{"id":791,"date":"2026-02-16T12:30:23","date_gmt":"2026-02-16T10:30:23","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=791"},"modified":"2026-06-12T16:41:13","modified_gmt":"2026-06-12T14:41:13","slug":"laura-teutisan-pavel_en","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/laura-teutisan-pavel_en\/","title":{"rendered":"Laura Teuti\u0219an (Pavel)","raw":"Laura Teuti\u0219an (Pavel)"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Laura Teuti\u015fan (alias Laura Pavel)<\/h1>\n\n\n\n<p id=\"block-0a467c20-585a-4b0f-8c53-a4c8ec8c7a5f\"><strong>Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n\n\n\n<p id=\"block-8436d317-2a88-48f6-8bb9-159af0abe96b\"><strong>Prof. Univ. Dr. Habil.<\/strong><\/p>\n\n\n\n<p id=\"block-e2013c92-8619-4cd7-8f30-ca72b3930ec2\"><strong>Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n\n\n\n<p id=\"block-e79aefc4-d209-4175-b47a-08c9b1f89d1e\">dat\u0103 abilitare: 4104MD \/ 05.iul.2013<\/p>\n\n\n\n<p id=\"block-372c0df6-f22a-40eb-a803-de4816dd754b\">Phd. students: 5<\/p>\n\n\n\n<p id=\"block-d10c3b99-fe97-4909-bb99-8aaab71f1470\"><strong>academic profile:<\/strong><\/p>\n\n\n\n<p id=\"block-2704d82b-6e5c-4b17-9c59-f469f636e07c\">Google Scholar:<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p id=\"block-f86389a1-1506-4b98-8a89-ce602afbf503\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Teutisan-Pavel-Laura-long-CV-2025.pdf\">CV full<\/a><\/strong><\/p>\n\n\n\n<p id=\"block-4c60e3ad-61cf-4dcf-ad79-3987986ab0aa\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Laura-Teutisan-Pavel-Short-Bio-RO-EN.pdf\">CV_short EN_RO<\/a><\/strong><\/p>\n\n\n\n<p id=\"block-fee42840-7fc6-4c5b-b48d-5a47256b0dc5\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/TAS-_Teutisan-Pavel-Laura_2026_FTF_Standarde-sintetic.pdf\">CNATDCU score (punctaje)<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/LAURA-PAVEL-1-300x300-1.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p id=\"block-dc53f927-ddcb-41a5-92ee-4203af6b7252\">Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: <em>Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n\n\n\n<p id=\"block-7f2ff53c-9eac-417c-b3e6-9c63bafa3958\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Laura_Pavel\">Link Wikipedia (EN)<\/a><\/p>\n\n\n\n<p id=\"block-e18e0671-8f91-4511-85a4-7b0217d1c01b\">Courses thaught in the Doctoral School:<\/p>\n\n\n\n<p id=\"block-0b5ae800-ea8b-4cf2-8d34-af813e87a438\">Research methodology in performing arts. Interpretative strategies\u2013&nbsp;<mark><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/FD_FTF_VDR1101_Metodologia-cercetarii-in-artele-performative.pdf\"><strong>SYLLABUS<\/strong><\/a><\/mark>Deschide panoul de salvare<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pagin\u0103<\/li>\n<\/ul>\n","protected":false,"raw":"<!-- wp:heading {\"level\":1} -->\n<h1 class=\"wp-block-heading\">Laura Teuti\u015fan (alias Laura Pavel)<\/h1>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-0a467c20-585a-4b0f-8c53-a4c8ec8c7a5f\"><strong>Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-8436d317-2a88-48f6-8bb9-159af0abe96b\"><strong>Prof. Univ. Dr. Habil.<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-e2013c92-8619-4cd7-8f30-ca72b3930ec2\"><strong>Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-e79aefc4-d209-4175-b47a-08c9b1f89d1e\">dat\u0103 abilitare: 4104MD \/ 05.iul.2013<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-372c0df6-f22a-40eb-a803-de4816dd754b\">Phd. students: 5<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-d10c3b99-fe97-4909-bb99-8aaab71f1470\"><strong>academic profile:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-2704d82b-6e5c-4b17-9c59-f469f636e07c\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f86389a1-1506-4b98-8a89-ce602afbf503\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Teutisan-Pavel-Laura-long-CV-2025.pdf\">CV full<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-4c60e3ad-61cf-4dcf-ad79-3987986ab0aa\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Laura-Teutisan-Pavel-Short-Bio-RO-EN.pdf\">CV_short EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-fee42840-7fc6-4c5b-b48d-5a47256b0dc5\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/TAS-_Teutisan-Pavel-Laura_2026_FTF_Standarde-sintetic.pdf\">CNATDCU score (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/LAURA-PAVEL-1-300x300-1.jpg\" alt=\"\"\/><\/figure>\n<!