{"id":782,"date":"2026-02-11T12:35:10","date_gmt":"2026-02-11T10:35:10","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=782"},"modified":"2026-06-12T17:38:07","modified_gmt":"2026-06-12T15:38:07","slug":"daniela-gologan-miruna-runcan_en","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/daniela-gologan-miruna-runcan_en\/","title":{"rendered":"Daniela GOLOGAN (Miruna Runcan)","raw":"Daniela GOLOGAN (Miruna Runcan)"},"content":{"rendered":"\n

Prof. univ. dr.
Daniela GOLOGAN (Miruna Runcan)<\/strong><\/h2>\n\n\n\n

daniela.gologan@ubbcluj.ro<\/a><\/p>\n\n\n\n

doctoral advisorship obtained during pre-habilitation period <\/p>\n\n\n\n

Phd students: \u2013<\/p>\n\n\n\n

academic profile:<\/strong><\/p>\n\n\n\n

Google Scholar:<\/p>\n\n\n\n

https:\/\/scholar.google.com\/citations?user=9_uY1lQAAAAJ&hl=ro&oi=ao<\/a><\/p>\n\n\n\n

Academia.edu:<\/p>\n\n\n\n

https:\/\/ubbcluj.academia.edu\/MirunaRuncan<\/a><\/p>\n\n\n\n

CV full<\/a><\/strong><\/p>\n\n\n\n

CV_short_EN_RO<\/a><\/strong><\/p>\n\n\n\n

CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n

\"\"<\/figure>
\n

Ph.D. in Theater and Performing Arts, UNATC, with a thesis on the history and aesthetics of Romanian theater direction<\/p>\n\n\n\n

Research interests: History and aesthetics of theater, Reception of the performing arts, Semiotics of theater, History of performing arts institutions in Romania<\/p>\n\n\n\n

Her publications include: Theater in Dioramas. The Discourse of Theater Criticism under Communism. The Deceptive Spring 1965\u20131977, Bucharest, Tracus Arte Publishing House, 2020; Theater in Dioramas. The Discourse of Theater Criticism under Communism. The Fluctuating Thaw 1956\u20131964, Bucharest, Tracus Arte Publishing House, 2019; Odeon 70. A Historical-Homage Adventure, Bucharest, Oscar Print, 2016; Theater Criticism, Where To?, Cluj University Press, 2015; Signore Misterioso. An Anatomy of the Spectator, UNITEXT Publishing House, Bucharest 2011; Toward a Semiotics of the Theatrical Performance, The Impossible Theater Library, Cluj, 2005; Theatricalization and Re-theatricalization in Romania. 1920\u20131960, Cluj, Eikon, 2003; The Romanian Theatrical Model, Unitext Publishing House, Bucharest, 2000<\/p>\n\n\n\n

Courses offered at the Doctoral School:<\/p>\n\n\n\n

Reception Theories in Performing Arts and Film (in\u00a0Romanian<\/strong>)\u00a0SYLLABUS<\/a><\/mark><\/strong><\/p>\n\n\n\n

Institutional Structures and Managerial Models in Romanian Theatre (in\u00a0Romanian<\/strong>)\u00a0SYLLABUS<\/a><\/mark><\/strong><\/p>\n<\/div><\/div>\n","protected":false,"raw":"\n

Prof. univ. dr.
Daniela GOLOGAN (Miruna Runcan)<\/strong><\/h2>\n\n\n\n

daniela.gologan@ubbcluj.ro<\/a><\/p>\n\n\n\n

doctoral advisorship obtained during pre-habilitation period <\/p>\n\n\n\n

Phd students: \u2013<\/p>\n\n\n\n

academic profile:<\/strong><\/p>\n\n\n\n

Google Scholar:<\/p>\n\n\n\n

https:\/\/scholar.google.com\/citations?user=9_uY1lQAAAAJ&hl=ro&oi=ao<\/a><\/p>\n\n\n\n

Academia.edu:<\/p>\n\n\n\n

https:\/\/ubbcluj.academia.edu\/MirunaRuncan<\/a><\/p>\n\n\n\n

CV full<\/a><\/strong><\/p>\n\n\n\n

CV_short_EN_RO<\/a><\/strong><\/p>\n\n\n\n

CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n

\"\"<\/figure>
\n

Ph.D. in Theater and Performing Arts, UNATC, with a thesis on the history and aesthetics of Romanian theater direction<\/p>\n\n\n\n

