levy. Scrieri fundamentale. Despre psihodram\u0103, metoda de grup \u015fi spontaneitate<\/em>, traducere din englez\u0103 de Ioana Maria Novac, Bucure\u015fti: Ed. Trei, 2009.<\/li>\n\n\n\n
      10. PAVEL, Laura, <\/span>Teatru \u015fi identitate. Interpret\u0103ri pe scena interioar\u0103 \/ Theatre and Identity. Interpretations on the Inner Stag<\/em>e, Cluj-Napoca: Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, 2012.PAVEL, Laura, \u201eAesthetic Negotiations of Identity \u2012 Between Embodied and Disembodied Performance\u201d. Ekphrasis, volume 13, 2015, issue 1, 80-90.<\/span><\/li>\n\n\n\n
      11. PAVEL, Laura, Personaje ale teoriei, fiin\u0163e ale fic\u0163iunii. Eseuri<\/em>, Ia\u015fi:Institutul European, 2021.<\/li>\n\n\n\n
      12. RUNCAN, Miruna, Signore Misterioso. O anatomie a spectatorului<\/em> Bucure\u0219ti: UNITEXT,2011.<\/li>\n\n\n\n
      13. SCHECHNER, Richard, Performance Studies. An Introduction<\/em>, London and New York: Routledge, 2002.<\/li>\n\n\n\n
      14. SCHECHNER, Richard, Performance. Introducere \u0219i teorie<\/em>, trad. de Ioana Ieronim, Bucure\u0219ti: UNITEXT, 2009.<\/li>\n<\/ol>\n\n\n\n\n

        <\/p>\n","_ro_post_name":"laura-teutisan-pavel","_ro_post_excerpt":"","_ro_post_title":"Laura Teuti\u0219an (Pavel)","_en_post_content":"\n

        Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n\n\n\n

        Prof. Univ. Dr. Habil.<\/strong><\/p>\n\n\n\n

        Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n\n\n\n

        habilitated: 4104MD \/ 05.iul.2013<\/p>\n\n\n\n

        Phd. students: 5<\/p>\n\n\n\n

        academic profile:<\/strong><\/p>\n\n\n\n

        Google Scholar:<\/p>\n\n\n\n

        https:\/\/scholar.google.com\/citations?user=WjcKU9wAAAAJ&hl=ro<\/a><\/p>\n\n\n\n

        CV full<\/a><\/strong><\/p>\n\n\n\n

        CV_short EN_RO<\/a><\/strong><\/p>\n\n\n\n

        CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n

        \"\"<\/figure>
        \n

        Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n\n\n\n

        Link Wikipedia (EN)<\/a><\/p>\n\n\n\n

        Courses thaught in the Doctoral School:<\/p>\n\n\n\n

        Research methodology in performing arts. Interpretative strategies\u2013 SYLLABUS<\/strong><\/a><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

        \n\n\n\n

        Recommended research topics for admissions 2026<\/h4>\n\n\n\n\n

        Reinterpretarea \u015fi rescrierea intertextual\u0103 a canonului teatral<\/p>\n\n\n\n

        Reprezent\u0103ri identitare, mize antropologice \u015fi  interculturale ale fenomenului performance<\/em><\/p>\n\n\n\n

        Fic\u0163ional, virtual, performativ \u2013 experien\u0163\u0103 estetic\u0103 \u015fi imaginar utopic\/distopic \u00een era multimedia<\/p>\n\n\n\n

        Performativitate, vizualitate, literaritate \u2013 dialogul perspectivelor estetice \u015fi analiza cultural\u0103 interdisciplinar\u0103<\/p>\n\n\n\n

        Teatrul interiorit\u0103\u0163ii<\/em>: de la drama de con\u015ftiin\u0163\u0103 la un performance al vie\u0163ii private<\/p>\n\n\n\n

        Identitatea histrionic\u0103: \u00eentre autobiografic \u015fi fic\u0163ional<\/p>\n\n\n\n\n\n

