{"id":805,"date":"2026-04-08T11:59:35","date_gmt":"2026-04-08T09:59:35","guid":{"rendered":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/?page_id=805"},"modified":"2026-06-09T11:48:12","modified_gmt":"2026-06-09T09:48:12","slug":"","status":"publish","type":"page","link":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/conducatori\/teatru-si-artele-spectacolului\/bartha-katalin-agnes\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_ro_post_content":"<!-- wp:heading {\"textAlign\":\"center\"} -->\n<h2 class=\"wp-block-heading has-text-align-center\">Conf. univ. dr. habil.<br>Bartha Katalin \u00c1gnes<br><\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">katalin.agnes.bartha@ubbcluj.ro<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">dat\u0103 abilitare: 6751\/25.11.2025<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">doctoranzi \u00een stagiu: 2<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Linkuri spre profiluri academice:<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Google Scholar:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/scholar.google.com\/citations?user=S-vDFOUAAAAJ&amp;hl=ro&amp;oi=a\">https:\/\/scholar.google.com\/citations?user=S-vDFOUAAAAJ&amp;hl=ro&amp;oi=a<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Research Gate:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Academia.edu:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><a href=\"https:\/\/ubbcluj.academia.edu\/BarthaKatalin\u00c1gnes\">https:\/\/ubbcluj.academia.edu\/BarthaKatalin\u00c1gnes<\/a> <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/06\/Bartha_KA_CV_Eng.pdf\">CV detaliat<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/06\/Bartha_KA_Mini-CV.pdf\">CV_scurt_EN_RO<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/06\/Fisa-sintetica-BKA.pdf\">FI\u0218\u0102 STANDARDE CNATDCU (punctaje)<\/a><\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:media-text {\"mediaId\":808,\"mediaLink\":\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/untitled-design\/\",\"mediaType\":\"image\",\"mediaWidth\":32} -->\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:32% auto\"><figure class=\"wp-block-media-text__media\"><img src=\"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/wp-content\/uploads\/2026\/04\/Untitled-design-e1775643914732.png\" alt=\"\" class=\"wp-image-808 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Con\u021binut...\"} -->\n<p><strong>Bartha Katalin \u00c1gnes<\/strong>&nbsp;este conferen\u021biar universitar la Universitatea Babe\u0219-Bolyai, Facultatea de Teatru \u0219i Film. De\u021bine dou\u0103 titluri de doctor ob\u021binute la Universitatea Babe\u0219-Bolyai: un doctorat \u00een filologie (2007, cu o tez\u0103 despre receptarea lui Shakespeare \u00een Transilvania \u00een secolul al XIX-lea) \u0219i un doctorat \u00een teatru \u0219i artele spectacolului (2023, cu o cercetare asupra stilurilor de joc actoricesc). Din 2003 coordoneaz\u0103 proiecte de cercetare privind cultura literar\u0103 a minorit\u0103\u021bii maghiare din secolul al XX-lea la Casa Memorial\u0103 L\u00e1szl\u00f3&nbsp;Szab\u00e9di&nbsp;\u0219i a beneficiat de mai multe burse de cercetare \u00een domeniul studiilor teatrale la Academia Maghiar\u0103 de \u0218tiin\u021be. A publicat numeroase articole despre cultura teatral\u0103 din Europa Central\u0103 \u0219i de Est \u0219i a editat mai multe volume dedicate rela\u021biilor interculturale, istoriografiei teatrale \u0219i elitelor literare. Printre lucr\u0103rile sale se num\u0103r\u0103:&nbsp;S<em>hakespeare&nbsp;Erd\u00e9lyben: XIX.