Research interests: History and aesthetics of theater, Reception of the performing arts, Semiotics of theater, History of performing arts institutions in Romania<\/p>\n\n\n\n

Her publications include: Theater in Dioramas. The Discourse of Theater Criticism under Communism. The Deceptive Spring 1965\u20131977, Bucharest, Tracus Arte Publishing House, 2020; Theater in Dioramas. The Discourse of Theater Criticism under Communism. The Fluctuating Thaw 1956\u20131964, Bucharest, Tracus Arte Publishing House, 2019; Odeon 70. A Historical-Homage Adventure, Bucharest, Oscar Print, 2016; Theater Criticism, Where To?, Cluj University Press, 2015; Signore Misterioso. An Anatomy of the Spectator, UNITEXT Publishing House, Bucharest 2011; Toward a Semiotics of the Theatrical Performance, The Impossible Theater Library, Cluj, 2005; Theatricalization and Re-theatricalization in Romania. 1920\u20131960, Cluj, Eikon, 2003; The Romanian Theatrical Model, Unitext Publishing House, Bucharest, 2000<\/p>\n\n\n\n

Courses offered at the Doctoral School:<\/p>\n\n\n\n

Reception Theories in Performing Arts and Film (in\u00a0Romanian<\/strong>)\u00a0SYLLABUS<\/a><\/mark><\/strong><\/p>\n\n\n\n

Institutional Structures and Managerial Models in Romanian Theatre (in\u00a0Romanian<\/strong>)\u00a0SYLLABUS<\/a><\/mark><\/strong><\/p>\n<\/div><\/div>\n"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_ro_post_content":"\n

Prof. univ. dr.
Daniela GOLOGAN (Miruna Runcan)<\/strong><\/h2>\n\n\n\n

daniela.gologan@ubbcluj.ro<\/a><\/p>\n\n\n\n

dat\u0103 abilitare: dreptul de conduc\u0103tor dob\u00e2ndit pre-abilit\u0103ri<\/p>\n\n\n\n

doctoranzi \u00een stagiu: \u2013<\/p>\n\n\n\n

Linkuri spre profiluri academice:<\/strong><\/p>\n\n\n\n

Google Scholar: <\/p>\n\n\n\n

https:\/\/scholar.google.com\/citations?user=9_uY1lQAAAAJ&hl=ro&oi=ao<\/a><\/p>\n\n\n\n

Academia.edu:<\/p>\n\n\n\n

https:\/\/ubbcluj.academia.edu\/MirunaRuncan<\/a><\/p>\n\n\n\n

CV detaliat<\/a><\/strong><\/p>\n\n\n\n

CV_scurt_EN_RO<\/a><\/strong><\/p>\n\n\n\n

FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/p>\n\n\n\n

\"\"<\/figure>
\n

Doctorat \u00een domeniul Teatru \u0219i artele spectacolului, UNATC, cu o tem\u0103 dedicat\u0103 istoriei \u0219i esteticii regiei rom\u00e2ne\u0219ti de teatru<\/p>\n\n\n\n

Cerceteaz\u0103 \u00een domeniile : Istoria \u0219i estetica teatrului, Receptarea artelor performative,  Semiotica teatrului, Istoria institu\u021biilor de spectacol \u00een Rom\u00e2nia<\/em><\/p>\n\n\n\n

Printre publica\u021biile sale se num\u0103r\u0103: Teatru \u00een diorame. Discursul criticii de teatru \u00een comunism. Am\u0103gitoarea prim\u0103var\u0103 1965-1977<\/em>, Bucure\u0219ti, Editura Tracus Arte, 2020 ; Teatru \u00een diorame. Discursul criticii de teatru \u00een comunism. Fluctuantul dezghe\u021b 1956-1964<\/em>, Bucure\u0219ti Editura Tracus Arte, 2019; Odeon 70. O aventur\u0103 istoric-omagial\u0103<\/em>, Bucure\u0219ti, Oscar Print, 2016; Critica de teatru, \u00eencotro?<\/em>, Presa Universitara Clujeana, 2015; Signore Misterioso. O anatomie a spectatorului<\/em>, Editura UNITEXT, Bucure\u015fti 2011; Pentru o semiotic\u0103 a spectacolului teatral<\/em>, Biblioteca Teatrul Imposibil, Cluj, 2005; Teatralizarea \u0219i reteatralizarea \u00een Rom\u00e2nia. 1920-1960<\/em>, Cluj, Eikon, 2003; Modelul teatral rom\u00e2nesc<\/em>, Editura Unitext, Bucure\u015fti, 2000.<\/p>\n\n\n\n