-- \/wp:image -->\n\n<!-- wp:paragraph -->\n<p id=\"block-dc53f927-ddcb-41a5-92ee-4203af6b7252\">Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: <em>Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-7f2ff53c-9eac-417c-b3e6-9c63bafa3958\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Laura_Pavel\">Link Wikipedia (EN)<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-e18e0671-8f91-4511-85a4-7b0217d1c01b\">Courses thaught in the Doctoral School:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-0b5ae800-ea8b-4cf2-8d34-af813e87a438\">Research methodology in performing arts. Interpretative strategies\u2013&nbsp;<mark><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/FD_FTF_VDR1101_Metodologia-cercetarii-in-artele-performative.pdf\"><strong>SYLLABUS<\/strong><\/a><\/mark>Deschide panoul de salvare<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Pagin\u0103<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_ro_post_content":"<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Prof. Univ. Dr. Habil.<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dat\u0103 abilitare: 4104MD \/ 05.iul.2013<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Phd. students: 5<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>academic profile:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.com\/citations?user=WjcKU9wAAAAJ&amp;hl=ro\">https:\/\/scholar.google.com\/citations?user=WjcKU9wAAAAJ&amp;hl=ro<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Teutisan-Pavel-Laura-long-CV-2025.pdf\">CV full<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Laura-Teutisan-Pavel-Short-Bio-RO-EN.pdf\">CV_short EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/TAS-_Teutisan-Pavel-Laura_2026_FTF_Standarde-sintetic.pdf\">CNATDCU score (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:media-text {\"mediaId\":37,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/conducere\/laura-pavel-1-300x300-1\/\",\"mediaType\":\"image\",\"mediaWidth\":36} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/LAURA-PAVEL-1-300x300-1.jpg\" alt=\"\" class=\"wp-image-37 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Con\u021binut...\"} -->\n<p>Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: <em>Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Laura_Pavel\">Link Wikipedia (EN)<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Courses thaught in the Doctoral School:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"placeholder\":\"Con\u021binut...\"} -->\n<p>Research methodology in performing arts. Interpretative strategies\u2013&nbsp;<mark><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/FD_FTF_VDR1101_Metodologia-cercetarii-in-artele-performative.pdf\"><strong>SYLLABUS<\/strong><\/a><\/mark><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4 class=\"wp-block-heading\">Recommended research topics for admission<\/h4>\n<!-- \/wp:heading -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Recommended research \"} -->\n<!-- wp:paragraph -->\n<p>Reinterpretarea \u015fi rescrierea intertextual\u0103 a canonului teatral<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reprezent\u0103ri identitare, mize antropologice \u015fi&nbsp; interculturale ale fenomenului&nbsp;<em>performance<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Fic\u0163ional, virtual, performativ \u2013 experien\u0163\u0103 estetic\u0103 \u015fi imaginar utopic\/distopic \u00een era multimedia<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Performativitate, vizualitate, literaritate \u2013 dialogul perspectivelor estetice \u015fi analiza cultural\u0103 interdisciplinar\u0103<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatrul&nbsp;<em>interiorit\u0103\u0163ii<\/em>: de la drama de con\u015ftiin\u0163\u0103 la un performance al vie\u0163ii private<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Identitatea histrionic\u0103: \u00eentre autobiografic \u015fi fic\u0163ional<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Recommended literature\"} -->\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>AUSLANDER, Philip,\u00a0<em>From Acting to Performance<\/em>, London &amp; New York: Routledge, 2007.