&nbsp;sz\u00e1zadi&nbsp;magyar&nbsp;nyelv\u0171&nbsp;recepci\u00f3&nbsp;[Shakespeare \u00een Transilvania. Receptarea dramelor shakespeariene \u00een limba maghiar\u0103 \u00een secolul al XIX-lea]<\/em>,&nbsp;Argumentum, Budapesta, 2010;&nbsp;<em>Egy&nbsp;nemzetis\u00e9gi&nbsp;k\u00f6nyvkiad\u00f3&nbsp;a&nbsp;diktat\u00fara&nbsp;\u00e9vtizedeiben&nbsp;[O editur\u0103 a unei minorit\u0103\u021bi \u00een deceniile dictaturii (1969\u20131989)]<\/em>, Polis \u2013 Editura ISPMN, 2020;&nbsp;<em>T\u00f6rt\u00e9neti&nbsp;j\u00e1t\u00e9kst\u00edlus&nbsp;\u00e9s&nbsp;gyakorlat:&nbsp;Prielle&nbsp;Korn\u00e9lia&nbsp;p\u00e1ly\u00e1j\u00e1nak&nbsp;m\u0171v\u00e9szeti&nbsp;\u00e9s&nbsp;t\u00e1rsadalmi&nbsp;dimenzi\u00f3i, [Stil \u0219i practic\u0103 de joc actoricesc istoric: Dimensiuni artistice \u0219i sociale ale carierei&nbsp;Korn\u00e9liei&nbsp;Prielle<\/em>,&nbsp;Akad\u00e9miai&nbsp;Kiad\u00f3, EME, 2025.]&nbsp;<\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Tematic\u0103 \u0219i Bibliografie Admitere<\/h2>\n<!-- \/wp:heading -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Tematic\u0103\"} -->\n<!-- wp:paragraph -->\n<p><strong>Doktori kutat\u00e1si t\u00e9mater\u00fcletek (HU)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2022 Sz\u00ednh\u00e1zi historiogr\u00e1fia, arch\u00edvumkutat\u00e1s \u00e9s el\u0151ad\u00f3m\u0171v\u00e9szetek (A sz\u00ednh\u00e1zt\u00f6rt\u00e9neti kutat\u00e1s m\u00f3dszertani \u00e9s elm\u00e9leti k\u00e9rd\u00e9sei; arch\u00edvumok, dokumentumok \u00e9s performat\u00edv eml\u00e9kezetform\u00e1k vizsg\u00e1lata; textualit\u00e1s, performativit\u00e1s, intermedialit\u00e1s, valamint a sz\u00ednh\u00e1zi m\u00falt rekonstru\u00e1l\u00e1s\u00e1nak episztemol\u00f3giai probl\u00e9m\u00e1i.)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2022 Sz\u00ednh\u00e1z, el\u0151ad\u00f3m\u0171v\u00e9szetek \u00e9s kultur\u00e1lis eml\u00e9kezet (Kultur\u00e1lis \u00e9s kinesztetikus eml\u00e9kezet; reperto\u00e1r \u00e9s arch\u00edvum; kisebbs\u00e9gi \u00e9s region\u00e1lis sz\u00ednh\u00e1zi kult\u00far\u00e1k; eml\u00e9kezetpolitika \u00e9s kultur\u00e1lis \u00e1t\u00f6r\u00f6k\u00edt\u00e9s performat\u00edv form\u00e1i.)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2022 Sz\u00edn\u00e9szet, testis\u00e9g \u00e9s performat\u00edv gyakorlatok (A professzi\u00f3 sz\u00ednh\u00e1zi \u00e9s t\u00e1rsadalomt\u00f6rt\u00e9neti megk\u00f6zel\u00edt\u00e9se, sz\u00edn\u00e9szkarrierek, szt\u00e1rkutat\u00e1s, szerepk\u00f6r\u00f6k, sz\u00edn\u00e9szim\u00e1zsok \u00e9s a sz\u00ednh\u00e1zi identit\u00e1sok t\u00e1rsadalmi-kultur\u00e1lis konstrukci\u00f3i, sz\u00edn\u00e9szk\u00e9pz\u00e9s, t\u00f6rt\u00e9neti \u00e9s kort\u00e1rs j\u00e1t\u00e9kst\u00edlusok, megtestes\u00fcl\u00e9s \u00e9s performat\u00edv jelenl\u00e9t)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2022 Sz\u00ednh\u00e1zak, sz\u00ednh\u00e1zi h\u00e1l\u00f3zatok, int\u00e9zm\u00e9nyek \u00e9s kult\u00farpolitika (Rel\u00e1ci\u00f3s \u00e9s h\u00e1l\u00f3zati