          \n
        1. AUSLANDER, Philip, From Acting to Performance<\/em>, London & New York: Routledge, 2007.<\/li>\n\n\n\n
        2. AUSLANDER, Philip, <\/span>Liveness. Performance in a mediatized culture<\/em>. Second edition, London & New York: Routledge, 2008.<\/span><\/li>\n\n\n\n
        3. BAL, Mieke, <\/span>Travelling Concepts in the Humanities. A Rough Guide<\/em>, Toronto: University of Toronto Press, 2002.BISHOP, Claire, <\/span>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, London:Verso, 2012.BOAL, Augusto, <\/span>Jocuri pentru actori \u015fi non-actori. Teatrul oprima\u0163ilor \u00een practic\u0103<\/em>, trad. de Eugenia Anca Rotescu, Bucure\u015fti: Funda\u0163ia CONCEPT, 2005.C\u0102LINESCU, Matei, <\/span>Cinci fe\u0163e ale modernit\u0103\u0163ii. Modernism, avangard\u0103, decaden\u0163\u0103, kitsch, postmodernism<\/em>, trad. rom. Tatiana P\u0103trulescu \u015fi Radu \u0162urcanu, Bucure\u015fti: Univers, 1995.<\/span><\/li>\n\n\n\n
        4. F\u00c9RAL, Josete, \u201eForeword\u201d. SubStance. A Review of Theory and Literary Criticism. Guest editor: Josete F\u00e9ral. Issues 98 & 99, Vol. 31, Nos. 2 & 3, 2002.<\/li>\n\n\n\n
        5. GOLDBERG, RoseLee, Performance Art. From Futurism to the Present<\/em>, Thames&Hudson world of art, 2001.<\/li>\n\n\n\n
        6. HAYLES, Katherine N., <\/span>How We Become Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics<\/em>, Illinois: The University of Chicago Press, 1999.<\/span><\/li>\n\n\n\n
        7. HUTCHEON, Linda, Politica postmodernismului<\/em>, traducere de Mircea Deac, Bucure\u015fti: Univers, 1997<\/li>\n\n\n\n
        8. MITCHELL, W.J.T, What Do Pictures Want? The Lives and Loves of Images<\/em>, Chicago & London: The University of Chicago Press, 2005.<\/li>\n\n\n\n
        9. MORENO, Jacob Levy. Scrieri fundamentale. Despre psihodram\u0103, metoda de grup \u015fi spontaneitate<\/em>, traducere din englez\u0103 de Ioana Maria Novac, Bucure\u015fti: Ed. Trei, 2009.<\/li>\n\n\n\n
        10. PAVEL, Laura, <\/span>Teatru \u015fi identitate. Interpret\u0103ri pe scena interioar\u0103 \/ Theatre and Identity. Interpretations on the Inner Stag<\/em>e, Cluj-Napoca: Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, 2012.PAVEL, Laura, \u201eAesthetic Negotiations of Identity \u2012 Between Embodied and Disembodied Performance\u201d. Ekphrasis, volume 13, 2015, issue 1, 80-90.<\/span><\/li>\n\n\n\n
        11. PAVEL, Laura, Personaje ale teoriei, fiin\u0163e ale fic\u0163iunii. Eseuri<\/em>, Ia\u015fi:Institutul European, 2021.<\/li>\n\n\n\n
        12. RUNCAN, Miruna, Signore Misterioso. O anatomie a spectatorului<\/em> Bucure\u0219ti: UNITEXT,2011.<\/li>\n\n\n\n
        13. SCHECHNER, Richard, Performance Studies. An Introduction<\/em>, London and New York: Routledge, 2002.<\/li>\n\n\n\n
        14. SCHECHNER, Richard, Performance. Introducere \u0219i teorie<\/em>, trad. de Ioana Ieronim, Bucure\u0219ti: UNITEXT, 2009.<\/li>\n<\/ol>\n\n","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en","footnotes":""},"class_list":["post-637","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=637"}],"version-history":[{"count":6,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/637\/revisions"}],"predecessor-version":[{"id":686,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/637\/revisions\/686"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}