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>AUSLANDER, Philip,\u00a0<em>Liveness. Performance in a mediatized culture<\/em>. Second edition, London &amp; New York: Routledge, 2008.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>BAL, Mieke,\u00a0<em>Travelling Concepts in the Humanities. A Rough Guide<\/em>, Toronto: University of Toronto Press, 2002.BISHOP, Claire,\u00a0<em>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, London:Verso, 2012.BOAL, Augusto,\u00a0<em>Jocuri pentru actori \u015fi non-actori. Teatrul oprima\u0163ilor \u00een practic\u0103<\/em>, trad. de Eugenia Anca Rotescu, Bucure\u015fti: Funda\u0163ia CONCEPT, 2005.C\u0102LINESCU, Matei,\u00a0<em>Cinci fe\u0163e ale modernit\u0103\u0163ii. Modernism, avangard\u0103, decaden\u0163\u0103, kitsch, postmodernism<\/em>, trad. rom. Tatiana P\u0103trulescu \u015fi Radu \u0162urcanu, Bucure\u015fti: Univers, 1995.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>F\u00c9RAL, Josete, \u201eForeword\u201d. SubStance. A Review of Theory and Literary Criticism. Guest editor: Josete F\u00e9ral. Issues 98 &amp; 99, Vol. 31, Nos. 2 &amp; 3, 2002.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>GOLDBERG, RoseLee,\u00a0<em>Performance Art. From Futurism to the Present<\/em>, Thames&amp;Hudson world of art, 2001.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>HAYLES, Katherine N.,\u00a0<em>How We Become Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics<\/em>, Illinois: The University of Chicago Press, 1999.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>HUTCHEON, Linda,\u00a0<em>Politica postmodernismului<\/em>, traducere de Mircea Deac, Bucure\u015fti: Univers, 1997<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>MITCHELL, W.J.T,\u00a0<em>What Do Pictures Want? The Lives and Loves of Images<\/em>, Chicago &amp; London: The University of Chicago Press, 2005.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>MORENO, Jacob Levy.\u00a0<em>Scrieri fundamentale. Despre psihodram\u0103, metoda de grup \u015fi spontaneitate<\/em>, traducere din englez\u0103 de Ioana Maria Novac, Bucure\u015fti: Ed. Trei, 2009.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>PAVEL, Laura,\u00a0<em>Teatru \u015fi identitate. Interpret\u0103ri pe scena interioar\u0103 \/ Theatre and Identity. Interpretations on the Inner Stag<\/em>e, Cluj-Napoca: Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, 2012.PAVEL, Laura, \u201eAesthetic Negotiations of Identity \u2012 Between Embodied and Disembodied Performance\u201d. Ekphrasis, volume 13, 2015, issue 1, 80-90.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>PAVEL, Laura,\u00a0<em>Personaje ale teoriei, fiin\u0163e ale fic\u0163iunii. Eseuri<\/em>, Ia\u015fi:Institutul European, 2021.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>RUNCAN,\u00a0<em>Miruna, Signore Misterioso. O anatomie a spectatorului<\/em>\u00a0Bucure\u0219ti: UNITEXT,2011.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>SCHECHNER, Richard,\u00a0<em>Performance Studies. An Introduction<\/em>, London and New York: Routledge, 2002.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>SCHECHNER, Richard,\u00a0<em>Performance. Introducere \u0219i teorie<\/em>, trad. de Ioana Ieronim, Bucure\u0219ti: UNITEXT, 2009.<\/li>\n<!-- \/wp:list-item --><\/ol>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_ro_post_name":"laura-teutisan-pavel_en","_ro_post_excerpt":"","_ro_post_title":"Laura Teuti\u015fan (alias Laura Pavel)","_en_post_content":"<!-- wp:heading {\"level\":1} -->\n<h1 class=\"wp-block-heading\">Laura Teuti\u015fan (alias Laura Pavel)<\/h1>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-0a467c20-585a-4b0f-8c53-a4c8ec8c7a5f\"><strong>Laura Teuti\u015fan (pen name: Laura Pavel)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-8436d317-2a88-48f6-8bb9-159af0abe96b\"><strong>Prof. Univ. Dr. Habil.