megk\u00f6zel\u00edt\u00e9sek a sz\u00ednh\u00e1z- \u00e9s el\u0151ad\u00f3m\u0171v\u00e9szetekben; t\u00e1rsulati mobilit\u00e1s, int\u00e9zm\u00e9nyi infrastrukt\u00far\u00e1k, interkultur\u00e1lis transzferek, transznacion\u00e1lis kapcsolatok, emberi \u00e9s nem emberi \u00e1gensek szerepe; kultur\u00e1lis termel\u00e9s, m\u0171v\u00e9szeti munka, kisebbs\u00e9gi kultur\u00e1lis infrastrukt\u00far\u00e1k \u00e9s k\u00f6z\u00e9p- \u00e9s kelet-eur\u00f3pai el\u0151ad\u00e1skult\u00far\u00e1k t\u00e1rsadalmi-politikai dimenzi\u00f3i)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2022 Participat\u00edv, k\u00f6z\u00f6ss\u00e9gi \u00e9s t\u00e1rsadalmilag elk\u00f6telezett el\u0151ad\u00e1sform\u00e1k (Kollekt\u00edv alkot\u00e1s, alkalmazott sz\u00ednh\u00e1z, sz\u00ednh\u00e1zi nevel\u00e9s, participat\u00edv dramaturgi\u00e1k, t\u00e1rsadalmilag elk\u00f6telezett m\u0171v\u00e9szeti gyakorlatok; dokumentarista, intermedi\u00e1lis \u00e9s hibrid el\u0151ad\u00e1sform\u00e1k.)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2022 Practice as Research \/ m\u0171v\u00e9szetalap\u00fa kutat\u00e1s a sz\u00ednh\u00e1z \u00e9s el\u0151ad\u00f3m\u0171v\u00e9szetek ter\u00fclet\u00e9n (Elm\u00e9leti \u00e9s alkot\u00f3i gyakorlatot \u00f6sszekapcsol\u00f3 kutat\u00e1sok )<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Doktori kutat\u00e1si t\u00e9mater\u00fcletek (RO)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Istoriografie teatral\u0103, cercetare de arhiv\u0103 \u0219i arte ale spectacolului (Probleme metodologice \u0219i teoretice ale cercet\u0103rii istoriei teatrului; investigarea arhivelor, documentelor \u0219i formelor de memorie performativ\u0103; textualitate, performativitate, intermedialitate, precum \u0219i problemele epistemologice ale reconstruc\u021biei trecutului teatral.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Teatru, arte ale spectacolului \u0219i memorie cultural\u0103 (Memorie cultural\u0103 \u0219i kinestezic\u0103; repertoriu \u0219i arhiv\u0103; culturi teatrale minoritare \u0219i regionale; politici ale memoriei \u0219i forme performative ale transmiterii culturale.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Actorie, corporalitate \u0219i practici performative (Abord\u0103ri teatral- \u0219i socio-istorice ale profesiei; cariere actorice\u0219ti, construc\u021bia cultural\u0103 a starurilor actorice\u0219ti, tipologii de rol, imagini actorice\u0219ti \u0219i construc\u021bia socio-cultural\u0103 a identit\u0103\u021bilor teatrale; formarea actorului, stiluri de joc istorice \u0219i contemporane, \u00eentrupare \u0219i prezen\u021b\u0103 performativ\u0103.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Teatre, re\u021bele teatrale, institu\u021bii \u0219i politici culturale (Abord\u0103ri rela\u021bionale \u0219i bazate pe teoria re\u021belelor \u00een cercetarea teatrului \u0219i a artelor spectacolului; mobilitatea trupelor, infrastructuri institu\u021bionale, transferuri interculturale, rela\u021bii transna\u021bionale, rolul agen\u021bilor umani \u0219i non-umani; produc\u021bie cultural\u0103, munc\u0103 artistic\u0103, infrastructuri culturale minoritare \u0219i dimensiunile socio-politice ale culturilor spectacolului din Europa Central\u0103 \u0219i de Est.