Cursuri predate la \u0218coala Doctoral\u0103:<\/p>\n\n\n\n

Teorie \u0219i praxis al recept\u0103rii \u00een teatru \u0219i film (rom\u00e2n\u0103) FI\u0218A DISCIPLINEI<\/a><\/mark><\/strong><\/p>\n\n\n\n

Structuri institu\u021bionale \u0219i modele manageriale \u00een teatrul rom\u00e2nesc (rom\u00e2n\u0103) FI\u0218A DISCIPLINEI<\/a><\/mark><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n","_ro_post_name":"782-2","_ro_post_excerpt":"","_ro_post_title":"Daniela GOLOGAN (Miruna Runcan)","_en_post_content":"\n

Prof. univ. dr.
Daniela GOLOGAN (Miruna Runcan)<\/strong><\/h2>\n\n\n\n

daniela.gologan@ubbcluj.ro<\/a><\/p>\n\n\n\n

doctoral advisorship obtained during pre-habilitation period <\/p>\n\n\n\n

Phd students: \u2013<\/p>\n\n\n\n

academic profile:<\/strong><\/p>\n\n\n\n

Google Scholar:<\/p>\n\n\n\n

https:\/\/scholar.google.com\/citations?user=9_uY1lQAAAAJ&hl=ro&oi=ao<\/a><\/p>\n\n\n\n

Academia.edu:<\/p>\n\n\n\n

https:\/\/ubbcluj.academia.edu\/MirunaRuncan<\/a><\/p>\n\n\n\n

CV full<\/a><\/strong><\/p>\n\n\n\n

CV_short_EN_RO<\/a><\/strong><\/p>\n\n\n\n

CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n

\"\"<\/figure>
\n

Ph.D. in Theater and Performing Arts, UNATC, with a thesis on the history and aesthetics of Romanian theater direction<\/p>\n\n\n\n

Research interests: History and aesthetics of theater, Reception of the performing arts, Semiotics of theater, History of performing arts institutions in Romania<\/p>\n\n\n\n

Her publications include: Theater in Dioramas. The Discourse of Theater Criticism under Communism. The Deceptive Spring 1965\u20131977, Bucharest, Tracus Arte Publishing House, 2020; Theater in Dioramas. The Discourse of Theater Criticism under Communism. The Fluctuating Thaw 1956\u20131964, Bucharest, Tracus Arte Publishing House, 2019; Odeon 70. A Historical-Homage Adventure, Bucharest, Oscar Print, 2016; Theater Criticism, Where To?, Cluj University Press, 2015; Signore Misterioso. An Anatomy of the Spectator, UNITEXT Publishing House, Bucharest 2011; Toward a Semiotics of the Theatrical Performance, The Impossible Theater Library, Cluj, 2005; Theatricalization and Re-theatricalization in Romania. 1920\u20131960, Cluj, Eikon, 2003; The Romanian Theatrical Model, Unitext Publishing House, Bucharest, 2000<\/p>\n\n\n\n

Courses offered at the Doctoral School:<\/p>\n\n\n\n

Reception Theories in Performing Arts and Film (in\u00a0Romanian<\/strong>)\u00a0SYLLABUS<\/a><\/mark><\/strong><\/p>\n\n\n\n

Institutional Structures and Managerial Models in Romanian Theatre (in\u00a0Romanian<\/strong>)\u00a0SYLLABUS<\/a><\/mark><\/strong><\/p>\n<\/div><\/div>\n","_en_post_name":"daniela-gologan-miruna-runcan_en","_en_post_excerpt":"","_en_post_title":"Daniela GOLOGAN (Miruna Runcan)","edit_language":"en","footnotes":""},"class_list":["post-782","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=782"}],"version-history":[{"count":3,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/782\/revisions"}],"predecessor-version":[{"id":831,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/782\/revisions\/831"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}