<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-e2013c92-8619-4cd7-8f30-ca72b3930ec2\"><strong>Email: laura.teutisan@ubbcluj.ro<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-e79aefc4-d209-4175-b47a-08c9b1f89d1e\">dat\u0103 abilitare: 4104MD \/ 05.iul.2013<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-372c0df6-f22a-40eb-a803-de4816dd754b\">Phd. students: 5<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-d10c3b99-fe97-4909-bb99-8aaab71f1470\"><strong>academic profile:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-2704d82b-6e5c-4b17-9c59-f469f636e07c\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f86389a1-1506-4b98-8a89-ce602afbf503\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Teutisan-Pavel-Laura-long-CV-2025.pdf\">CV full<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-4c60e3ad-61cf-4dcf-ad79-3987986ab0aa\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/Laura-Teutisan-Pavel-Short-Bio-RO-EN.pdf\">CV_short EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-fee42840-7fc6-4c5b-b48d-5a47256b0dc5\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/TAS-_Teutisan-Pavel-Laura_2026_FTF_Standarde-sintetic.pdf\">CNATDCU score (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2024\/03\/LAURA-PAVEL-1-300x300-1.jpg\" alt=\"\"\/><\/figure>\n<!-- \/wp:image -->\n\n<!-- wp:paragraph -->\n<p id=\"block-dc53f927-ddcb-41a5-92ee-4203af6b7252\">Laura Teuti\u015fan (pen name: Laura Pavel) is a full professor and holder of a Phd. habilitations (Dr. hab.) at the Faculty of Theatre and Film at Babe\u015f-Bolyai University. Under the name Laura Pavel, she has authored several volumes on literary and theatrical theory and history, two of which have been published abroad to date: <em>Dumitru Tsepeneag and the Canon of Alternative Literature<\/em>, trans. by Alistair Ian Blyth, Dalkey Archive Press (2011), and *Ionesco. L\u2019Antimondo di uno scettico, translated by Maria Luisa Lombardo, Aracne Editrice (2016). For her most recent volume of essays, Characters of Theory, Beings of Fiction (European Institute, 2021), she received the \u201cTudor Vianu \u2013 for Literary and Cultural Theory\u201d Award, granted by the National Museum of Romanian Literature. She also publishes poetry collections under the name Laura Francisca Pavel: Urban Tricks, OMG, 2022 (BAC-FEST Award \u2013 Poetry Book of the Year 2022; Poetry Book of the Year 2022 Award, granted by ARCCA. The French-language version, titled Sc\u00e9narios urbains, translated by Gabrielle Danoux, was published in 2024 by Nombre7 \u00c9ditions); Actions and Protocols, OMG, 2023 (nominated for the Observator Universitas Award and the BAC-FEST); Zone of Excitement, OMG, 2024.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-7f2ff53c-9eac-417c-b3e6-9c63bafa3958\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Laura_Pavel\">Link Wikipedia (EN)<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-e18e0671-8f91-4511-85a4-7b0217d1c01b\">Courses thaught in the Doctoral School:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-0b5ae800-ea8b-4cf2-8d34-af813e87a438\">Research methodology in performing arts. Interpretative strategies\u2013&nbsp;<mark><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/01\/FD_FTF_VDR1101_Metodologia-cercetarii-in-artele-performative.pdf\"><strong>SYLLABUS<\/strong><\/a><\/mark>Deschide panoul de salvare<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Pagin\u0103<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->","_en_post_name":"laura-teutisan-pavel_en","_en_post_excerpt":"","_en_post_title":"Laura Teuti\u0219an (Pavel)","edit_language":"en","footnotes":""},"class_list":["post-791","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=791"}],"version-history":[{"count":6,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/791\/revisions"}],"predecessor-version":[{"id":846,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/791\/revisions\/846"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}