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Actorie, corporalitate \u0219i practici performative (Abord\u0103ri teatral- \u0219i socio-istorice ale profesiei; cariere actorice\u0219ti, studii asupra starurilor teatrale, tipologii de rol, imagini actorice\u0219ti \u0219i construc\u021bia socio-cultural\u0103 a identit\u0103\u021bilor teatrale; formarea actorului, stiluri de joc istorice \u0219i contemporane, \u00eentrupare \u0219i prezen\u021b\u0103 performativ\u0103.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u2022 Teatre, re\u021bele teatrale, institu\u021bii \u0219i politici culturale (Abord\u0103ri rela\u021bionale \u0219i de tip re\u021bea \u00een cercetarea teatrului \u0219i a artelor spectacolului; mobilitatea trupelor, infrastructuri institu\u021bionale, transferuri interculturale, rela\u021bii transna\u021bionale, rolul agen\u021bilor umani \u0219i non-umani; produc\u021bie cultural\u0103, munc\u0103 artistic\u0103, infrastructuri culturale minoritare \u0219i dimensiunile socio-politice ale culturilor spectacolului din Europa Central\u0103 \u0219i de Est.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Forme participative, comunitare \u0219i social angajate ale spectacolului (Crea\u021bie colectiv\u0103, teatru aplicat, educa\u021bie teatral\u0103, dramaturgii participative, practici artistice angajate social; forme documentare, intermediale \u0219i hibride ale spectacolului.)<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u2022 Practice as Research \/ cercetare bazat\u0103 pe practic\u0103 artistic\u0103 \u00een domeniul teatrului \u0219i al artelor spectacolului (Cercet\u0103ri care conecteaz\u0103 reflec\u021bia teoretic\u0103 \u0219i practica artistic\u0103.)<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->\n\n<!-- wp:lightweight-accordion\/lightweight-accordion {\"title\":\"Bibliografie\"} -->\n<!-- wp:paragraph -->\n<p>BALME, Cristopher, <em>The Globalization of Theatre 1870\u20131930. The Theatrical Networks of Maurice E. Bandmann,<\/em>Cambridge University Press, 2020.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BARTHA Katalin \u00c1gnes. <em>T\u00f6rt\u00e9neti j\u00e1t\u00e9kst\u00edlus \u00e9s gyakorlat: Prielle Korn\u00e9lia p\u00e1lyafut\u00e1s\u00e1nak sz\u00ednh\u00e1zm\u0171v\u00e9szeti \u00e9s t\u00e1rsadalmi dimenzi\u00f3i.<\/em> Budapest\u2013Kolozsv\u00e1r: Akad\u00e9miai Kiad\u00f3 \u2013 Erd\u00e9lyi M\u00fazeum-Egyes\u00fclet. 2025.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BISHOP, Claire: <em>Artificial Hells: Participatory Art and the Politics of Spectatorship<\/em>, Verso, London, New York, 2012<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>DAVIS, Tracy C. \u2013 RAE, Paul (eds.): <em>The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studie<\/em>s. Cambridge: Cambridge University Press, 2024.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>DAVIS, Tracy C.: <em>A<\/em><em>ctresses as Working Women and Their Social Identity in Victorian Culture<\/em>, Routledge, 1991.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EGYED Emese: <em>L\u00e1ttat\u00f3 vil\u00e1gok<\/em>; Mentor, Marosv\u00e1s\u00e1rhely, 2013.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>GAJD\u00d3 Tam\u00e1s szerk. <em>Magyar <\/em><em>&nbsp;<\/em><em>Sz<\/em><em>\u00ed<\/em><em>nh<\/em><em>\u00e1<\/em><em>zt<\/em><em>\u00f6<\/em><em>rt<\/em><em>\u00e9<\/em><em>net 1873<\/em><em>\u2013<\/em><em>1920<\/em>. Magyar K\u00f6nyvklub, Orsz\u00e1gos Sz\u00ednh\u00e1zt\u00f6rt\u00e9neti M\u00fazeum \u00e9s Int\u00e9zet, Budapest, 2001.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>GY\u00c1NI G\u00e1bor: <em>Eml\u00e9kez\u00e9s, eml<\/em><em>\u00e9<\/em><em>kezet <\/em><em>\u00e9<\/em><em>s a t<\/em><em>\u00f6<\/em><em>rt<\/em><em>\u00e9<\/em><em>nelem elbesz<\/em><em>\u00e9<\/em><em>l<\/em><em>\u00e9<\/em><em>se<\/em>. Napvil\u00e1g Kiad\u00f3, 2000.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KERSHAW, Baz \u2013 NICHOLSON, Helen (eds.). 2011. <em>Research Methods in Theatre and Performance<\/em>. Edinburgh: Edinburgh University Press.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NORA, Pierre: Az eml\u00e9kezet \u00e9s t\u00f6rt\u00e9nelem k\u00f6z\u00f6tt. A helyek problematik\u00e1ja. Ford. K.&nbsp; Horv\u00e1th Zsolt. <em>Aetas<\/em>, 3- 1999.&nbsp; <a href=\"https:\/\/epa.oszk.hu\/00800\/00861\/00012\/99-3-10.html\">https:\/\/epa.oszk.hu\/00800\/00861\/00012\/99-3-10.html<\/a> &nbsp;&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>POSTLEWAIT, Thomas \u2013 McCONACHIE, Bruce eds.: Interpreting The Theatrical Past: Essays in the Historiography Of Performance (American University Studies. Series 7), Iowa City: University of Iowa Press, 1989.&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SZ\u00c9KELY Gy\u00f6rgy, KER\u00c9NYI Ferenc, eds.: <em>Magyar sz\u00ednh\u00e1zt\u00f6rt\u00e9net 1790-1873<\/em>. Akad\u00e9miai Kiad\u00f3, Budapest, 1990<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TAR Gabriella-N\u00f3ra: <em>\u201eKis j\u00e1t\u00e9kn\u00e9z\u0151hely\u201d : Tanulm\u00e1nyok az eur\u00f3pai \u00e9s a magyar sz\u00ednh\u00e1zt\u00f6rt\u00e9net k\u00f6r\u00e9b\u0151l.<\/em>&nbsp;Erd\u00e9lyi Tudom\u00e1nyos F\u00fczetek (303). Erd\u00e9lyi M\u00fazeum-Egyes\u00fclet, Kolozsv\u00e1r, 2024.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TAYLOR, Diana. <em>The Archive and the Repertoire: Performing Cultural Memory in the Americas<\/em>. Durham\u2013London: Duke University Press, 2003.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>UNGV\u00c1RI ZR\u00cdNYI Ildik\u00f3 \u2013 KRICSFALUSI &nbsp;Beatrix (szerk.) 2021: <em>Test\u2013hatalom\u2013int\u00e9zm\u00e9ny. A sz\u00ednh\u00e1zi nyilv\u00e1noss\u00e1g szerkezetv\u00e1ltoz\u00e1sai Erd\u00e9lyben<\/em>. Bukarest\u2013Marosv\u00e1s\u00e1rhely: Eikon \u2013 UArtPress, 9\u201341.<\/p>\n<!-- \/wp:paragraph -->\n<!-- \/wp:lightweight-accordion\/lightweight-accordion -->","_ro_post_name":"bartha-katalin-agnes","_ro_post_excerpt":"","_ro_post_title":"Bartha Katalin \u00c1gnes","_en_post_content":"","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en","footnotes":""},"class_list":["post-805","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/comments?post=805"}],"version-history":[{"count":6,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/805\/revisions"}],"predecessor-version":[{"id":840,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/805\/revisions\/840"}],"up":[{"embeddable":true,"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/doctorat.teatrufilm.ubbcluj.ro\/en\/wp-json\/wp\/v2\/media?parent=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}